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Mandala of the Three Shrines at Kumano

Ingelijste muurschildering voorstellende Xiwangmu en dienaressen

Tagonoura Bay near Ejiri on the Tōkaidō (Tōkaidō Ejiri Tagonoura ryakuzu), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)

Fishing Boats at Choshi in Shimosa (Soshu Choshi) from the series "One Thousand Pictures of the Ocean (Chie no umi)"

Mount Fuji with Cherry Trees in Bloom

Japan; Illustrated book; Illustrated Books

Fragment van een muurschildering

Togetsu Bridge at Arashiyama in Yamashiro Province (Yamashiro Arashiyama no Togetsukyo), from the series "Unusual Views of Famous Bridges in Various Provinces (Shokoku meikyo kiran)"

Enclosed Valley

Viewing Sunset over the Ryogoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryogokubashi sekiyo o miru), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"

Writing Box (Suzuribako) with Phoenix in Paulownia

A Philosopher Watching a Pair of Butterflies, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Beneath Mannen Bridge in Fukagawa (Fukagawa Mannenbashi shita) from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"

An Artisan’s Shop, from the album The Mist of Sandara (Sandara kasumi)

Bowl with Inscription, "Sovereignty is God's"

Whaling off the Coast of the Goto Islands (Goto kujira tsuki), from the series "One Thousand Pictures of the Ocean (Chie no umi)"

Dagger-axe

Mirror with Phoenixes, Birds, Butterflies, and Floral Sprays

Iris, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"

Tama River in Musashi Province (Bushu Tamagawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"

Tánggǔ (堂鼓)

Twee fragmenten textiel

Blooming Plum Tree, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Fishing by Torch in Kai Province (Koshu hiburi) from the series "One Thousand Pictures of the Ocean (Chie no umi)"

Ejiri in Suruga Province (Sunshu Ejiri), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"

Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Farmhouse on the Slope of a Hill

Umezawa Marsh in Sagami Province (Soshu Umezawa hidari), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"

Raft Cup

Dragon in foliage with lion and phoenix heads

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)"

The Merry Family

Fragment textiel

Two Ge

Fragment textiel

Iris and Grasshopper, from an untitled series of large flowers

Textile Fragment

Morning Glories and Tree-frog, from an untitled series of Large Flowers

Feast Ladle

Hotei Smoking his Pipe, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Grapevine

Cranes on snow-covered pine

Oribe-Type Ewer

The Tea Plantation of Katakura in Suruga Province (Sunshu Katakura chaen no Fuji), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"

Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Japan; Illustrated book; Illustrated Books

Goten Hill at Shinagawa on the Tokaido (Tokaido Shinagawa Gotenyama), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"

Siermes

The Wade Cup with Animated Script

Waistcoat

Headdress

Ornament voor de houten steel van een ge

Sazai Hall at the Temple of the Five Hundred Arhats (Gohyakurakanji Sazaido), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"

Tatekawa River Lumberyard at Honjo (Honjo Tatekawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"

We look across a stream and through a loose screen of shadowy trees at a sunlit farm under a powder-blue sky with towering, puffy clouds in this vertical landscape painting. The ground and stream closest to us are painted in tones of olive green, sepia and earth brown, black, and slate gray. Nearly lost in shadow, a group of six people gathers at the water’s edge in the lower left. Small in scale within the composition, they wear brick-red, gray, or caramel-brown garments. Beyond them, a low picket fence winds through and between a loose band of shadowy trees, which are painted with gnarled, dark gray trunks and camel-brown, sage, and pine-green leaves. The trees to our left are closer and taller, while those to our right are a little farther away. The sun pours from the upper left into the field beyond. The farm buildings there have tan walls and sloping, peach-colored roofs. A few animals and people, smaller than the group in front, stand among the buildings, and more cottages can be glimpsed through a stand of trees on our right. The horizon line comes about a third of the way up the composition, and a church and steeple are silhouetted against the sky in the deep distance. A few birds fly in front of gray and white clouds that rise from the right side and spread across the top of the canvas.

Amida Falls in the Far Reaches of the Kisokaido (Kisoji no oku Amidagataki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)"

Hunting and fishing scenes

Close to us, a bearded, balding man leads a donkey carrying a woman and child to our right against a hilly landscape in this horizontal painting. All three people have pale, peachy skin and halos. The man has a gray beard and hair, and wears a royal-blue tunic under a ruby-red robe. He leans on a walking stick and looks back at the donkey. The woman riding the donkey wears a blue and gold brocade-like cloak covering her head and body. She has a straight nose, small pink lips, and she looks toward the infant she holds close to her body. The baby wears a white garment and reaches for the woman’s face with one hand as he turns to look over his shoulder toward us. The path they walk on is lined with grass and detailed plants. A river runs parallel to the path a short distance away. The horizon line comes about two-thirds of the way up the painting is lined with green trees, blue mountains, and a few buildings to our left. Wispy white clouds sweep across an azure-blue sky streaked with peach near the horizon.

The Windmill at Wijk bij Duurstede

Two Rabbits, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Palampore

Cloth with Procession of Figures

Johannes Vermeer. Gezicht op Delft / Vue de Delft / View of Delft / Ansicht von Delft

Animal-Spouted Pitcher

Interieur van een timmermanswerkplaats

Fragment (Dress Fabric)

Helmet (Spangenhelm)

Gedicht op de zilveren bruiloft van Ludolph Simon de With en Maria de Wit, 15 augustus 1771

Bell-Flower and Dragonfly, from an untitled series of large flowers

The Trojan Women Setting Fire to Their Fleet

Foliate-Shaped Tray with Mother-of-Pearl Inlay

Ovoid covered jar with a woman reading a letter and finial in the shape of a shishi

Unidentified Woman

Goqing

Ennanga

Makara-shaped Pendant

Cotton Roses and Sparrow, from an untitled series of Large Flowers

Bowl with inscription and chrysanthemums and tortoiseshell decoration

Mount Sainte-Victoire

"Dancing Dervishes", Folio from a Divan of Hafiz

Sickle sword

Ceremonial Hanging (Palepai)

Fujimigahara in Owari Province (Bishu Fujimigahara), from the series "Thirty-six views of Mount Fuji (Fugaku sanjurokkei)"

Green Tara

Estérel Village

Goddess Riding a Dragon, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)

Helmet (Zukinnari Kabuto)

Covered box decorated with chrysanthemums and waterfowl among lotus

Ovoid jar with women with a yoke in scalloped panels

Dozens of people form a line starting from an opening in a city wall or building in the background to a rustic shed-like structure close to us, to kneel before a seated woman holding a baby on her lap in this vertical painting. All of the people have pale skin tinged faintly with green. The top edge of the panel is shaped so it has two rounded sections like shoulders leading to a stepped, crown-like form with an inward curving triangle at the top. A nickel-gray, crenelated stone wall of a distant city is nestled into the top, stepped section, with a glimmering gold sky above filling the uppermost triangle. Tile-roofed and domed buildings and a few towers appear densely packed beyond the wall. People on foot and horseback create a line from an arched opening in the wall toward us and to our right. Three of the people on horseback in the distance wear long robes and have gold halos. The line of people winds behind a tall, narrow hill to our right and it continues close to us. Two horses, two camels, and several people wait to the right but our attention is drawn to the trio in the foreground, Mary, Jesus, and Joseph, and the three men near the infant, the Magi. Mary wears a lapis-blue mantle covering her head and shoulders over a petal-pink dress, and she sits on a wooden or stone chest in the center of the painting. Her body faces us but she turns her face to look with pale blue eyes off to our right. In one hand she holds a hexagonal gold vessel that tapers to a flame-like finial. With the other hand, on our left, she supports the blond infant sitting in her lap. He is covered only with a white cloth around his waist, and he looks toward the vessel as he holds up the index and middle fingers of his right hand. To our left and slightly behind Mary, a balding man with white hair and beard and wearing a blue garment under a red robe sits with his head propped in his hand, looking down. His other hand rests on what might be the handle of a crutch or staff. The man, woman, and child have gold halos with what appears to be writing. The three Magi also have gold halos and they all wear scarlet-red shoes. The oldest kneels before Mary and kisses Jesus's feet. He has a long, light gray beard and is balding. He wears a brocade-like gold robe over pale brick-red sleeves. A cleanshaven man with dark brown hair and wrinkles around his mouth kneels to our left as he raises a jewel-encrusted gold crown from his head. He wears a gold and red floral-patterned garment and holds a rounded vessel, also with a flame-like finial. A younger, cleanshaven man with smooth features and shoulder-length, curling blond hair to our right also wears a gold crown. A dagger hangs from the waist of his sky-blue tunic, and his leggings are pale plum purple. Both arms are bent to his hands are held up, and in his right hand, he holds another tabernacle-like gold vessel. The structure to our left houses a donkey and bull munching hay. A gold sunburst floats above the roof, which seems to be built up against the stone wall of a building. The hills and trees beyond the people is painted with pine and moss greens and brown.

Japan; Illustrated book; Illustrated Books

Water Ewer for Rituals (Kundika) with Incised Parrot Design

Bullfinch and Weeping Cherry (Uso, shidarezakura), from an untitled series of flowers and birds

Wine Cup with Children at Play

Unidentified Woman

Helmet with divine figures beneath a bird with outstretched wings

Jewelry Elements