Related

Canopy with Dragon among Flowers

Thanka with Buddha

Manjushri

Tigers Chasing Deer, with Dragon

Buddhist Priest's Ceremonial Robe

Tathagata Buddha

Bridal Robe (Hwarot)

Green Tara

Carpet with Triple-Arch Design

The Assembly of Tejaprabha Buddha

慈眼大師像

Mandala Base

Floral Tent Panel

Carpet with Scrolling Vines and Blossoms

Silk Animal Carpet

Silk Kashan Carpet

Manuscript Cover with Prajnaparamita Attended by Sadakshari Lokeshvara and a Tara

Textile Fragment

The Emperor's Carpet

Buddhist Deities

Carpet

Palampore

Royal Carpet with Silk and Metal Thread

Cover Panel for a Tihong

Amitabha Triad, Tokyo National Museum

Textile

Seated Amitayus

Pichhwai for the Festival of Cows

Fragment (Dress Fabric)

Velvet Fragment with Design from Nizami of Ganja's Khusrau and Shirin

Velvet and Silk Carpet

This folio from Walters manuscript W.580 is the left side of an illuminated double-page frontispiece of geometric design in gold, red, blue, and green, with a marginal rosette at the left.

Collection of Poems (Divan)

Fire Screen

"Lotto" Carpet

Vasant Ragini: Folio from a ragamala series (Garland of Musical Modes)

Five Medallion Carpet

Puppies

Dung-Chen

Length of velvet

"Black Buck", Folio from the Shah Jahan Album

Icon of the Virgin and Child

Portrait of Emperor Jahangir

Walters manuscript W.619 is an illuminated manuscript containing 2 works by Sa"di (died 691 AH/AD 1292): the Gulistan (Rose garden) and the Bustan (Orchard). It was copied in 980 AH/AD 1572 by Muhammad Riza al-Tabrizi in Iran. The text of the Gulistan appears in the main area, while that of the Bustan is inscribed obliquely around the main text area on three sides. Both texts are written in black and gold nasta"liq script. The margins are multi-colored, gold-sprinkled tinted or marbled paper. The original leather binding dates to the 10th century AH/AD 16th and has dentelle-style decorated boards and doublures with gold filigree work over a multi-colored ground of blue, green, red, and black.

Ceremonial Hanging (Palepai)

Mirror with Phoenixes, Birds, Butterflies, and Floral Sprays

Waistcoat

Tile with Floral and Cloud-band Design

Fragment textiel

Leaf from Book of Hours

Hanger in de vorm van een reukbal

Repository for the Great Perfection of Wisdom Sutra and Eleven Volumes of the Great Perfection of Wisdom Sutra

Tile Panel

Knife Sheath

Portrait of the Great Master Yeongwoldang Eungjin

Camellia by Water

European Banquet Scene (or The Marriage Feast at Cana?)

Lakeside Retreat

Vase of Flowers with Grasshopper, Marine Life, and Garden Rock

Hell Courtesan

Dragon in foliage with lion and phoenix heads

Sixteenth Arhat, Cūḍapanthaka (from the Sixteen Arhats)

Carpet with Palm Trees, Ibexes, and Birds

Flowers and Goldfish

Young Woman Smoking a Huqqa

Rectangular Textile Fragment

Portrait of a Ladakhi Mountain Goat

Jar with Lion-Head Handles

Krishna's Fifth and Sixth Avatars, page from a copy of the Gitagovinda of Jayaveda

Four Portraits from the St. Petersburg Album. Painters unknown, borders by Muhammad Sadiq. Top left: Nadir Shah, Iran, ca. 1740. Top right: Adil Shah, Iran, ca. 1748. Bottom left: Unidentified nobleman, Mughal school, 18th century. Bottom right: Unidentified nobleman, Mughal school, 18th century. Art Institute of Chicago 1919.952 recto

Mandala of the Three Shrines at Kumano

Grapevine in the Wind

Alexander the Great Enthroned at Persepolis

Angel (Peri) Riding a Composite Camel

Scholar admiring plum blossoms

Center table

Tánggǔ (堂鼓)

Ceremonial Cross of Countess Gertrude

This illuminated title page from Walters manuscript W.581 gives the title of the work, as well as the authors' names. There is also a statement referring to the patronage of the manuscript, indicating that it was made for the Mawlawi (Mevlevi) Library (bi-rasm al-Khizanah al-Karimah al-"Aliyah al-Mawlawiyah).

Fragment van een muurschildering

Goddess Riding a Dragon, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Silk Velvet Designed by 'Ghiyath'

Vase of Flowers

Abhisarika Nayika (Heroine Running to Meet her Lover)

Velvet Panel with Flowering Plants

This is a painting of a pastoral scene near the water with a ship and buildings in the background. The artwork is in the style of American folk art, presented in an oval frame. The image depicts a serene landscape by the water, with figures engaged in activities such as gathering flowers in the center. The foliage is in shades of green and brown, spreading above under a lightly clouded, blue sky. On the left side, a ship is anchored near the shore, with buildings visible in the distance. The water has soft waves, contrasting with the rocky ground in the foreground. The pastel colors create a calm and reflective mood, evoking tranquility and connection with nature.

Farmer Returning Home in Autumn

Censer with seated king

La pala fu commissionata per la cappella della villa medicea di Cafaggiolo,ristrutturata da Michelozzo nel 1451. Il Wedgwood Kennedy ipotizza una commissione da parte di Piero il Gottoso, per il quale il Baldovinetti aveva giá lavorato nella cappella della SS. Annunziata e, forse, in quella di S. Croce. Lo studioso suggerisce una datazione per la committenza al 1453, anno di nascita di Giuliano, secondogenito di Piero, avvalorata dalla presenza di San Giuliano insieme agli altri santi "medicei".

Returning Sails off a Distant Shore, from Eight Views of Xiao-Xiang

Durga Slaying Mahisha

Ōtsu-e of a Youth Holding Irises (Yarō)

Ema (Votive Painting) of a Chinese Lion and Peony Tree by Flowing Water

Standing Avalokiteshvara, the Bodhisattva of Infinite Compassion

Ingelijste muurschildering voorstellende Xiwangmu en dienaressen

Saint in Red Cloak

This is the final illuminated page in the codex, Walters W.582. The last panel contains the colophon, written in Riqa' script, giving the name of the scribe as Habib Allah ibn Dust Muhammad al-Khwarizmi.

Fragment textiel

Helmet with divine figures beneath a bird with outstretched wings