Related

Textile Fragment

Palampore

Fragment (Dress Fabric)

Iris, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Carpet with Scrolling Vines and Blossoms

Morning Glories and Tree-frog, from an untitled series of Large Flowers

Dragon in foliage with lion and phoenix heads

Chrysanthemum and Horsefly, from an untitled series of Large Flowers

Royal Carpet with Silk and Metal Thread

Corset

Quilt

Waistcoat

Poppies, from an untitled series of flowers

Length of velvet

Hunting and fishing scenes

Bell-Flower and Dragonfly, from an untitled series of large flowers

Doublet

Iris and Grasshopper, from an untitled series of large flowers

Cotton Roses and Sparrow, from an untitled series of Large Flowers

Tile with Floral and Cloud-band Design

Pichhwai for the Festival of Cows

Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Buddhist Priest's Ceremonial Robe

Set of Four Armchairs and Settee

Fragment textiel

Bridal Robe (Hwarot)

Lilies, from an untitled series of Large Flowers

Jar with Lion-Head Handles

Grafmonument met alliantiewapen en vier kwartierwapens

Accordion

Japan; Illustrated book; Illustrated Books

Terracotta dinos (mixing bowl)

Ingelijste muurschildering voorstellende Xiwangmu en dienaressen

The Merry Family

Hinds House Window

Fragment textiel

Robe à la française

Bottle with Birds and Peony Scroll

Mount Fuji with Cherry Trees in Bloom

Hilma af Klint — The Ten Largest — Number 10 Old Age

Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)

Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Center table

Hilma af Klint — The Ten Largest — Number 4 Youth

Oribe-Type Ewer

Collier met hanger

Cravat end

Cape

Belt clasp

Saint Sebastian

Dress

Bullfinch and Weeping Cherry (Uso, shidarezakura), from an untitled series of flowers and birds

Blooming Plum Tree, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Enclosed Valley

Youth Playing a Pipe for a Satyr

Cranes on snow-covered pine

Terracotta kernos (vase for multiple offerings)

The Adoration of the Magi

Reukflacon

Covered box decorated with chrysanthemums and waterfowl among lotus

Ceremonial Hanging (Palepai)

Panel with the god Zeus/Serapis/Ohrmazd and worshiper

Hilma Af Klint Series SUW, No 14 Swan, 1914 -1915

Door lintel with lion-griffins and vase with lotus leaf

Green Tara

Konstnär: Hilma af Klint (1862-1944, svenska). Titel: Vallmo. Utförd på 1890-talet med akvarell och bläck på papper. Hilma af Klints stiftelse.

Writing Box (Suzuribako) with Phoenix in Paulownia

Animal-Spouted Pitcher

Gedicht op de zilveren bruiloft van Ludolph Simon de With en Maria de Wit, 15 augustus 1771

Feuillet de diptyque en cinq parties : l'Empereur triomphant (Justinien ?)

Fragment van een muurschildering

Graven en gravinnen van Holland

Openwork furniture plaque with a grazing oryx in a forest of fronds

Hanger in de vorm van een tak blauwe regen

"Dancing Dervishes", Folio from a Divan of Hafiz

Jewelry Elements

Tea Table

Bronze rod tripod stand

Twee textielfragmenten op een blad, borduursel en druk op zijde

Two Rabbits, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Cabinet of a Militia Company

Close to us, a bearded, balding man leads a donkey carrying a woman and child to our right against a hilly landscape in this horizontal painting. All three people have pale, peachy skin and halos. The man has a gray beard and hair, and wears a royal-blue tunic under a ruby-red robe. He leans on a walking stick and looks back at the donkey. The woman riding the donkey wears a blue and gold brocade-like cloak covering her head and body. She has a straight nose, small pink lips, and she looks toward the infant she holds close to her body. The baby wears a white garment and reaches for the woman’s face with one hand as he turns to look over his shoulder toward us. The path they walk on is lined with grass and detailed plants. A river runs parallel to the path a short distance away. The horizon line comes about two-thirds of the way up the painting is lined with green trees, blue mountains, and a few buildings to our left. Wispy white clouds sweep across an azure-blue sky streaked with peach near the horizon.

The Night Watch Militia Company of District II under the Command of Captain Frans Banninck Cocq

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"

Manuscript Cover with Prajnaparamita Attended by Sadakshari Lokeshvara and a Tara

About three dozen people gather in a grassy field to either side of a crumbling structure to kneel and pray before a woman and baby in the center of this horizontal painting. The woman, Mary, and baby, Jesus, have smooth, pale skin while the others have light or tanned skin. The structure has sand-colored stone pillars, a wooden triangular, pitched roof, and a straw floor. Mary, who has an elongated torso, sits facing us with her knees apart. She wears an azure-blue robe over a rose-pink dress. A shell-pink veil covers her head and body. Jesus sits on her left knee, his pudgy body angled to our left. He is nude except for a transparent cloth wrapped over one shoulder and the opposite hip. Mary’s left hand braces his torso. On Mary’s right, our left, Joseph, an older man, stands facing us. He clasps his hands at his chest and leans on a long stick. He has wrinkled skin, long, gray curly hair, and a full beard. Both Mary and Joseph tilt their heads to their right, our left, as they look down at Jesus. Joseph wears a golden yellow robe over a blue tunic. Joseph, Mary, and Jesus have faint gold halos. Behind them, a brown cow and gray donkey rest on the straw. People closest to Mary and Jesus kneel and bow their heads while the people to the left and right sides mostly stand. Three men kneeling closest to Mary and Jesus offer gifts, including a bronze vessel and a gold jar. One man has long dark brown hair and a beard, and wears a gold crown. Another man is bald with long gray hair and beard, while the third is cleanshaven with shoulder-length brown hair. These men wear robes in powder blue, carnation pink, or celery green with delicate silver and gold embelishments. Others in the crowd range in age from young and cleanshaven to older and bearded. They wear robes and tunics in shades of raspberry pink, butterscotch yellow, lapis blue, plum purple, or forest green. Several horses, their coats white or cinnamon brown, stand among the crowd, a few with riders. To our right, one horse rears its head and two others stand facing each other. Beyond the crowd, grassy green meadows and hills dotted with trees lead back to the horizon. A pale blue sky fills the top third of the composition.

Copy of The Night Watch

Headdress

Cloth with Procession of Figures

Dagger-axe

Ovoid jar with women with a yoke in scalloped panels

Mirror with Phoenixes, Birds, Butterflies, and Floral Sprays

Pendant in the form of a cock

Tomb Guardian with Animal Head

Fire Screen

Tánggǔ (堂鼓)

A winged angel with arms crossed kneels across from a young woman sitting and holding a book, both under an archway in a paneled room in this vertical painting. They both have pale, yellow-toned skin, blond hair, and flat, gold halos. They also have golden brown eyes, long, straight noses, smooth cheeks, and their pale, pink lips are closed. To our right, the woman sits in a throne-like chair with her body facing our left. Her head tilts down, and she looks toward the angel under lowered lids. Her hair is pulled back under the neck of the lapis-blue cloak she wears over a crimson-red dress. The dress and cloak are trimmed with gold, and a there is a gold starburst on the cloak over her left shoulder, closer to us. She holds her other hand up near that shoulder with her fingertips brushing her chest. With her other hand, she holds open the pages of a small book in her lap, so her fingers overlap some of the words. The entire Latin inscription would read, “virgo concipiet et pariet filium et vocabitur nomen eius emmanuel butirum et mel come dit ut fiat reprobare.” A slender, bone-white column separates her from the angel across from her, along the left edge of the painting. The angel has curly, shoulder-length hair and wears a robe with a gold, floral pattern against a burgundy-red background. Long, golden wings emerge from the shoulder blades and extend off the side of the composition. An open archway just beyond the angel is filled with streaks of flax yellow and burnt orange, possibly representing flames. Some of the walls in the room around the pair are pale olive green and other areas are darker spruce green. There are bands of coral-pink molding and inset panels of patterned mosaics. The flat ceiling of the space immediately over the pair is decorated with checkerboard panels in navy blue, hunter green, brown, and brick red. Gold lines create a ray coming from the ceiling toward the woman. At the back of the space, beyond the column separating the woman and angel, the room extends into an alcove with an arched hallway painted with gold stars against a midnight-blue background. Double doors open at the back of the alcove onto a room with a pale-yellow curtain with a mesh-like trim. We see the pair as if through a stone archway that lines the top and sides of the composition. The upper corners are filled with leafy decorations, as if carved into the stone.

Hydrangea and Swallow, from an untitled series of large flowers

Lamp with Hanging Head Dragonfly Shade and Mosaic and Turtleback Base

Heavenly beauty