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Oksaal (koorafscheiding), afkomstig uit de kerk te Helvoirt

Kast met het wapen Alberda

Kast, kussenkast met kapitelen met cherubs. Kussens met festoenen

Kast van eikenhout met één-deurs bovenkast en tweedeurs onderkast

Cabinet of a Militia Company

Collector’s cabinet

Sideboard

Cabinet

Wall fountain

Cabinet

Cabinet Decorated with Episodes from the Parable of the Prodigal Son

Cupboard

Textile Fragment

Cabinet

Cupboard

Rosewater ewer

Altaar van de Rooms Katholieke kerk te Rijsbergen

Chair (Kiti Cha Enzi)

Tea Table

Stoel van kersen(?)hout, met beklede zitting, rechthoekig rugraam met opengewerkte vaas met guirlandes en rozetten

Ovoid covered jar with a woman reading a letter and finial in the shape of a shishi

Lontslotmusket met vuursteenslot uit latere periode

Grafmonument met alliantiewapen en vier kwartierwapens

The Milkmaid

Tánggǔ (堂鼓)

Center table

Spiegellijst, beschilderd met vier allegorische vrouwenfiguren

Manuscript Cover with Prajnaparamita Attended by Sadakshari Lokeshvara and a Tara

The Adoration of the Magi

Guitar

Mechanical table

The Merry Family

Carpet with Scrolling Vines and Blossoms

Donderbus buitgemaakt op Lombok in 1894

Apothecary jar

Guitar

Copy of The Night Watch

Accordion

Grand Piano

Desk and Bookcase

Margaret of Austria

Jewelry Elements

Belt clasp

Ceremonial Hanging (Palepai)

Hanger op voetstuk met Amphitrite op een dolfijn

The great Jewish bride

Waistcoat

Mirrored cabinet

The Night Watch Militia Company of District II under the Command of Captain Frans Banninck Cocq

Writing Box (Suzuribako) with Phoenix in Paulownia

Bassoon

A winged angel with arms crossed kneels across from a young woman sitting and holding a book, both under an archway in a paneled room in this vertical painting. They both have pale, yellow-toned skin, blond hair, and flat, gold halos. They also have golden brown eyes, long, straight noses, smooth cheeks, and their pale, pink lips are closed. To our right, the woman sits in a throne-like chair with her body facing our left. Her head tilts down, and she looks toward the angel under lowered lids. Her hair is pulled back under the neck of the lapis-blue cloak she wears over a crimson-red dress. The dress and cloak are trimmed with gold, and a there is a gold starburst on the cloak over her left shoulder, closer to us. She holds her other hand up near that shoulder with her fingertips brushing her chest. With her other hand, she holds open the pages of a small book in her lap, so her fingers overlap some of the words. The entire Latin inscription would read, “virgo concipiet et pariet filium et vocabitur nomen eius emmanuel butirum et mel come dit ut fiat reprobare.” A slender, bone-white column separates her from the angel across from her, along the left edge of the painting. The angel has curly, shoulder-length hair and wears a robe with a gold, floral pattern against a burgundy-red background. Long, golden wings emerge from the shoulder blades and extend off the side of the composition. An open archway just beyond the angel is filled with streaks of flax yellow and burnt orange, possibly representing flames. Some of the walls in the room around the pair are pale olive green and other areas are darker spruce green. There are bands of coral-pink molding and inset panels of patterned mosaics. The flat ceiling of the space immediately over the pair is decorated with checkerboard panels in navy blue, hunter green, brown, and brick red. Gold lines create a ray coming from the ceiling toward the woman. At the back of the space, beyond the column separating the woman and angel, the room extends into an alcove with an arched hallway painted with gold stars against a midnight-blue background. Double doors open at the back of the alcove onto a room with a pale-yellow curtain with a mesh-like trim. We see the pair as if through a stone archway that lines the top and sides of the composition. The upper corners are filled with leafy decorations, as if carved into the stone.

Hinds House Window

Ovoid covered jar with a woman reading a letter and finial in the shape of a shishi

Commode

Bassoon

Armor (Gusoku)

Relief: two servants bearing food and drink

Ovoid jar with women with a yoke in scalloped panels

Set of Four Armchairs and Settee

Fire Screen

Dagger-axe

Pair of Candelabra

Jar with Lion-Head Handles

Doublet

Nautilus Cup

Pichhwai for the Festival of Cows

Cape

Fragment (Dress Fabric)

Censer with seated king

Hanger in de vorm van een reukbal

Ewer

Buddhist Priest's Ceremonial Robe

Walbus met vuursteenslot

Interieur van een timmermanswerkplaats

Hanger met cachet met de Dood

Swivel musketoon

Swivel Gun and Two Charges of Grape Shot

Kaftan

Ornament voor de houten steel van een ge

Acteurs tijdens een kabuki-voorstelling in Kabukiza, Tokyo

The Wade Cup with Animated Script

Table Fountain

Helmet (Zukinnari Kabuto)

Walking ensemble

The great Jewish bride

A pale-skinned young girl leaning over a low fence and holding a broom gazes in our direction in this vertical painting. Her red hair is pulled back from her round face, and she has large hazel eyes under thin brows, a petite nose, and her coral-red mouth is slightly open. She is shown from the chest up, behind a wooden partition that spans the width of the painting. She wears a loose, ivory-white shirt under a garment with pumpkin-orange straps on the shoulders and chest. She leans forward with her elbows hooked over the partition as she holds a long-handled broom to her chest. A wooden pail with a bronze handle is overturned to the right of the broom. A blocky brown object to our left is difficult to make out. A dark brown semicircular object close to us in the center of the composition resembles the mouth of a well. Soft light from the upper left illuminates the girl and the left side of the caramel-brown wall behind her and throws the right side into shadow. A signature near the lower left looks like it had been painted on the inner edge of the well. It reads, “Rembrandt f. 1651.”

Hanger

Helmet with divine figures beneath a bird with outstretched wings

Palampore

Ensemble

Clarinet in D

About three dozen people gather in a grassy field to either side of a crumbling structure to kneel and pray before a woman and baby in the center of this horizontal painting. The woman, Mary, and baby, Jesus, have smooth, pale skin while the others have light or tanned skin. The structure has sand-colored stone pillars, a wooden triangular, pitched roof, and a straw floor. Mary, who has an elongated torso, sits facing us with her knees apart. She wears an azure-blue robe over a rose-pink dress. A shell-pink veil covers her head and body. Jesus sits on her left knee, his pudgy body angled to our left. He is nude except for a transparent cloth wrapped over one shoulder and the opposite hip. Mary’s left hand braces his torso. On Mary’s right, our left, Joseph, an older man, stands facing us. He clasps his hands at his chest and leans on a long stick. He has wrinkled skin, long, gray curly hair, and a full beard. Both Mary and Joseph tilt their heads to their right, our left, as they look down at Jesus. Joseph wears a golden yellow robe over a blue tunic. Joseph, Mary, and Jesus have faint gold halos. Behind them, a brown cow and gray donkey rest on the straw. People closest to Mary and Jesus kneel and bow their heads while the people to the left and right sides mostly stand. Three men kneeling closest to Mary and Jesus offer gifts, including a bronze vessel and a gold jar. One man has long dark brown hair and a beard, and wears a gold crown. Another man is bald with long gray hair and beard, while the third is cleanshaven with shoulder-length brown hair. These men wear robes in powder blue, carnation pink, or celery green with delicate silver and gold embelishments. Others in the crowd range in age from young and cleanshaven to older and bearded. They wear robes and tunics in shades of raspberry pink, butterscotch yellow, lapis blue, plum purple, or forest green. Several horses, their coats white or cinnamon brown, stand among the crowd, a few with riders. To our right, one horse rears its head and two others stand facing each other. Beyond the crowd, grassy green meadows and hills dotted with trees lead back to the horizon. A pale blue sky fills the top third of the composition.

Hanger met ruiter op postament

Ghanti (bell)

Johannes Vermeer. Gezicht op Delft / Vue de Delft / View of Delft / Ansicht von Delft

Repository for the Great Perfection of Wisdom Sutra and Eleven Volumes of the Great Perfection of Wisdom Sutra