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Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)"
Tama River in Musashi Province (Bushu Tamagawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Tagonoura Bay near Ejiri on the Tōkaidō (Tōkaidō Ejiri Tagonoura ryakuzu), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)
Fishing Boats at Choshi in Shimosa (Soshu Choshi) from the series "One Thousand Pictures of the Ocean (Chie no umi)"
Kajikazawa in Kai Province (Koshu Kajikazawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Umezawa Marsh in Sagami Province (Soshu Umezawa hidari), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Viewing Sunset over the Ryogoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryogokubashi sekiyo o miru), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Mishima Pass in Kai Province (Koshu Mishimagoe), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Whaling off the Coast of the Goto Islands (Goto kujira tsuki), from the series "One Thousand Pictures of the Ocean (Chie no umi)"
Mount Fuji with Cherry Trees in Bloom
Ejiri in Suruga Province (Sunshu Ejiri), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Shower Below the Summit (Sanka hakuu), from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"
Beneath Mannen Bridge in Fukagawa (Fukagawa Mannenbashi shita) from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Cranes on snow-covered pine
A Mild Breeze on a Fine Day (Gaifu kaisei), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Yoro Waterfall in Mino Province (Mino no kuni Yoro no taki), from the series Tour of the Waterfalls in Various Provinces (Shokoku Takimeguri)
Goten Hill at Shinagawa on the Tokaido (Tokaido Shinagawa Gotenyama), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Amida Falls in the Far Reaches of the Kisokaido (Kisoji no oku Amidagataki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)"
Ushibori in Hitachi Province (Joshu Ushibori), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Bullfinch and Weeping Cherry (Uso, shidarezakura), from an untitled series of flowers and birds
Fishing by Torch in Kai Province (Koshu hiburi) from the series "One Thousand Pictures of the Ocean (Chie no umi)"
The Tea Plantation of Katakura in Suruga Province (Sunshu Katakura chaen no Fuji), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Fishing Boats with Hucksters Bargaining for Fish
Iris and Grasshopper, from an untitled series of large flowers
Japan; Illustrated book; Illustrated Books
Fan painting with river landscape
Togetsu Bridge at Arashiyama in Yamashiro Province (Yamashiro Arashiyama no Togetsukyo), from the series "Unusual Views of Famous Bridges in Various Provinces (Shokoku meikyo kiran)"
Tatekawa River Lumberyard at Honjo (Honjo Tatekawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Morning Glories and Tree-frog, from an untitled series of Large Flowers
Fujimigahara in Owari Province (Bishu Fujimigahara), from the series "Thirty-six views of Mount Fuji (Fugaku sanjurokkei)"
Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
The Milkmaid
Sazai Hall at the Temple of the Five Hundred Arhats (Gohyakurakanji Sazaido), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Hydrangea and Swallow, from an untitled series of large flowers
This print illustrates the legend of a woman murdered by her husband because she accidentally broke plates. Her corpse and the pieces of the dishes were thrown into a well, but her ghost returned every night to haunt him in the eerie form seen here. This small-format work features a bright blue color that may seem cheery to us, but Hokusai’s original audience would have associated it with death and the occult.
Grapevine
Le radeau de la Méduse
Poppies, from an untitled series of flowers
Lilies, from an untitled series of Large Flowers
The Burning of the Houses of Lords and Commons, 16 October 1834
Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Dragon and Tiger
Ono Falls on the Kisokaidō Road (Kisokaidō Ono no bakufu), from the series Tour of the Waterfalls in Various Provinces (Shokoku taki meguri)
Cotton Roses and Sparrow, from an untitled series of Large Flowers
Blooming Plum Tree, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Dragon in foliage with lion and phoenix heads
Mount Sainte-Victoire
The Large Plane Trees (Road Menders at Saint-Rémy)
Bell-Flower and Dragonfly, from an untitled series of large flowers
Water Lilies
Goddess Riding a Dragon, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Ovoid covered jar with a woman reading a letter and finial in the shape of a shishi
The Threatened Swan
Fragment textiel
About three dozen people gather in a grassy field to either side of a crumbling structure to kneel and pray before a woman and baby in the center of this horizontal painting. The woman, Mary, and baby, Jesus, have smooth, pale skin while the others have light or tanned skin. The structure has sand-colored stone pillars, a wooden triangular, pitched roof, and a straw floor. Mary, who has an elongated torso, sits facing us with her knees apart. She wears an azure-blue robe over a rose-pink dress. A shell-pink veil covers her head and body. Jesus sits on her left knee, his pudgy body angled to our left. He is nude except for a transparent cloth wrapped over one shoulder and the opposite hip. Mary’s left hand braces his torso. On Mary’s right, our left, Joseph, an older man, stands facing us. He clasps his hands at his chest and leans on a long stick. He has wrinkled skin, long, gray curly hair, and a full beard. Both Mary and Joseph tilt their heads to their right, our left, as they look down at Jesus. Joseph wears a golden yellow robe over a blue tunic. Joseph, Mary, and Jesus have faint gold halos. Behind them, a brown cow and gray donkey rest on the straw. People closest to Mary and Jesus kneel and bow their heads while the people to the left and right sides mostly stand. Three men kneeling closest to Mary and Jesus offer gifts, including a bronze vessel and a gold jar. One man has long dark brown hair and a beard, and wears a gold crown. Another man is bald with long gray hair and beard, while the third is cleanshaven with shoulder-length brown hair. These men wear robes in powder blue, carnation pink, or celery green with delicate silver and gold embelishments. Others in the crowd range in age from young and cleanshaven to older and bearded. They wear robes and tunics in shades of raspberry pink, butterscotch yellow, lapis blue, plum purple, or forest green. Several horses, their coats white or cinnamon brown, stand among the crowd, a few with riders. To our right, one horse rears its head and two others stand facing each other. Beyond the crowd, grassy green meadows and hills dotted with trees lead back to the horizon. A pale blue sky fills the top third of the composition.
Jar with Lion-Head Handles
Tánggǔ (堂鼓)
Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)
Une odalisque, dite La grande odalisque
An Artisan’s Shop, from the album The Mist of Sandara (Sandara kasumi)
Le 28 juillet 1830. La Liberté guidant le peuple
Chrysanthemum and Horsefly, from an untitled series of Large Flowers
Selections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
Bottle with Birds and Peony Scroll
Writing Box (Suzuribako) with Phoenix in Paulownia
Japan; Illustrated book; Illustrated Books
Hell Courtesan
Two Rabbits, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
American Barque "Jane Tudor," Conway Bay
The Night Watch Militia Company of District II under the Command of Captain Frans Banninck Cocq
A Philosopher Watching a Pair of Butterflies, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Enclosed Valley
Woman Reading a Letter
Iris, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Grapevine and Squirrels
Bowl with Inscription, "Sovereignty is God's"
Textile Fragment
Raft Cup
After the Hurricane, Bahamas
Fragment van een muurschildering
Copy of The Night Watch
Japan; Illustrated book; Illustrated Books
Water Lilies (Agapanthus)
Portrait de Lisa Gherardini, épouse de Francesco del Giocondo, dit La Joconde ou Monna Lisa
La Dentellière
The Submersion of Pharaoh's Army in the Red Sea
Ovoid covered jar with a woman reading a letter and finial in the shape of a shishi
Palampore
The Windmill at Wijk bij Duurstede
Grafmonument met alliantiewapen en vier kwartierwapens
Ingelijste muurschildering voorstellende Xiwangmu en dienaressen
Hotei Smoking his Pipe, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
The great Jewish bride
Armor (Gusoku)
Bahram Gur Arrives at the House of a Merchant, text page (recto); Bahram Gur Slays a Dragon (verso), from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), known as the Great Mongol Shahnama
The Merry Family
Painted almost entirely in tones of golden, mustard, and pale yellows, a young woman is shown from the lap up having turned to face us while making lace on a wooden frame in this vertical portrait painting. Her body faces our left almost in profile, but she turns her face to look at us with large, hazel-gray eyes. Her skin has a yellow cast but her smooth cheeks are lightly flushed, and her coral-red lips are parted. Her cinnamon-brown hair is parted down the middle and pulled back under a slate-blue ribbon, and she wears a teardrop-shaped earring in the ear we can see. Her burnt-orange shirt has pale yellow, wide cuffs at the elbow-length sleeves and a wide collar that rests across her chest and shoulders. The cuffs and collar are textured, suggesting fur. She rests her bare forearms against the wood frame in front of her, to our left, which is about the height of a table. A parchment-yellow cloth is draped over the frame, and she holds two short, cylindrical bobbins in her hands. Two more thread-wrapped bobbins hang to one side. The woman’s tea-brown skirt is partially hidden by a table situated closer to us, in the lower right corner of the painting. The table is covered with a patterned rug in maroon red, black, and gold. On the table are a low, wide pewter-gray bowl and a dark indigo-blue pillow with gold tassels and gold stripes near the seams. The wall behind the woman is honey yellow.
Christ Carrying the Cross
Conical coffee pot with flowering lotus
Fragment (Dress Fabric)