Related

Bahram Gur Arrives at the House of a Merchant, text page (recto); Bahram Gur Slays a Dragon (verso), from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), known as the Great Mongol Shahnama

"The Funeral of Isfandiyar," Folio from a Shahnama (Book of Kings)

Rustam's seventh course: He kills the White Div, folio 124 from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020)

Manuchehr Kills Tur, Manuscript from Shahnama

Amir Khusrau Dedicates His Poem to Sultan Ala al-Din Khalji, page from the Quintet (Khamsa) of Amir Khusraw Dehlavi

The Greedy Dog

This illustration from Walters manuscript W.644 depicts Zulaykha in a blue-domed litter on a camel led by a cameleer. The retinue is entering the capital of Egypt.

A Virtuous Woman Placates the King by Plucking Out Her Eyes

Al-Mu'tazz Sends Gifts to Abdulla ibn Abdulla, from a copy of the Tarikh-i Alfi

An Old Sufi Laments His Lost Youth

Zal Climbing to Rudaba, page from a copy of the Shahnama of Firdausi

"The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds)

This drawing, Walters manuscript leaf W.749, was executed in Safavid Iran, most probably in the late 10th century AH/AD 16th, in Qazvin or Isfahan. Above, a farmer plows; below, a seated young man watches a produce seller weigh his purchase. On the rocks in the center foreground is inscribed the name of one of the most famous painters in Iran in the 11th century AH/AD 17th, Riza 'Abbasi (active 1001-1044 AH/AD 1591-1592 to 1634). As the handwriting does not match that of the artist, an admirer of Riza's work seems to have attributed the drawing to him. The execution and the bucolic subject matter of this drawing relate closely to the oeuvre of the Persian artist Muhammadi Haravi (active late 10th century AH/AD 16th), who worked in Qazvin. It is possible that this composition was conceived as a manuscript page.

Leaf from Album of Persian Calligraphy

Portrait of a Ladakhi Mountain Goat

European Banquet Scene (or The Marriage Feast at Cana?)

This page from Walters manuscript W.674 bears 4 diplomas written within illuminated cartouches inscribed in ijazah script by the following master calligraphers: Yaziji zadah, Isma'il al-Zuhdi Katib al-Saray al-Sultani, Muhammad Hasib, and 'Ali al-Wasfi. The page is dated 1219 AH/AD 1804-1805.

This folio from Walters manuscript W.596 depicts the fall of Samarqand.

This illuminated title page from Walters manuscript W.581 gives the title of the work, as well as the authors' names. There is also a statement referring to the patronage of the manuscript, indicating that it was made for the Mawlawi (Mevlevi) Library (bi-rasm al-Khizanah al-Karimah al-"Aliyah al-Mawlawiyah).

Kichik Beg Wounded during Babur's Attack on Qalat, from a copy of the Baburnama (Book of Babur)

"Black Buck", Folio from the Shah Jahan Album

Alexander the Great Enthroned at Persepolis

"Dancing Dervishes", Folio from a Divan of Hafiz

Collection of Poems (Divan)

Folio from a Qur'an Manuscript

This is the final illuminated page in the codex, Walters W.582. The last panel contains the colophon, written in Riqa' script, giving the name of the scribe as Habib Allah ibn Dust Muhammad al-Khwarizmi.

Angel (Peri) Riding a Composite Camel

On this folio from Walters manuscript W.604, King Qizil Arslan welcomes the poet Nizami.

Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar

Ragini Gaudi, Page from a Jaipur Ragamala Set

Friends of Krishna, folio 163 from a Bhakti Ratnavali of Vishnu Puri

Ruler Entertained by Dancers in a Paradise Garden

A Procession Scene with Musicians, from a copy of the Padshanama

The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, Page from a Manuscript of the Akbarnama

Krishna's Fifth and Sixth Avatars, page from a copy of the Gitagovinda of Jayaveda

Carpet

Khambavati Ragini: Page from a Dispersed Ragamala Series (Garland of Musical Modes)

Velvet Fragment with Design from Nizami of Ganja's Khusrau and Shirin

Folio from a Qur'an Manuscript

Portrait of Emperor Jahangir

On this folio from Walters manuscript W.653, a middle-aged woman stands in a landscape, holding a vase of flowers. The salmon pink margins are stenciled with animal and floral forms. The catchword at the lower left indicates that the following folio is missing.

The top and bottom panels of this illuminated finispiece from Walters manuscript W.578 are inscribed with the basmalah and hamdalah in white Thuluth script. The Qur'anic verses in the central panel are written in Square Kufic.

A Young Prince on Horseback

Prince and Princess Hunting Blackbuck

Vasant Ragini: Folio from a ragamala series (Garland of Musical Modes)

Krishna with an Ascetic

Maharana Bhim Singh in Procession

A Messenger is Dispatched: Page from a Dispersed Manuscript

Abhisarika Nayika (Heroine Running to Meet her Lover)

牡丹花肖柏像（重要文化財、東京国立博物館蔵）

Ingelijste muurschildering voorstellende Xiwangmu en dienaressen

The Infant Krishna Spirited Away by Vasudev, from a copy of the Dispersed Bhagavat Purana

Tile Panel

Pichhwai for the Festival of Cows

Durga Slaying Mahisha

Dragon in foliage with lion and phoenix heads

Queen Kaikeyi reminds King Dasharatha about the sacrifices of King Bali and King Shivi, folio 39 from the Ayodhya Kanda (Book of Ayodhya) of a Ramayana (Rama's Journey)

Krishna Fluting

A Disconsolate Lady on a Terrace with Attendants

Mt. Fuji through Pines

This folio from Walters manuscript W.580 is the left side of an illuminated double-page frontispiece of geometric design in gold, red, blue, and green, with a marginal rosette at the left.

The Flood of Noah (Genesis 7:11-24)

Fragment van een muurschildering

Leaf from Book of Hours

Garden Gathering

Walters manuscript W.619 is an illuminated manuscript containing 2 works by Sa"di (died 691 AH/AD 1292): the Gulistan (Rose garden) and the Bustan (Orchard). It was copied in 980 AH/AD 1572 by Muhammad Riza al-Tabrizi in Iran. The text of the Gulistan appears in the main area, while that of the Bustan is inscribed obliquely around the main text area on three sides. Both texts are written in black and gold nasta"liq script. The margins are multi-colored, gold-sprinkled tinted or marbled paper. The original leather binding dates to the 10th century AH/AD 16th and has dentelle-style decorated boards and doublures with gold filigree work over a multi-colored ground of blue, green, red, and black.

Alauddin Khilji Conquering Ranthamore Fort, Kangra school, India, late 18th century, opaque watercolor on paper, Tokyo National Museum

Maharana Sangram Singh Riding a Prize Stallion

Paradise

screen by Fukae Roshu "Narrow ivy road". Six-fold screen, color on gold leafed paper, Important Cultural Property

Grapevine in the Wind

Young Woman Smoking a Huqqa

Four Portraits from the St. Petersburg Album. Painters unknown, borders by Muhammad Sadiq. Top left: Nadir Shah, Iran, ca. 1740. Top right: Adil Shah, Iran, ca. 1748. Bottom left: Unidentified nobleman, Mughal school, 18th century. Bottom right: Unidentified nobleman, Mughal school, 18th century. Art Institute of Chicago 1919.952 recto

Peonies

Folk Painting

Silk Animal Carpet

Asavari Ragini, page from a Garland of Musical Ragas (Ragamala) Set

The Wade Cup with Animated Script

The Eighth Plague: Locusts (Exodus 10:12-15)

Velvet and Silk Carpet

Japan; Illustrated book; Illustrated Books

A Stallion

Buddhist Deities

Hours of Queen Isabella the Catholic, Queen of Spain

慈眼大師像

Carpet with Palm Trees, Ibexes, and Birds

Palampore

In the margins are depicted hybrid angel-musicians, a bear-trainer and musicians, apes trapping a bird, apes at school, a nude man at the far left, and an ape kneeling before a doctor with a urinal.

Ōtsu-e of a Youth Holding Irises (Yarō)

The Beach at Sumiyoshi from the Tales of Ise

Initial "P" (Primum quidem)

The Merry Family

A Monumental Portrait of a Monkey

马远《寒江独钓图》（图片经过较温和的亮化处理）

Thanka with Buddha

Woman Addressing a Peacock: Gujari Ragini of Megh, from a Ragamala

Krishna and Radha in a Pavilion, from a copy of the Seven Hundred Verses (Sat Sai) of Bihari

Heer Ranjha: Lady with Water Jug on her Head and Lady Holding out her Arms, Jodhpur school, India, c. mid-18th century, opaque watercolor on paper, Tokyo National Museum

Hunting Scene