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European Banquet Scene (or The Marriage Feast at Cana?)
"Dancing Dervishes", Folio from a Divan of Hafiz
Alexander the Great Enthroned at Persepolis
Young Woman Smoking a Huqqa
Leaf from Album of Persian Calligraphy
The setting for the painting is the royal stables in Isfahan. The upper portion of the scene consists of a platform on which are gathered the shah, or Persian king, who appears next to the column on the right; five kneeling courtiers; and various attendants serving fruit and wine. The king is identified in the artist’s signature at the upper left as Shah ‘Abbas II, who died in 1666, but it is possible that the undated painting was executed after his death. The ruler’s status is emphasized by his golden halo and by the opulent gold and jeweled vessels placed before him. The lower portion shows a roundup of horses who bear the trident-like royal brand on their flanks; they move in a spiral that coils counterclockwise from the upper right. The scene bursts with energy and looks chaotic—a brawl is taking place at the lower left—but the courtiers and handlers seem to be getting control of the animals. The figures on the platform, meanwhile, pay no attention to the commotion below. The painting represents a new journalistic, even anecdotal approach to Persian painting introduced in the second half of the seventeenth century. The viewer gets the sense that the work may record a specific moment in daily life at court and that it was observed firsthand. Figures no longer conform to stock types but are highly individualized by facial features and dress. Standing just to the right of center in the upper part of the roundup scene is a man wearing a gold, fur-lined, armless jacket. He holds a list and is writing notes while conferring with a young man in a blue robe. The man taking notes may well be the supervisor of the royal stud, one of whose responsibilities was to inspect the king’s stables and keep an inventory of the animals.
"Black Buck", Folio from the Shah Jahan Album
Angel (Peri) Riding a Composite Camel
A Disconsolate Lady on a Terrace with Attendants
Collection of Poems (Divan)
Portrait of Emperor Jahangir
Four Portraits from the St. Petersburg Album. Painters unknown, borders by Muhammad Sadiq. Top left: Nadir Shah, Iran, ca. 1740. Top right: Adil Shah, Iran, ca. 1748. Bottom left: Unidentified nobleman, Mughal school, 18th century. Bottom right: Unidentified nobleman, Mughal school, 18th century. Art Institute of Chicago 1919.952 recto
Dragon in foliage with lion and phoenix heads
Walters manuscript W.620 has a brown leather blind-stamped binding with a flap. The binding is decorated with a central oval medallion and pendants. This binding is not original to the manuscript.
Velvet and Silk Carpet
Walters manuscript W.619 is an illuminated manuscript containing 2 works by Sa"di (died 691 AH/AD 1292): the Gulistan (Rose garden) and the Bustan (Orchard). It was copied in 980 AH/AD 1572 by Muhammad Riza al-Tabrizi in Iran. The text of the Gulistan appears in the main area, while that of the Bustan is inscribed obliquely around the main text area on three sides. Both texts are written in black and gold nasta"liq script. The margins are multi-colored, gold-sprinkled tinted or marbled paper. The original leather binding dates to the 10th century AH/AD 16th and has dentelle-style decorated boards and doublures with gold filigree work over a multi-colored ground of blue, green, red, and black.
On this folio from Walters manuscript W.653, a middle-aged woman stands in a landscape, holding a vase of flowers. The salmon pink margins are stenciled with animal and floral forms. The catchword at the lower left indicates that the following folio is missing.
Silk Animal Carpet
Prince and Princess Hunting Blackbuck
Portrait of a Ladakhi Mountain Goat
An Old Sufi Laments His Lost Youth
This folio from Walters manuscript W.677 depicts Bahram Gur in a peasant's house.
Krishna Fluting
This folio from Walters manuscript W.580 is the left side of an illuminated double-page frontispiece of geometric design in gold, red, blue, and green, with a marginal rosette at the left.
This page from Walters manuscript W.674 bears 4 diplomas written within illuminated cartouches inscribed in ijazah script by the following master calligraphers: Yaziji zadah, Isma'il al-Zuhdi Katib al-Saray al-Sultani, Muhammad Hasib, and 'Ali al-Wasfi. The page is dated 1219 AH/AD 1804-1805.
A Stallion
Vasant Ragini: Folio from a ragamala series (Garland of Musical Modes)
Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar
Grapevine in the Wind
"The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds)
The Flood of Noah (Genesis 7:11-24)
The top and bottom panels of this illuminated finispiece from Walters manuscript W.578 are inscribed with the basmalah and hamdalah in white Thuluth script. The Qur'anic verses in the central panel are written in Square Kufic.
This illuminated title page from Walters manuscript W.581 gives the title of the work, as well as the authors' names. There is also a statement referring to the patronage of the manuscript, indicating that it was made for the Mawlawi (Mevlevi) Library (bi-rasm al-Khizanah al-Karimah al-"Aliyah al-Mawlawiyah).
Canopy with Dragon among Flowers
Abhisarika Nayika (Heroine Running to Meet her Lover)
Peahen and hibiscus
"The Funeral of Isfandiyar," Folio from a Shahnama (Book of Kings)
A Procession Scene with Musicians, from a copy of the Padshanama
Velvet Fragment with Design from Nizami of Ganja's Khusrau and Shirin
Walters manuscript W.620 has a brown leather blind-stamped binding with a flap. The binding is decorated with a central oval medallion and pendants. This binding is not original to the manuscript.
Maharana Bhim Singh in Procession
Book on Navigation
Textile
Durga Slaying Mahisha
A Messenger is Dispatched: Page from a Dispersed Manuscript
Monkey Hanging on to a Branch
Fragment van een muurschildering
Carpet with Scrolling Vines and Blossoms
This is the final illuminated page in the codex, Walters W.582. The last panel contains the colophon, written in Riqa' script, giving the name of the scribe as Habib Allah ibn Dust Muhammad al-Khwarizmi.
Ingelijste muurschildering voorstellende Xiwangmu en dienaressen
On this folio from Walters manuscript W.604, King Qizil Arslan welcomes the poet Nizami.
The Emperor's Carpet
Tile Panel
A Monumental Portrait of a Monkey
Carpet with Palm Trees, Ibexes, and Birds
Krishna's Fifth and Sixth Avatars, page from a copy of the Gitagovinda of Jayaveda
The Greedy Dog
Pichhwai for the Festival of Cows
A Virtuous Woman Placates the King by Plucking Out Her Eyes
A Young Prince on Horseback
Youth Playing a Pipe for a Satyr
This illustration from Walters manuscript W.644 depicts Zulaykha in a blue-domed litter on a camel led by a cameleer. The retinue is entering the capital of Egypt.
Thanka with Buddha
Zal Climbing to Rudaba, page from a copy of the Shahnama of Firdausi
Belt clasp
Rustam's seventh course: He kills the White Div, folio 124 from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020)
The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, Page from a Manuscript of the Akbarnama
Interieur van een timmermanswerkplaats
Peonies
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
Portrait of Prince Sur Singh Rathor of Bikaner (1594–1631)
Kichik Beg Wounded during Babur's Attack on Qalat, from a copy of the Baburnama (Book of Babur)
Carpet
Woman Addressing a Peacock: Gujari Ragini of Megh, from a Ragamala
Ragini Gaudi, Page from a Jaipur Ragamala Set
Al-Mu'tazz Sends Gifts to Abdulla ibn Abdulla, from a copy of the Tarikh-i Alfi
Japan; Illustrated book; Illustrated Books
Asavari Ragini, page from a Garland of Musical Ragas (Ragamala) Set
Buddhist Deities
The Wade Cup with Animated Script
This folio from Walters manuscript W.596 depicts the fall of Samarqand.
Bahram Gur Arrives at the House of a Merchant, text page (recto); Bahram Gur Slays a Dragon (verso), from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), known as the Great Mongol Shahnama
Palampore
Krishna with an Ascetic
Folio from a Qur'an Manuscript
Textile Fragment
Grafmonument met alliantiewapen en vier kwartierwapens
Carpet with Triple-Arch Design
Heer Ranjha: Lady with Water Jug on her Head and Lady Holding out her Arms, Jodhpur school, India, c. mid-18th century, opaque watercolor on paper, Tokyo National Museum
Farmhouse on the Slope of a Hill
Friends of Krishna, folio 163 from a Bhakti Ratnavali of Vishnu Puri
Manuchehr Kills Tur, Manuscript from Shahnama
Green Tara
Autumn Evening with Full Moon on Musashino Plain
Hunting Scene
Ruler Entertained by Dancers in a Paradise Garden
Birds and Flowers
John F. Gray
Silk Kashan Carpet
Pradyumna and Samvara fight with maces, from the "Large Basohli Bhagavata Purana"