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Vénus de Milo
relief mural
Esclave rebelle
Buddha
Torso of a Kouros
A bodhisattva
Mourner from the Tomb of John the Fearless and Margaret of Bavaria
Cheval retenu par un palefrenier
Terpsichore Lyran (Muse of Lyric Poetry)
Sarcophagus
Figure of a reclining woman
Saluting Protective Spirit
Openwork furniture plaque with a grazing oryx in a forest of fronds
The bodhisattva Maitreya
Torso of a goddess
Door lintel with lion-griffins and vase with lotus leaf
Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt)
Heavenly beauty
The King's Acquaintances Memi and Sabu
Feuillet de diptyque en cinq parties : l'Empereur triomphant (Justinien ?)
Relief: two servants bearing food and drink
Le radeau de la Méduse
White-Ground Lekythos (Oil Vessel): Atalanta and Erotes
Fragment of a bowl with a frieze of bulls in relief
Torso of Amenpayom
Buddha
Ivory Plaque with Enthroned Mother of God ("The Stroganoff Ivory")
Invocation to Love
The bodhisattva Maitreya
Door Guardian (Dvarapala)
Trial Piece Worked on Both Sides
Orthostat relief: lion-hunt scene
Nautilus Cup
Tomb with Sphinxes and an Owl
Fishing Boats with Hucksters Bargaining for Fish
Le 28 juillet 1830. La Liberté guidant le peuple
Goddess Riding a Dragon, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Guanyin
Heavenly beauty
American Barque "Jane Tudor," Conway Bay
Portrait of Catherine Grey, Lady Manners
Robe à la française
Terracotta kernos (vase for multiple offerings)
L'Européenne
Mural Fragment with Elite Male and Maguey Cactus Leaves
Wall fountain
Spouted jar
Ewer
Kaftan
Coat
Mother Goddess
Corner Railing Pillar with Drinking Scenes, Yakshis, and Musicians
Walking ensemble
Head Fragment
The great Jewish bride
Reclining mouflon
Furniture support: female sphinx with Hathor-style curls
The great Jewish bride
Rhyton terminating in the forepart of a wild cat
Spout in the form of a man's head
A woman with pale, smooth skin stands wearing a loosely draped, champagne-peach dress in this vertical portrait painting. Her body faces us but she turns her head to look down and off to our right with brown eyes. She has dark brows, an upturned nose, and her carnation-red lips are closed in a slight smile. Her ash-brown hair is loosely pulled up so it sweeps back from her face, while thick curls cascade down her neck and over her shoulders. Her long sleeved, floor-length dress is tied at her waist with a sage-green sash. Gossamer-white fabric drapes around her upper arms, and she holds the long ends in both hands. Her right elbow, to our left, rests on the high base of columns that rise behind her and off the top edge of the canvas. A rust-red curtain drapes down from the top of the painting, over the columns. To our right, beyond the columns, the landscape opens to a view of trees beneath a blue sky with white puffy clouds.
The Threatened Swan
Saint Sebastian
Terracotta head of a woman
Nursing Woman with Child
Sleep and Death Cista Handle
Round gown
Raft Cup
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
Amulet in the Form of a Seated Figure with Bovine Head
Rosewater ewer
Feast Ladle
Uma
Fire-flame Cooking Vessel (Ka'en Doki)
Dinner dress
Funerary relief
Enthroned deity
"Antonius" Violin
Female nature spirit
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)"
Shown from the thighs up, a pale-skinned woman looks down and off to our left as she holds the pointed end of a dagger toward her chest in this vertical painting. Her lips are slightly parted, and her arms are spread wide as holds the hilt of the dagger in her right hand, to our left. Her hooded, dark brown eyes are rimmed with red. Her head tilts to our left, her pale lips parted. There are gray shadows at the corners of her mouth and along her jawline. Her brown hair is pulled back under a cloth covering painted with white flecks to suggest shiny thread or possibly jewels. She wears a long, tawny-brown gown with diaphanous sleeves. The bodice is laced up over a cream-white undergarment with a deep V neck and voluminous sleeves with unfastened cuffs near her wrists. She wears a large, teardrop-shaped pearl in the ear we can see and two necklaces. One necklace is a strand of pearls, and the other is a gold and possibly jeweled pendant with another teardrop pearl hanging from a cord. A gold belt drapes around her hips over a narrow waist. She is warmly lit from the upper left and set against an earth-brown background. The artist signed and dated the center left, “Rembrandt 1664.”
Mural Fragment Depicting a Maguey Bloodletting Ritual
Terracotta stirrup jar with octopus
Corset
Robe à l'anglaise
Dress
Oksaal (koorafscheiding), afkomstig uit de kerk te Helvoirt
Hanger op voetstuk met Amphitrite op een dolfijn
Danaë
Water Ewer for Rituals (Kundika) with Incised Parrot Design
Code de Hammurabi
Pendant in the form of a cock
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"
A young woman with smooth, pale skin wearing a fog-gray gown stands in shadowy outdoor setting in this vertical portrait painting. Her body faces our right almost in profile. Her head turns toward us though she looks off to our left with brown eyes under arched brows. Auburn-brown hair frames her heart-shaped face, which has a slender nose over closed, coral-red lips and a dimpled chin. Her long, curly hair is gathered at the back of her head and tied with a sand-brown ribbon. Long tendrils hang down her shoulders and back. Her iridescent gown has a deep neckline and a wide, harvest-gold sash around her waist with matching bands on the upper arms. A shimmering, laurel-green cape bordered in gold falls from her shoulders in deep folds down her back. The woman has pulled some of the cape forward with both hands to hang down her left side, farther from us. She wears delicate, translucent pearl bracelets on one wrist, and steps forward on silvery-gray shoes under the dress’s long hem. Bright light falls across the scene from the upper left so much of the background is in shadow. A stone wall behind the woman spans the right half of the painting. A tree grows up along its leftmost edge, just beyond the woman’s shoulders. A landscape along the left third of the composition opens onto trees under a sky filled with thick, off-white and steel-gray clouds.
Dress
The great Jewish bride
Woman Reading a Letter
Lantern for a Lamp
The Sacrifice of Isaac
Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)