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Hilma Af Klint - The Swan, No. 12, Group IX/SUW, 1915

Hilma Af Klint Series SUW, No 14 Swan, 1914 -1915

"The Swan, No. 18" by Hilma Af Klint [Venice - 13 October 2013]

Hilma af Klint "Svanen, nr 17, grupp IX/SUW, serie SUW/UW", 1915. Stiftelsen Hilma af Klints Verk. Photo: Moderna Museet/Albin Dahlström.

Hilma af Klint - Group X, No. 2, Altarpiece, 1915

Hilma af Klint - Group IX/SUW, The Swan, No. 1, 1915

Hilma af Klint - The Swan, No. 10, Group IX/SUW, 1915

Hilma af Klint - Group IX/SUW, The Swan, No. 9, 1915

Hilma af Klint - Group IX/SUW, The Swan, No. 7, 1915

Hilma af Klint - Group IX/UW, No. 25, The Dove, No. 1, 1915

Hilma af Klint - Altarpiece No. 1 Group X

Svanen, nr 22, serie SUW/UW, målad av svenske konstnären Hilma af Klint (1862-1944) åren 1914-194 i oljefärg på duk. Stiftelsen av Hilma af Klints verk.

Hilma af Klint — The Ten Largest — Number 9 Old Age

Hilma af Klint — The Ten Largest — Number 4 Youth

Hilma af Klint — The Ten Largest — Number 2 Childhood

Seated Female Nude (Self-Portrait?)

Acteurs tijdens een kabuki-voorstelling in Kabukiza, Tokyo

Iris, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Unidentified Man

Hilma af Klint — The Ten Largest — Number 10 Old Age

Unidentified Woman

Unidentified Woman

Hilma af Klint, Buddha’s Standpoint in the Earthly Life, No. 3a, (1920), courtesy Hamburger Bahnhof

Hilma af Klint — The Ten Largest — Number 3 Youth

Gedicht op de zilveren bruiloft van Ludolph Simon de With en Maria de Wit, 15 augustus 1771

Goddess Riding a Dragon, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Hilma af Klint — The Ten Largest — Number 6 Adulthood

Paardenschender of gleve

Corsesca

Winter Trees Reflected in a Pond

Bowl with Inscription, "Sovereignty is God's"

Estérel Village

John F. Gray

Tánggǔ (堂鼓)

A woman with pale white skin and her blond hair covered by a wide veil is shown from the waist up in this vertical portrait painting. Her folded hands rest on the lower edge of the panel, suggesting that she sits just on the other side, close to us. The transparent white veil covers her blond hair and falls in stiff, wide panes down in front of her shoulders. Her hair is pulled back behind a black ribbon over a high forehead. Her light brown eyes are downcast and she has a straight nose and full, pale pink lips. Her chest is covered by another veil and is tucked into the deep V-neck of her long-sleeved, black dress. A wide scarlet-red belt adorned with an ornately filigreed gold belt buckle encircles her narrow waist. Her skin, white veils, and red belt contrast sharply with her velvety black dress and the dark pine green of the background.

Oribe-Type Ewer

Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)

"Antonius" Violin

Tree of Knowledge, No. 2

Lyman Trumbull

Feast Ladle

Unidentified Woman

Unidentified Man

Unidentified Man

Charles and Lavinia Stratton

Terracotta kernos (vase for multiple offerings)

Ram Mask (Bolo)

Saint Sebastian

Storage Jar

Grafmonument met alliantiewapen en vier kwartierwapens

Japan; Illustrated book; Illustrated Books

Mount Sainte-Victoire

Unidentified Man

Black-Figure Hydria (Water Vessel): Frontal Quadriga (Body); Theseus and Minotaur (Shoulder)

Hilma af Klint — The Ten Largest — Number 5 Adulthood

Shown from the waist up, a woman with pale skin and brown hair, wearing a dark corset and white fabric over her shoulders, looks down at needlework in her hands in this vertical painting. Her cheeks are rosy and her dark hair is pulled back, though it seems looser down the sides of her face. A small, coral-red, crescent shape at the back of her head could be covering her hair or holding it in place. White, nearly translucent fabric lies loosely across her shoulders over a dark, moss-brown, long-sleeved dress. Her breasts swell over the squared, lace-trimmed neckline. She holds white fabric and perhaps a needle in her hands, which rest on a tan cushion on her lap. The scene is loosely painted throughout so some of the details are difficult to make out. A darker spot along her right index finger could be a thimble. The background is the same olive-tan of the cushion.

Alexander Campbell

Solomon Robert Guggenheim

Torso of a Kouros

Hilma af Klint — The Ten Largest — Number 1 Childhood

Textile Fragment

Head Fragment

Hilma af Klint — The Ten Largest — Number 5 Adulthood

Goqing

Spoon holder

Blooming Plum Tree, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Improvisation No. 30 (Cannons)

Unidentified Man

Unidentified Man

Lantern for a Lamp

Courting flute (siyotanka)

Mount Fuji with Cherry Trees in Bloom

White-Ground Lekythos (Oil Vessel): Atalanta and Erotes

Red-Figure Calyx-Krater (Mixing Vessel): Medea in Chariot (A); Telephos with Baby Orestes (B)

Alfred W. Ely

Viola d'Amore

Hotei Smoking his Pipe, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

The Dream of the Shepherd (Der Traum des Hirten)

Cranes on snow-covered pine

Coat

Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Center table

The Night Watch Militia Company of District II under the Command of Captain Frans Banninck Cocq

The Girl by the Window

Panel with the god Zeus/Serapis/Ohrmazd and worshiper

Fan painting with river landscape

A young, pale-skinned woman with reddish-blond hair sits with a nearly nude, chubby toddler standing in her lap in this vertical painting. She looks down at him, her body and face angled to our left. Thin lines creating a gold halo fan out from the back of her head. An ivory-white scarf wraps around her head and trails down the back of her neck where it is tucked into a dark, teal-blue cloak covering her shoulders and draping across her lap. Under the robe, she wears a loose, cherry-red gown with vertical pleats over her chest. The baby, also with pale skin, reddish blond hair, and a delicate gold halo, looks up at her face with light brown eyes. He stands on the woman’s right thigh, to our left. One of the woman's hands wraps around his body and supports his legs, while she props up his chest with her other. A length of pale gray fabric wraps over one shoulder and around his stomach. The two are situated in front of a column and pillar supporting a horizontal lintel overhead. The view beyond is of a blue sky over a golden field with dark green conical cypress trees in the distance.

Memorial head (nsodie)

About three dozen people gather in a grassy field to either side of a crumbling structure to kneel and pray before a woman and baby in the center of this horizontal painting. The woman, Mary, and baby, Jesus, have smooth, pale skin while the others have light or tanned skin. The structure has sand-colored stone pillars, a wooden triangular, pitched roof, and a straw floor. Mary, who has an elongated torso, sits facing us with her knees apart. She wears an azure-blue robe over a rose-pink dress. A shell-pink veil covers her head and body. Jesus sits on her left knee, his pudgy body angled to our left. He is nude except for a transparent cloth wrapped over one shoulder and the opposite hip. Mary’s left hand braces his torso. On Mary’s right, our left, Joseph, an older man, stands facing us. He clasps his hands at his chest and leans on a long stick. He has wrinkled skin, long, gray curly hair, and a full beard. Both Mary and Joseph tilt their heads to their right, our left, as they look down at Jesus. Joseph wears a golden yellow robe over a blue tunic. Joseph, Mary, and Jesus have faint gold halos. Behind them, a brown cow and gray donkey rest on the straw. People closest to Mary and Jesus kneel and bow their heads while the people to the left and right sides mostly stand. Three men kneeling closest to Mary and Jesus offer gifts, including a bronze vessel and a gold jar. One man has long dark brown hair and a beard, and wears a gold crown. Another man is bald with long gray hair and beard, while the third is cleanshaven with shoulder-length brown hair. These men wear robes in powder blue, carnation pink, or celery green with delicate silver and gold embelishments. Others in the crowd range in age from young and cleanshaven to older and bearded. They wear robes and tunics in shades of raspberry pink, butterscotch yellow, lapis blue, plum purple, or forest green. Several horses, their coats white or cinnamon brown, stand among the crowd, a few with riders. To our right, one horse rears its head and two others stand facing each other. Beyond the crowd, grassy green meadows and hills dotted with trees lead back to the horizon. A pale blue sky fills the top third of the composition.

Sleep and Death Cista Handle

Fragment van een muurschildering

Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Kaftan

The great Jewish bride

Collier met hanger

No 1. From "The Parsifal Series", painted 1916. From an exhibition at Moderna Museet, Stockholm.

Unidentified Man

Brush Washer

Two Rabbits, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)