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Scholar admiring plum blossoms

Grapevine and Squirrels

Monkeys in a Cherry Tree

Birds and Flowers

Winter and Summer Flowers

Lakeside Retreat

Sparrows on Blossoming Plum

Peahen and hibiscus

Grapevine

Birds and Flowers

Winter Scene with Plum Trees and Pheasants

Chinese Bird on Snow-Laden Branch

Mandarin ducks and cotton rose hibiscus

Ōtsu-e of a Youth Holding Irises (Yarō)

Autumn Evening with Full Moon on Musashino Plain

Returning Sails off a Distant Shore, from Eight Views of Xiao-Xiang

Birds and Flowers

Monkey Hanging on to a Branch

Phoenixes and Paulownia

Birds and Flowers

Mt. Fuji through Pines

Duck in Flight

這幅作品被命名為《昆侖松鶴》。昆侖是指神仙們居住的神山——昆侖山。據推測位於中國西部，是中國的大河——黃河的源頭。松和鶴都是長壽的象徵，是和神仙故事頗有關聯的題材。畫面右上方有畫家的署名，並寫著送給一位叫做李懷素的人。以昆侖山上的松樹以及聚集在此的仙鶴為繪畫題材的這幅作品主題極為吉祥，作為賀壽之禮極為相稱。作者呂健是活躍於十六世紀到十七世紀的人物。其曾祖父呂紀是一位著名的宮廷畫家。呂紀有很多構圖周密的大型花鳥圖作品，其華麗的色彩和細膩的筆法不僅在中國，也在朝鮮半島和日本大受追捧，呂紀的繪畫風格在東亞地區到了廣泛傳播。呂健不僅認真學習呂紀的花鳥畫，似乎還將其轉化成了更加瀟灑而又惹人憐愛的表現。這幅作品中姿態優美地彎曲著長頸的仙鶴以及以淡綠色輕輕暈開的松葉都充分表現出了呂健的審美觀。淡淡的墨影巧妙地表現出水面上湧起的波浪，以極具透明感的白色顏料細緻描繪的羽毛線條等卓越的描寫技術也是看點所在。

Lions and Tigers in Peony and Bamboo

松下達摩図

Painting from Flowers and Grasses

Farmer Returning Home in Autumn

Monkeys

Birds and Flowers

Paulownias and Chrysanthemums

Flowers and Trees of the Four Seasons (left screen)

Dragon and Tiger

Autumn Maples with Poem Slips

Puppies

Vase of Flowers

Summer Flowers

Flowers and Birds in a Spring Landscape

Heron on a Willow Branch

Gibbons in a Landscape

Ivy Lane

Peacocks and Bamboo

Birds and Flowers of the Four Seasons

Hen and Bamboo, by Luo Chuang, Tokyo National Museum, Japan

Summer Night

Sunset Glow over a Fishing Village, from Eight Views of Xiao-Xiang

Dragon in foliage with lion and phoenix heads

The Four Seasons

Fragment textiel

Peonies

Geese, Reeds, and Water

Insects and Flowers, Ming dynasty, 14th-15th century, color on silk, Tokyo National Museum

Winter and Spring Landscape

Four Motifs from the Eight Views of Xiao-Xiang

马远《寒江独钓图》（图片经过较温和的亮化处理）

Flowers and Grasses

Howling Wolf in a Deep Mountain Valley

Crossing at Sano

screen by Fukae Roshu "Narrow ivy road". Six-fold screen, color on gold leafed paper, Important Cultural Property

Chrysanthemums by the Water

Twee textielfragmenten op een blad, borduursel en druk op zijde

Chrysanthemums by a Stream

Pleasure Boat on the Sumida River

Plum Blossoms

This drawing, Walters manuscript leaf W.749, was executed in Safavid Iran, most probably in the late 10th century AH/AD 16th, in Qazvin or Isfahan. Above, a farmer plows; below, a seated young man watches a produce seller weigh his purchase. On the rocks in the center foreground is inscribed the name of one of the most famous painters in Iran in the 11th century AH/AD 17th, Riza 'Abbasi (active 1001-1044 AH/AD 1591-1592 to 1634). As the handwriting does not match that of the artist, an admirer of Riza's work seems to have attributed the drawing to him. The execution and the bucolic subject matter of this drawing relate closely to the oeuvre of the Persian artist Muhammadi Haravi (active late 10th century AH/AD 16th), who worked in Qazvin. It is possible that this composition was conceived as a manuscript page.

Flowers and Goldfish

Textile

Gazing at a Waterfall

Irises at Yatsuhashi (Eight Bridges)

"Black Buck", Folio from the Shah Jahan Album

Depicts Zen monk Huike (慧可) thinking. By painter Shi Ke (Chinese: 石恪), from Five Dynasties and Ten Kingdoms Period to Northern Song (about 10th century)

Amitabha Triad, Tokyo National Museum

Vase of Flowers with Grasshopper, Marine Life, and Garden Rock

Irises

Pichhwai for the Festival of Cows

Portrait of Momonoi Naoaki

Writing Box (Suzuribako) with Phoenix in Paulownia

Japan; Illustrated book; Illustrated Books

Sunset over Autumn Mountains

Bird on a Loquat Tree

Walters manuscript W.619 is an illuminated manuscript containing 2 works by Sa"di (died 691 AH/AD 1292): the Gulistan (Rose garden) and the Bustan (Orchard). It was copied in 980 AH/AD 1572 by Muhammad Riza al-Tabrizi in Iran. The text of the Gulistan appears in the main area, while that of the Bustan is inscribed obliquely around the main text area on three sides. Both texts are written in black and gold nasta"liq script. The margins are multi-colored, gold-sprinkled tinted or marbled paper. The original leather binding dates to the 10th century AH/AD 16th and has dentelle-style decorated boards and doublures with gold filigree work over a multi-colored ground of blue, green, red, and black.

Canopy with Dragon among Flowers

Symbols of Longevity: Deer under Peach and Pine (Pine) (right)

Fishing in a Springtime Valley

Blooming Plum Tree, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Tánggǔ (堂鼓)

On this folio from Walters manuscript W.653, a middle-aged woman stands in a landscape, holding a vase of flowers. The salmon pink margins are stenciled with animal and floral forms. The catchword at the lower left indicates that the following folio is missing.

Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Fish in a Lotus Pond

Walters manuscript W.620 has a brown leather blind-stamped binding with a flap. The binding is decorated with a central oval medallion and pendants. This binding is not original to the manuscript.

Fragment textiel

Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Girl Arranging Flowers

Silk Velvet Designed by 'Ghiyath'

Camellia by Water

Buddhist Deities

Ingelijste muurschildering voorstellende Xiwangmu en dienaressen

慈眼大師像

Spring and Autumn Farming (Autumn)

Leaf from Album of Persian Calligraphy