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Birds and Flowers

Flowers and Goldfish

Mandarin ducks and cotton rose hibiscus

Paulownias and Chrysanthemums

Chrysanthemums by a Stream

Mt. Fuji through Pines

Chrysanthemums by the Water

Ema (Votive Painting) of a Chinese Lion and Peony Tree by Flowing Water

Peahen and hibiscus

Flowers and Birds in a Spring Landscape

Summer Flowers

Ivy Lane

Winter and Summer Flowers

Puppies

Grapevine in the Wind

Lakeside Retreat

Chinese Bird on Snow-Laden Branch

Painting from Flowers and Grasses

Farmer Returning Home in Autumn

Autumn Maples with Poem Slips

Sparrows on Blossoming Plum

Depicts Zen monk Huike (慧可) thinking. By painter Shi Ke (Chinese: 石恪), from Five Dynasties and Ten Kingdoms Period to Northern Song (about 10th century)

慈眼大師像

Scholar admiring plum blossoms

Monkeys in a Cherry Tree

Birds and Flowers

Grapevine and Squirrels

Flowers and Trees of the Four Seasons (left screen)

Monkey Hanging on to a Branch

Insects and Flowers, Ming dynasty, 14th-15th century, color on silk, Tokyo National Museum

Vase of Flowers

Pleasure Boat on the Sumida River

Returning Sails off a Distant Shore, from Eight Views of Xiao-Xiang

Duck in Flight

Flowers and Grasses

Irises

Monkeys

Hell Courtesan

Vase of Flowers with Grasshopper, Marine Life, and Garden Rock

Birds and Flowers of the Four Seasons

Ōtsu-e of a Youth Holding Irises (Yarō)

Symbols of Longevity: Deer under Peach and Pine (Pine) (right)

Peonies

Gazing at a Waterfall

松下達摩図

Canopy with Dragon among Flowers

The Four Seasons

Birds and Flowers

Phoenixes and Paulownia

Thangka with the Seventh Bodhisattva

Girl Arranging Flowers

這幅作品被命名為《昆侖松鶴》。昆侖是指神仙們居住的神山——昆侖山。據推測位於中國西部，是中國的大河——黃河的源頭。松和鶴都是長壽的象徵，是和神仙故事頗有關聯的題材。畫面右上方有畫家的署名，並寫著送給一位叫做李懷素的人。以昆侖山上的松樹以及聚集在此的仙鶴為繪畫題材的這幅作品主題極為吉祥，作為賀壽之禮極為相稱。作者呂健是活躍於十六世紀到十七世紀的人物。其曾祖父呂紀是一位著名的宮廷畫家。呂紀有很多構圖周密的大型花鳥圖作品，其華麗的色彩和細膩的筆法不僅在中國，也在朝鮮半島和日本大受追捧，呂紀的繪畫風格在東亞地區到了廣泛傳播。呂健不僅認真學習呂紀的花鳥畫，似乎還將其轉化成了更加瀟灑而又惹人憐愛的表現。這幅作品中姿態優美地彎曲著長頸的仙鶴以及以淡綠色輕輕暈開的松葉都充分表現出了呂健的審美觀。淡淡的墨影巧妙地表現出水面上湧起的波浪，以極具透明感的白色顏料細緻描繪的羽毛線條等卓越的描寫技術也是看點所在。

Birds and Flowers

Winter Scene with Plum Trees and Pheasants

screen by Fukae Roshu "Narrow ivy road". Six-fold screen, color on gold leafed paper, Important Cultural Property

Autumn Evening with Full Moon on Musashino Plain

Bullfinch and Weeping Cherry (Uso, shidarezakura), from an untitled series of flowers and birds

Fish in a Lotus Pond

Chrysanthemum and Horsefly, from an untitled series of Large Flowers

Lions and Tigers in Peony and Bamboo

Fragment textiel

The Beach at Sumiyoshi from the Tales of Ise

Sunset over Autumn Mountains

Four Motifs from the Eight Views of Xiao-Xiang

Peacocks and Bamboo

Tathagata Buddha

Cotton Roses and Sparrow, from an untitled series of Large Flowers

Bell-Flower and Dragonfly, from an untitled series of large flowers

Poppies, from an untitled series of flowers

Irises at Yatsuhashi (Eight Bridges)

Portrait of Momonoi Naoaki

Iris and Grasshopper, from an untitled series of large flowers

『新三十六歌仙図帖』より

Portrait of the Great Master Yeongwoldang Eungjin

Iris, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Blooming Plum Tree, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Bird on a Loquat Tree

Silk Velvet Fragment with Tiger-Stripe and 'Cintamani' Design

"Dancing Dervishes", Folio from a Divan of Hafiz

Morning Glories and Tree-frog, from an untitled series of Large Flowers

Crossing at Sano

Part of the series "Portraits of actors at three theaters in Edo". This print depicts the actor Sawamura Sojuro III as Ogishi Kurando. This is a first period print and designated collectively together with 26 other prints from the series as Important Cultural Property of Japan.

Twee textielfragmenten op een blad, borduursel en druk op zijde

Plum Blossoms

Unidentified Man

Leaf from Album of Persian Calligraphy

Mount Asama, byobu by Aodo Denzen, Tokyo National Museum, Japan

This drawing, Walters manuscript leaf W.749, was executed in Safavid Iran, most probably in the late 10th century AH/AD 16th, in Qazvin or Isfahan. Above, a farmer plows; below, a seated young man watches a produce seller weigh his purchase. On the rocks in the center foreground is inscribed the name of one of the most famous painters in Iran in the 11th century AH/AD 17th, Riza 'Abbasi (active 1001-1044 AH/AD 1591-1592 to 1634). As the handwriting does not match that of the artist, an admirer of Riza's work seems to have attributed the drawing to him. The execution and the bucolic subject matter of this drawing relate closely to the oeuvre of the Persian artist Muhammadi Haravi (active late 10th century AH/AD 16th), who worked in Qazvin. It is possible that this composition was conceived as a manuscript page.

Geese, Reeds, and Water

Cuckoo Flying under a Full Moon

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)"

Four Portraits from the St. Petersburg Album. Painters unknown, borders by Muhammad Sadiq. Top left: Nadir Shah, Iran, ca. 1740. Top right: Adil Shah, Iran, ca. 1748. Bottom left: Unidentified nobleman, Mughal school, 18th century. Bottom right: Unidentified nobleman, Mughal school, 18th century. Art Institute of Chicago 1919.952 recto

Mandala of the Three Shrines at Kumano

Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Vasant Ragini: Folio from a ragamala series (Garland of Musical Modes)

Dragon and Tiger

Fishing in a Springtime Valley

Lilies, from an untitled series of Large Flowers

Umezawa Marsh in Sagami Province (Soshu Umezawa hidari), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"

Buddhist Deities