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Peahen and hibiscus

Birds and Flowers

Summer Flowers

Chrysanthemums by the Water

Mandarin ducks and cotton rose hibiscus

Cotton Roses and Sparrow, from an untitled series of Large Flowers

Grapevine in the Wind

Chrysanthemum and Horsefly, from an untitled series of Large Flowers

Vase of Flowers

Monkeys in a Cherry Tree

Peonies

Paulownias and Chrysanthemums

Birds and Flowers

Flowers and Grasses

Flowers and Trees of the Four Seasons (left screen)

Poppies, from an untitled series of flowers

Birds and Flowers

Duck in Flight

Flowers and Goldfish

Fragment textiel

Bell-Flower and Dragonfly, from an untitled series of large flowers

Twee textielfragmenten op een blad, borduursel en druk op zijde

Flowers and Birds in a Spring Landscape

Vase of Flowers with Grasshopper, Marine Life, and Garden Rock

Birds and Flowers

Autumn Evening with Full Moon on Musashino Plain

Plum Blossoms

Morning Glories and Tree-frog, from an untitled series of Large Flowers

Monkey Hanging on to a Branch

這幅作品被命名為《昆侖松鶴》。昆侖是指神仙們居住的神山——昆侖山。據推測位於中國西部，是中國的大河——黃河的源頭。松和鶴都是長壽的象徵，是和神仙故事頗有關聯的題材。畫面右上方有畫家的署名，並寫著送給一位叫做李懷素的人。以昆侖山上的松樹以及聚集在此的仙鶴為繪畫題材的這幅作品主題極為吉祥，作為賀壽之禮極為相稱。作者呂健是活躍於十六世紀到十七世紀的人物。其曾祖父呂紀是一位著名的宮廷畫家。呂紀有很多構圖周密的大型花鳥圖作品，其華麗的色彩和細膩的筆法不僅在中國，也在朝鮮半島和日本大受追捧，呂紀的繪畫風格在東亞地區到了廣泛傳播。呂健不僅認真學習呂紀的花鳥畫，似乎還將其轉化成了更加瀟灑而又惹人憐愛的表現。這幅作品中姿態優美地彎曲著長頸的仙鶴以及以淡綠色輕輕暈開的松葉都充分表現出了呂健的審美觀。淡淡的墨影巧妙地表現出水面上湧起的波浪，以極具透明感的白色顏料細緻描繪的羽毛線條等卓越的描寫技術也是看點所在。

Phoenixes and Paulownia

Bird on a Loquat Tree

Symbols of Longevity: Deer under Peach and Pine (Pine) (right)

Painting from Flowers and Grasses

Winter Scene with Plum Trees and Pheasants

Ivy Lane

Chinese Bird on Snow-Laden Branch

Winter and Summer Flowers

Iris, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Chrysanthemums by a Stream

Monkeys

Roses in a Vase

Birds and Flowers

Geese, Reeds, and Water

Gibbons in a Landscape

Sparrows on Blossoming Plum

Iris and Grasshopper, from an untitled series of large flowers

Ōtsu-e of a Youth Holding Irises (Yarō)

Hydrangea and Swallow, from an untitled series of large flowers

Birds and Flowers of the Four Seasons

Hen and Bamboo, by Luo Chuang, Tokyo National Museum, Japan

Fragment textiel

Heron on a Willow Branch

Still Life: Balsam Apple and Vegetables

Walters manuscript W.620 has a brown leather blind-stamped binding with a flap. The binding is decorated with a central oval medallion and pendants. This binding is not original to the manuscript.

Peacocks and Bamboo

Konstnär: Hilma af Klint (1862-1944, svenska). Titel: Vallmo. Utförd på 1890-talet med akvarell och bläck på papper. Hilma af Klints stiftelse.

Lions and Tigers in Peony and Bamboo

This painting shows a bowl of red raspberries resting on a surface. The bowl is pale blue with blue details on the rim, and it is surrounded by a pile of pale peaches and pears, red plums, and green and purple grapes. In the bottom left corner, there are some pale purple-and-white carrots and a small group of red berries. On the right is a tree with yellow pears and a small vase with red and white roses. On the left is a thin brown branch with a bird perched on it. The bird has a green back and a yellow chest, and it is leaning down towards the raspberries, its wings flared and its beak partially open. The surface these items rest on is dark gray and the background is a gradient of pale yellow on the left and light blue on the right.

screen by Fukae Roshu "Narrow ivy road". Six-fold screen, color on gold leafed paper, Important Cultural Property

Fragment (Dress Fabric)

Lilies, from an untitled series of Large Flowers

Twee fragmenten textiel

Blooming Plum Tree, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

"Black Buck", Folio from the Shah Jahan Album

This drawing, Walters manuscript leaf W.749, was executed in Safavid Iran, most probably in the late 10th century AH/AD 16th, in Qazvin or Isfahan. Above, a farmer plows; below, a seated young man watches a produce seller weigh his purchase. On the rocks in the center foreground is inscribed the name of one of the most famous painters in Iran in the 11th century AH/AD 17th, Riza 'Abbasi (active 1001-1044 AH/AD 1591-1592 to 1634). As the handwriting does not match that of the artist, an admirer of Riza's work seems to have attributed the drawing to him. The execution and the bucolic subject matter of this drawing relate closely to the oeuvre of the Persian artist Muhammadi Haravi (active late 10th century AH/AD 16th), who worked in Qazvin. It is possible that this composition was conceived as a manuscript page.

Bullfinch and Weeping Cherry (Uso, shidarezakura), from an untitled series of flowers and birds

Scholar admiring plum blossoms

Fish in a Lotus Pond

Tigers Chasing Deer, with Dragon

Grapevine

Irises

Camellia by Water

Fragment textiel

Japan; Illustrated book; Illustrated Books

Mount Fuji with Cherry Trees in Bloom

Vase of Flowers

Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Unidentified Man

Puppies

Grapevine and Squirrels

Depicts Zen monk Huike (慧可) thinking. By painter Shi Ke (Chinese: 石恪), from Five Dynasties and Ten Kingdoms Period to Northern Song (about 10th century)

Returning Sails off a Distant Shore, from Eight Views of Xiao-Xiang

Fragment van een muurschildering

Canopy with Dragon among Flowers

Gazing at a Waterfall

A Philosopher Watching a Pair of Butterflies, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Two Rabbits, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Lakeside Retreat

Ingelijste muurschildering voorstellende Xiwangmu en dienaressen

Amitabha Triad, Tokyo National Museum

Buddhist Deities

Tánggǔ (堂鼓)

Mt. Fuji through Pines

Horse Mackerel (Aji) with Shrimp or Prawn

Fishing in a Springtime Valley

Oribe-Type Ewer

Mount Asama, byobu by Aodo Denzen, Tokyo National Museum, Japan

The Siesta

Roses in a Vase