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Hilma af Klint — The Ten Largest — Number 8 Adulthood
Hilma af Klint — The Ten Largest — Number 6 Adulthood
Hilma af Klint — The Ten Largest — Number 4 Youth
Hilma af Klint — The Ten Largest — Number 3 Youth
Hilma af Klint — The Ten Largest — Number 2 Childhood
Hilma af Klint — The Ten Largest — Number 1 Childhood
Hilma af Klint — The Ten Largest — Number 5 Adulthood
Hilma af Klint — The Ten Largest — Number 10 Old Age
Hilma af Klint — The Ten Largest — Number 9 Old Age
Hilma af Klint - Group IX/UW, No. 25, The Dove, No. 1, 1915
Hilma af Klint - Group X, No. 2, Altarpiece, 1915
Hilma af Klint "Svanen, nr 17, grupp IX/SUW, serie SUW/UW", 1915. Stiftelsen Hilma af Klints Verk. Photo: Moderna Museet/Albin Dahlström.
Hilma Af Klint - The Swan, No. 12, Group IX/SUW, 1915
Hilma af Klint - Group IX/SUW, The Swan, No. 9, 1915
Hilma af Klint - Altarpiece No. 1 Group X
"The Swan, No. 18" by Hilma Af Klint [Venice - 13 October 2013]
Tree of Knowledge, No. 1
Hilma Af Klint Series SUW, No 14 Swan, 1914 -1915
Hilma af Klint - The Swan, No. 10, Group IX/SUW, 1915
Tree of Knowledge, No. 2
Hilma af Klint - Group IX/SUW, The Swan, No. 7, 1915
Bowl with Inscription, "Sovereignty is God's"
Titel: Svanen, nr 13, grupp IX, serie SUW. Konstnär: Hilma af Klint (1862-1944, svenska). Olja på duk utförd 1915. Stiftelsen Hilma af Klints verk.
Hilma af Klint - Group IX/SUW, The Swan, No. 1, 1915
Water Lilies (Agapanthus)
Animal-Spouted Pitcher
Water Lilies
Improvisation No. 30 (Cannons)
Bell-Flower and Dragonfly, from an untitled series of large flowers
Courting flute (siyotanka)
Hilma af Klint, Buddha’s Standpoint in the Earthly Life, No. 3a, (1920), courtesy Hamburger Bahnhof
Fragment (Dress Fabric)
Saint John on Patmos
The Merry Family
Church Bells Ringing, Rainy Winter Night
Chrysanthemum and Horsefly, from an untitled series of Large Flowers
Quilt
Jar with Dragon and Clouds Design
Cotton Roses and Sparrow, from an untitled series of Large Flowers
The Dream of the Shepherd (Der Traum des Hirten)
Oribe-Type Ewer
Terracotta dinos (mixing bowl)
Lilies, from an untitled series of Large Flowers
Bottle with Birds and Peony Scroll
Waistcoat
Grafmonument met alliantiewapen en vier kwartierwapens
Hydrangea and Swallow, from an untitled series of large flowers
Morning Glories and Tree-frog, from an untitled series of Large Flowers
Ingelijste muurschildering voorstellende Xiwangmu en dienaressen
The Child's Bath
Dragon in foliage with lion and phoenix heads
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"
Unidentified Woman
Bullfinch and Weeping Cherry (Uso, shidarezakura), from an untitled series of flowers and birds
Belt clasp
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)"
Reukflacon
Mount Fuji with Cherry Trees in Bloom
Goddess Riding a Dragon, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Terracotta stirrup jar with octopus
No 1. From "The Parsifal Series", painted 1916. From an exhibition at Moderna Museet, Stockholm.
Jewelry Elements
The Girl by the Window
Fragment textiel
Tánggǔ (堂鼓)
Fragment van een muurschildering
Tea Table
Orpheus
Congressional Presentation Sword with Scabbard of Colonel Marinus Willett (1740–1830)
Textile Fragment
The Milkmaid
Hanger in de vorm van een tak blauwe regen
Iris and Grasshopper, from an untitled series of large flowers
Feast Ladle
Water Ewer for Rituals (Kundika) with Incised Parrot Design
Terracotta kernos (vase for multiple offerings)
Acteurs tijdens een kabuki-voorstelling in Kabukiza, Tokyo
The Wade Cup with Animated Script
Palampore
Misty Sea
[The Oriel Window, South Gallery, Lacock Abbey]
Une odalisque, dite La grande odalisque
A Monumental Portrait of a Monkey
Woman at Her Toilette
Cranes on snow-covered pine
Bowl with inscription and chrysanthemums and tortoiseshell decoration
Covered box decorated with chrysanthemums and waterfowl among lotus
Mural Fragment Depicting a Maguey Bloodletting Ritual
Mandala of the Three Shrines at Kumano
Vase with Golden Pheasants
A winged angel with arms crossed kneels across from a young woman sitting and holding a book, both under an archway in a paneled room in this vertical painting. They both have pale, yellow-toned skin, blond hair, and flat, gold halos. They also have golden brown eyes, long, straight noses, smooth cheeks, and their pale, pink lips are closed. To our right, the woman sits in a throne-like chair with her body facing our left. Her head tilts down, and she looks toward the angel under lowered lids. Her hair is pulled back under the neck of the lapis-blue cloak she wears over a crimson-red dress. The dress and cloak are trimmed with gold, and a there is a gold starburst on the cloak over her left shoulder, closer to us. She holds her other hand up near that shoulder with her fingertips brushing her chest. With her other hand, she holds open the pages of a small book in her lap, so her fingers overlap some of the words. The entire Latin inscription would read, “virgo concipiet et pariet filium et vocabitur nomen eius emmanuel butirum et mel come dit ut fiat reprobare.” A slender, bone-white column separates her from the angel across from her, along the left edge of the painting. The angel has curly, shoulder-length hair and wears a robe with a gold, floral pattern against a burgundy-red background. Long, golden wings emerge from the shoulder blades and extend off the side of the composition. An open archway just beyond the angel is filled with streaks of flax yellow and burnt orange, possibly representing flames. Some of the walls in the room around the pair are pale olive green and other areas are darker spruce green. There are bands of coral-pink molding and inset panels of patterned mosaics. The flat ceiling of the space immediately over the pair is decorated with checkerboard panels in navy blue, hunter green, brown, and brick red. Gold lines create a ray coming from the ceiling toward the woman. At the back of the space, beyond the column separating the woman and angel, the room extends into an alcove with an arched hallway painted with gold stars against a midnight-blue background. Double doors open at the back of the alcove onto a room with a pale-yellow curtain with a mesh-like trim. We see the pair as if through a stone archway that lines the top and sides of the composition. The upper corners are filled with leafy decorations, as if carved into the stone.
The Devil Speaks (Mahna No Varua Ino) (recto); Women Washing Clothes (verso)
Hotei Smoking his Pipe, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
L'Européenne
Pink and Rose
Bassoon
Jar with Lion-Head Handles
Figural Pendant
Green Tara
Poppies, from an untitled series of flowers