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Flowers and Trees of the Four Seasons (left screen)

Winter and Summer Flowers

Flowers and Grasses

Birds and Flowers

Geese, Reeds, and Water

Peacocks and Bamboo

Lions and Tigers in Peony and Bamboo

Chrysanthemums by a Stream

Phoenixes and Paulownia

Birds and Flowers of the Four Seasons

Irises

Summer Night

Birds and Flowers

Irises at Yatsuhashi (Eight Bridges)

Autumn Maples with Poem Slips

Grapevine in the Wind

Peonies

Birds and Flowers

Peahen and hibiscus

Spring and Autumn Farming (Autumn)

Ivy Lane

Birds and Flowers

Heron on a Willow Branch

The Four Seasons

Paulownias and Chrysanthemums

Gibbons in a Landscape

Summer Flowers

Winter Scene with Plum Trees and Pheasants

Mount Asama, byobu by Aodo Denzen, Tokyo National Museum, Japan

screen by Fukae Roshu "Narrow ivy road". Six-fold screen, color on gold leafed paper, Important Cultural Property

Lakeside Retreat

Duck in Flight

Famous Views of Ōmi

Birds and Flowers

Chrysanthemums by the Water

Scholar admiring plum blossoms

Fish in a Lotus Pond

Dragon and Tiger

Mandarin ducks and cotton rose hibiscus

Fragment textiel

Flowers and Birds in a Spring Landscape

Winter and Spring Landscape

Insects and Flowers, Ming dynasty, 14th-15th century, color on silk, Tokyo National Museum

Sparrows on Blossoming Plum

Painting from Flowers and Grasses

Monkeys in a Cherry Tree

Crossing at Sano

Mt. Fuji through Pines

Ōtsu-e of a Youth Holding Irises (Yarō)

Yoroboshi, by Shimomura Kanzan, Tokyo National Museum, Japan

Hunting Scene

這幅作品被命名為《昆侖松鶴》。昆侖是指神仙們居住的神山——昆侖山。據推測位於中國西部，是中國的大河——黃河的源頭。松和鶴都是長壽的象徵，是和神仙故事頗有關聯的題材。畫面右上方有畫家的署名，並寫著送給一位叫做李懷素的人。以昆侖山上的松樹以及聚集在此的仙鶴為繪畫題材的這幅作品主題極為吉祥，作為賀壽之禮極為相稱。作者呂健是活躍於十六世紀到十七世紀的人物。其曾祖父呂紀是一位著名的宮廷畫家。呂紀有很多構圖周密的大型花鳥圖作品，其華麗的色彩和細膩的筆法不僅在中國，也在朝鮮半島和日本大受追捧，呂紀的繪畫風格在東亞地區到了廣泛傳播。呂健不僅認真學習呂紀的花鳥畫，似乎還將其轉化成了更加瀟灑而又惹人憐愛的表現。這幅作品中姿態優美地彎曲著長頸的仙鶴以及以淡綠色輕輕暈開的松葉都充分表現出了呂健的審美觀。淡淡的墨影巧妙地表現出水面上湧起的波浪，以極具透明感的白色顏料細緻描繪的羽毛線條等卓越的描寫技術也是看點所在。

Monkey Hanging on to a Branch

The Forest at Pontaubert

Returning Sails off a Distant Shore, from Eight Views of Xiao-Xiang

Grapevine

Vase of Flowers

Mount Fuji with Cherry Trees in Bloom

Four Motifs from the Eight Views of Xiao-Xiang

Puppies

The Beach at Sumiyoshi from the Tales of Ise

Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Farmer Returning Home in Autumn

Buddhist Deities

Canopy with Dragon among Flowers

Chinese Bird on Snow-Laden Branch

Walters manuscript W.620 has a brown leather blind-stamped binding with a flap. The binding is decorated with a central oval medallion and pendants. This binding is not original to the manuscript.

Depicts Zen monk Huike (慧可) thinking. By painter Shi Ke (Chinese: 石恪), from Five Dynasties and Ten Kingdoms Period to Northern Song (about 10th century)

Walters manuscript W.619 is an illuminated manuscript containing 2 works by Sa"di (died 691 AH/AD 1292): the Gulistan (Rose garden) and the Bustan (Orchard). It was copied in 980 AH/AD 1572 by Muhammad Riza al-Tabrizi in Iran. The text of the Gulistan appears in the main area, while that of the Bustan is inscribed obliquely around the main text area on three sides. Both texts are written in black and gold nasta"liq script. The margins are multi-colored, gold-sprinkled tinted or marbled paper. The original leather binding dates to the 10th century AH/AD 16th and has dentelle-style decorated boards and doublures with gold filigree work over a multi-colored ground of blue, green, red, and black.

Gazing at a Waterfall

Fragment van een muurschildering

Symbols of Longevity: Deer under Peach and Pine (Pine) (right)

Writing Box (Suzuribako) with Phoenix in Paulownia

Portrait of Momonoi Naoaki

Hen and Bamboo, by Luo Chuang, Tokyo National Museum, Japan

Pleasure Boat on the Sumida River

Amitabha Triad, Tokyo National Museum

Howling Wolf in a Deep Mountain Valley

Iris, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Leaf from Album of Persian Calligraphy

Vase of Flowers with Grasshopper, Marine Life, and Garden Rock

Twee textielfragmenten op een blad, borduursel en druk op zijde

Fragment textiel

Oribe-Type Ewer

Plum Blossoms

Velvet and Silk Carpet

『新三十六歌仙図帖』より

Sunset Glow over a Fishing Village, from Eight Views of Xiao-Xiang

Iris and Grasshopper, from an untitled series of large flowers

Tánggǔ (堂鼓)

Girl Arranging Flowers

Pichhwai for the Festival of Cows

Hinds House Window

Two Rabbits, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Hell Courtesan

Fishing in a Springtime Valley

"Black Buck", Folio from the Shah Jahan Album

松下達摩図

This drawing, Walters manuscript leaf W.749, was executed in Safavid Iran, most probably in the late 10th century AH/AD 16th, in Qazvin or Isfahan. Above, a farmer plows; below, a seated young man watches a produce seller weigh his purchase. On the rocks in the center foreground is inscribed the name of one of the most famous painters in Iran in the 11th century AH/AD 17th, Riza 'Abbasi (active 1001-1044 AH/AD 1591-1592 to 1634). As the handwriting does not match that of the artist, an admirer of Riza's work seems to have attributed the drawing to him. The execution and the bucolic subject matter of this drawing relate closely to the oeuvre of the Persian artist Muhammadi Haravi (active late 10th century AH/AD 16th), who worked in Qazvin. It is possible that this composition was conceived as a manuscript page.