Related

Flowers and Trees of the Four Seasons (left screen)
Heron on a Willow Branch
Birds and Flowers of the Four Seasons
Birds and Flowers
Winter Scene with Plum Trees and Pheasants
Plum Blossoms
Winter and Summer Flowers
Chrysanthemums by a Stream
Monkeys in a Cherry Tree
Mount Fuji with Cherry Trees in Bloom
Paulownias and Chrysanthemums
Blooming Plum Tree, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Autumn Maples with Poem Slips
Birds and Flowers
Phoenixes and Paulownia
Sparrows on Blossoming Plum
Flowers and Grasses
Vase of Flowers with Grasshopper, Marine Life, and Garden Rock
Summer Night
Peacocks and Bamboo
Geese, Reeds, and Water
Chinese Bird on Snow-Laden Branch
​這幅作品被命名為《昆侖松鶴》。昆侖是指神仙們居住的神山——昆侖山。據推測位於中國西部,是中國的大河——黃河的源頭。松和鶴都是長壽的象徵,是和神仙故事頗有關聯的題材。畫面右上方有畫家的署名,並寫著送給一位叫做李懷素的人。以昆侖山上的松樹以及聚集在此的仙鶴為繪畫題材的這幅作品主題極為吉祥,作為賀壽之禮極為相稱。 作者呂健是活躍於十六世紀到十七世紀的人物。其曾祖父呂紀是一位著名的宮廷畫家。呂紀有很多構圖周密的大型花鳥圖作品,其華麗的色彩和細膩的筆法不僅在中國,也在朝鮮半島和日本大受追捧,呂紀的繪畫風格在東亞地區到了廣泛傳播。 呂健不僅認真學習呂紀的花鳥畫,似乎還將其轉化成了更加瀟灑而又惹人憐愛的表現。這幅作品中姿態優美地彎曲著長頸的仙鶴以及以淡綠色輕輕暈開的松葉都充分表現出了呂健的審美觀。淡淡的墨影巧妙地表現出水面上湧起的波浪,以極具透明感的白色顏料細緻描繪的羽毛線條等卓越的描寫技術也是看點所在。
Painting from Flowers and Grasses
Birds and Flowers
Autumn Evening with Full Moon on Musashino Plain
Flowers and Goldfish
Grapevine
Ivy Lane
Peahen and hibiscus
screen by Fukae Roshu "Narrow ivy road". Six-fold screen, color on gold leafed paper, Important Cultural Property
Pleasure Boat on the Sumida River
Monkey Hanging on to a Branch
Scholar admiring plum blossoms
Peonies
Gibbons in a Landscape
Flowers and Birds in a Spring Landscape
Returning Sails off a Distant Shore, from Eight Views of Xiao-Xiang
Bullfinch and Weeping Cherry (Uso, shidarezakura), from an untitled series of flowers and birds
Fish in a Lotus Pond
Lions and Tigers in Peony and Bamboo
Birds and Flowers
Irises
Summer Flowers
Irises at Yatsuhashi (Eight Bridges)
Chrysanthemums by the Water
Cuckoo Flying under a Full Moon
Grapevine in the Wind
Symbols of Longevity: Deer under Peach and Pine (Pine) (right)
Fragment textiel
The Four Seasons
Mount Asama, byobu by Aodo Denzen, Tokyo National Museum, Japan
Mt. Fuji through Pines
Duck in Flight
Famous Views of Ōmi
Winter and Spring Landscape
Cotton Roses and Sparrow, from an untitled series of Large Flowers
Hilma Af Klint Series SUW, No 14 Swan, 1914 -1915
Crossing at Sano
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"
Insects and Flowers, Ming dynasty, 14th-15th century, color on silk, Tokyo National Museum
Two Rabbits, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Hydrangea and Swallow, from an untitled series of large flowers
Spring and Autumn Farming (Autumn)
Selections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
​马远《寒江独钓图》(图片经过较温和的亮化处理)
Ōtsu-e of a Youth Holding Irises (Yarō)
Girl Arranging Flowers
Howling Wolf in a Deep Mountain Valley
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)"
『新三十六歌仙図帖』より
Hen and Bamboo, by Luo Chuang, Tokyo National Museum, Japan
Denshin kaishu Hokusai manga nihen
A view across a wide, brightly lit field scattered with broken pieces of stone is framed to the left and right by crumbling stone temples in this horizontal painting. The sunlight is infused with a soft pink glow, which warms the cream-white stone with a pale blush. The temple on our left sits on a low rise, and a row of at least nine columns topped with an entablature faces our right. Several of the columns are broken off, and part of the entablature and the entire roof is missing, from what we can see. Fragments of pediments and wheel-like sections of columns tumble down from its front steps and back along its side, cascading into and across most of the field before us. The rocky terrain is carpeted in celery-green growth speckled with sage green and areas of rust red in the lower left and right corners. Barely visible in the center of the field, are two men, barely taller than the fragments they inspect. One man wears an apricot-orange suit and bowler hat over blond hair. He kneels with his back to us as he writes or sketches on a piece of paper. A second man stands to his right, also with his back to us, dressed in a long pleated, white tunic with a red cap, jacket, and knee-high boots. To our right and farther back than the other temple, a brick-red tower stands next to another columned arcade. A third temple there, or perhaps another part of that building complex, has columns carved into the shape of six identical, robed women, facing our left. Beyond the ruins, the field slopes down to a peach-colored plain that ends at a wide, topaz-blue body of water with mountains in the far distance along the low horizon line. A petal-pink haze rises from the water and mountains and almost fills the blue-gray sky above. The artist has signed and dated the painting in the lower left, “S.R. Gifford 1880.”
Gazing at a Waterfall
Mandarin ducks and cotton rose hibiscus
Buddhist Deities
Unidentified Woman
Birds and Flowers
Titel: Svanen, nr 13, grupp IX, serie SUW. Konstnär: Hilma af Klint (1862-1944, svenska). Olja på duk utförd 1915. Stiftelsen Hilma af Klints verk.
Hilma af Klint — The Ten Largest — Number 2 Childhood
Canopy with Dragon among Flowers
Depicts Zen monk Huike (慧可) thinking. By painter Shi Ke (Chinese: 石恪), from Five Dynasties and Ten Kingdoms Period to Northern Song (about 10th century)
Dragon and Tiger
Books and Scholars’ Accoutrements
Unidentified Man
Writing Box (Suzuribako) with Phoenix in Paulownia
Tánggǔ (堂鼓)
Fragment textiel
Vase of Flowers
Hunting Scene
Unidentified Man
Lakeside Retreat
Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Bell-Flower and Dragonfly, from an untitled series of large flowers
Monkeys
Portrait of Momonoi Naoaki
Chrysanthemum and Horsefly, from an untitled series of Large Flowers
Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Farmer Returning Home in Autumn