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Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar
European Banquet Scene (or The Marriage Feast at Cana?)
Portrait of Emperor Jahangir
This drawing, Walters manuscript leaf W.749, was executed in Safavid Iran, most probably in the late 10th century AH/AD 16th, in Qazvin or Isfahan. Above, a farmer plows; below, a seated young man watches a produce seller weigh his purchase. On the rocks in the center foreground is inscribed the name of one of the most famous painters in Iran in the 11th century AH/AD 17th, Riza 'Abbasi (active 1001-1044 AH/AD 1591-1592 to 1634). As the handwriting does not match that of the artist, an admirer of Riza's work seems to have attributed the drawing to him. The execution and the bucolic subject matter of this drawing relate closely to the oeuvre of the Persian artist Muhammadi Haravi (active late 10th century AH/AD 16th), who worked in Qazvin. It is possible that this composition was conceived as a manuscript page.
Alexander the Great Enthroned at Persepolis
Prince and Princess Hunting Blackbuck
Krishna's Fifth and Sixth Avatars, page from a copy of the Gitagovinda of Jayaveda
Dragon in foliage with lion and phoenix heads
The setting for the painting is the royal stables in Isfahan. The upper portion of the scene consists of a platform on which are gathered the shah, or Persian king, who appears next to the column on the right; five kneeling courtiers; and various attendants serving fruit and wine. The king is identified in the artist’s signature at the upper left as Shah ‘Abbas II, who died in 1666, but it is possible that the undated painting was executed after his death. The ruler’s status is emphasized by his golden halo and by the opulent gold and jeweled vessels placed before him. The lower portion shows a roundup of horses who bear the trident-like royal brand on their flanks; they move in a spiral that coils counterclockwise from the upper right. The scene bursts with energy and looks chaotic—a brawl is taking place at the lower left—but the courtiers and handlers seem to be getting control of the animals. The figures on the platform, meanwhile, pay no attention to the commotion below. The painting represents a new journalistic, even anecdotal approach to Persian painting introduced in the second half of the seventeenth century. The viewer gets the sense that the work may record a specific moment in daily life at court and that it was observed firsthand. Figures no longer conform to stock types but are highly individualized by facial features and dress. Standing just to the right of center in the upper part of the roundup scene is a man wearing a gold, fur-lined, armless jacket. He holds a list and is writing notes while conferring with a young man in a blue robe. The man taking notes may well be the supervisor of the royal stud, one of whose responsibilities was to inspect the king’s stables and keep an inventory of the animals.
A Disconsolate Lady on a Terrace with Attendants
Vasant Ragini: Folio from a ragamala series (Garland of Musical Modes)
A Stallion
Maharana Bhim Singh in Procession
A Procession Scene with Musicians, from a copy of the Padshanama
Abhisarika Nayika (Heroine Running to Meet her Lover)
Khambavati Ragini: Page from a Dispersed Ragamala Series (Garland of Musical Modes)
"Black Buck", Folio from the Shah Jahan Album
Pradyumna and Samvara fight with maces, from the "Large Basohli Bhagavata Purana"
Ingelijste muurschildering voorstellende Xiwangmu en dienaressen
The Greedy Dog
Woman Addressing a Peacock: Gujari Ragini of Megh, from a Ragamala
This illustration from Walters manuscript W.644 depicts Zulaykha in a blue-domed litter on a camel led by a cameleer. The retinue is entering the capital of Egypt.
Durga Slaying Mahisha
"Dancing Dervishes", Folio from a Divan of Hafiz
"The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds)
Portrait of a Ladakhi Mountain Goat
A Messenger is Dispatched: Page from a Dispersed Manuscript
Carpet
Fragment van een muurschildering
Krishna Fluting
The Infant Krishna Spirited Away by Vasudev, from a copy of the Dispersed Bhagavat Purana
"The Funeral of Isfandiyar," Folio from a Shahnama (Book of Kings)
Ruler Entertained by Dancers in a Paradise Garden
Manjushri
Japan; Illustrated book; Illustrated Books
Leaf from Album of Persian Calligraphy
Grafmonument met alliantiewapen en vier kwartierwapens
Young Woman Smoking a Huqqa
Krishna with an Ascetic
Green Tara
A Monumental Portrait of a Monkey
Zal Climbing to Rudaba, page from a copy of the Shahnama of Firdausi
Velvet Fragment with Design from Nizami of Ganja's Khusrau and Shirin
Alauddin Khilji Conquering Ranthamore Fort, Kangra school, India, late 18th century, opaque watercolor on paper, Tokyo National Museum
慈眼大師像
This folio from Walters manuscript W.580 is the left side of an illuminated double-page frontispiece of geometric design in gold, red, blue, and green, with a marginal rosette at the left.
Monkey Hanging on to a Branch
Bahram Gur Arrives at the House of a Merchant, text page (recto); Bahram Gur Slays a Dragon (verso), from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), known as the Great Mongol Shahnama
Asavari Ragini, page from a Garland of Musical Ragas (Ragamala) Set
Kichik Beg Wounded during Babur's Attack on Qalat, from a copy of the Baburnama (Book of Babur)
Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Portrait of Prince Sur Singh Rathor of Bikaner (1594–1631)
Amir Khusrau Dedicates His Poem to Sultan Ala al-Din Khalji, page from the Quintet (Khamsa) of Amir Khusraw Dehlavi
A Young Prince on Horseback
This illuminated title page from Walters manuscript W.581 gives the title of the work, as well as the authors' names. There is also a statement referring to the patronage of the manuscript, indicating that it was made for the Mawlawi (Mevlevi) Library (bi-rasm al-Khizanah al-Karimah al-"Aliyah al-Mawlawiyah).
Peonies
Flowers and Birds in a Spring Landscape
Friends of Krishna, folio 163 from a Bhakti Ratnavali of Vishnu Puri
Folk Painting
Velvet and Silk Carpet
Thanka with Buddha
Hunting Scene
Silk Animal Carpet
The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, Page from a Manuscript of the Akbarnama
Crossing at Sano
Four Portraits from the St. Petersburg Album. Painters unknown, borders by Muhammad Sadiq. Top left: Nadir Shah, Iran, ca. 1740. Top right: Adil Shah, Iran, ca. 1748. Bottom left: Unidentified nobleman, Mughal school, 18th century. Bottom right: Unidentified nobleman, Mughal school, 18th century. Art Institute of Chicago 1919.952 recto
Buddhist Deities
Heer Ranjha: Lady with Water Jug on her Head and Lady Holding out her Arms, Jodhpur school, India, c. mid-18th century, opaque watercolor on paper, Tokyo National Museum
Pichhwai for the Festival of Cows
Cylinder seal with cultic scene
Queen Kaikeyi reminds King Dasharatha about the sacrifices of King Bali and King Shivi, folio 39 from the Ayodhya Kanda (Book of Ayodhya) of a Ramayana (Rama's Journey)
Carpet with Triple-Arch Design
Ragini Gaudi, Page from a Jaipur Ragamala Set
Arion on a Sea Horse
The Wade Cup with Animated Script
Goddess Riding a Dragon, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
A Virtuous Woman Placates the King by Plucking Out Her Eyes
Grapevine in the Wind
This folio from Walters manuscript W.596 depicts the fall of Samarqand.
Canopy with Dragon among Flowers
The Flood of Noah (Genesis 7:11-24)
Palampore
Manuchehr Kills Tur, Manuscript from Shahnama
Ewer
Hell Courtesan
Tile Panel
Rustam's seventh course: He kills the White Div, folio 124 from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020)
Tánggǔ (堂鼓)
Silk Kashan Carpet
Daibutsu and Scaffolding, by Migita Toshihide, 1895, Meiji 27, from the Hood Museum of Art - PR.995.23.9ab.
Two Rabbits, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Fragment of a bowl with a frieze of bulls in relief
Collection of Poems (Divan)
An Old Sufi Laments His Lost Youth
Krishna and Balarama Fight the Evil King Kamsa’s Wrestlers: Page from a Dispersed Bhagavata Purana
Depicts Zen monk Huike (慧可) thinking. By painter Shi Ke (Chinese: 石恪), from Five Dynasties and Ten Kingdoms Period to Northern Song (about 10th century)
Gibbons in a Landscape
This folio from Walters manuscript W.677 depicts Bahram Gur in a peasant's house.
Orthostat relief: lion-hunt scene
Maharana Sangram Singh Riding a Prize Stallion