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Performance of Hanasaka Jiji, by Toshi, 1889, Meiji 21, from the Hood Museum of Art - PR.995.23.42abc.
Suido Bridge and Surugadai, from One Hundred Famous Views of Edo
Tatekawa River Lumberyard at Honjo (Honjo Tatekawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Viewing Sunset over the Ryogoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryogokubashi sekiyo o miru), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
The Tea Plantation of Katakura in Suruga Province (Sunshu Katakura chaen no Fuji), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Goten Hill at Shinagawa on the Tokaido (Tokaido Shinagawa Gotenyama), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Misuji no Tanoshimi, by unknown Japanese artist, 1800s, from the Hood Museum of Art - PR.995.23.43ab.
Saigo Takamori in the retreat from Shiroyama castle, Woodblock print (nishiki-e); ink and color on paper
Beneath Mannen Bridge in Fukagawa (Fukagawa Mannenbashi shita) from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Sazai Hall at the Temple of the Five Hundred Arhats (Gohyakurakanji Sazaido), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Exhibit in the Jordan Schnitzer Museum of Art, University of Oregon - Eugene, Oregon, USA.
Whaling off the Coast of the Goto Islands (Goto kujira tsuki), from the series "One Thousand Pictures of the Ocean (Chie no umi)"
Viewing the Seashore at the Eguchi Inn
Mandala of the Three Shrines at Kumano
Togetsu Bridge at Arashiyama in Yamashiro Province (Yamashiro Arashiyama no Togetsukyo), from the series "Unusual Views of Famous Bridges in Various Provinces (Shokoku meikyo kiran)"
Exhibit in the Jordan Schnitzer Museum of Art, University of Oregon - Eugene, Oregon, USA.
Ejiri in Suruga Province (Sunshu Ejiri), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Ono Falls on the Kisokaidō Road (Kisokaidō Ono no bakufu), from the series Tour of the Waterfalls in Various Provinces (Shokoku taki meguri)
Tagonoura Bay near Ejiri on the Tōkaidō (Tōkaidō Ejiri Tagonoura ryakuzu), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)
A Procession Scene with Musicians, from a copy of the Padshanama
Famous Views of Ōmi
Mishima Pass in Kai Province (Koshu Mishimagoe), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Pleasure Boat on the Sumida River
慈眼大師像
Ushibori in Hitachi Province (Joshu Ushibori), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Daibutsu and Scaffolding, by Migita Toshihide, 1895, Meiji 27, from the Hood Museum of Art - PR.995.23.9ab.
Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Tama River in Musashi Province (Bushu Tamagawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Hell Courtesan
Exhibit in the Jordan Schnitzer Museum of Art, University of Oregon - Eugene, Oregon, USA.
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)"
The setting for the painting is the royal stables in Isfahan. The upper portion of the scene consists of a platform on which are gathered the shah, or Persian king, who appears next to the column on the right; five kneeling courtiers; and various attendants serving fruit and wine. The king is identified in the artist’s signature at the upper left as Shah ‘Abbas II, who died in 1666, but it is possible that the undated painting was executed after his death. The ruler’s status is emphasized by his golden halo and by the opulent gold and jeweled vessels placed before him. The lower portion shows a roundup of horses who bear the trident-like royal brand on their flanks; they move in a spiral that coils counterclockwise from the upper right. The scene bursts with energy and looks chaotic—a brawl is taking place at the lower left—but the courtiers and handlers seem to be getting control of the animals. The figures on the platform, meanwhile, pay no attention to the commotion below. The painting represents a new journalistic, even anecdotal approach to Persian painting introduced in the second half of the seventeenth century. The viewer gets the sense that the work may record a specific moment in daily life at court and that it was observed firsthand. Figures no longer conform to stock types but are highly individualized by facial features and dress. Standing just to the right of center in the upper part of the roundup scene is a man wearing a gold, fur-lined, armless jacket. He holds a list and is writing notes while conferring with a young man in a blue robe. The man taking notes may well be the supervisor of the royal stud, one of whose responsibilities was to inspect the king’s stables and keep an inventory of the animals.
An Artisan’s Shop, from the album The Mist of Sandara (Sandara kasumi)
Hunting Scene
The Beach at Sumiyoshi from the Tales of Ise
Spring and Autumn Farming (Autumn)
Nakamura Fukusuke I as Kumagai Jirō Naozane on a Folding Fan
Fan painting with river landscape
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"
Maharana Bhim Singh in Procession
"The Funeral of Isfandiyar," Folio from a Shahnama (Book of Kings)
Ruler Entertained by Dancers in a Paradise Garden
"On the way home" from the series "Streaked Mist (Yae gasumi)", Woodblock print
Four Motifs from the Eight Views of Xiao-Xiang
Fishing Boats at Choshi in Shimosa (Soshu Choshi) from the series "One Thousand Pictures of the Ocean (Chie no umi)"
Umezawa Marsh in Sagami Province (Soshu Umezawa hidari), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Alexander the Great Enthroned at Persepolis
Yoro Waterfall in Mino Province (Mino no kuni Yoro no taki), from the series Tour of the Waterfalls in Various Provinces (Shokoku Takimeguri)
Mount Fuji with Cherry Trees in Bloom
This illustration from Walters manuscript W.644 depicts Zulaykha in a blue-domed litter on a camel led by a cameleer. The retinue is entering the capital of Egypt.
Manuchehr Kills Tur, Manuscript from Shahnama
Iris and Grasshopper, from an untitled series of large flowers
Kajikazawa in Kai Province (Koshu Kajikazawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Japan; Illustrated book; Illustrated Books
Zal Climbing to Rudaba, page from a copy of the Shahnama of Firdausi
Kichik Beg Wounded during Babur's Attack on Qalat, from a copy of the Baburnama (Book of Babur)
Amida Falls in the Far Reaches of the Kisokaido (Kisoji no oku Amidagataki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)"
Bullfinch and Weeping Cherry (Uso, shidarezakura), from an untitled series of flowers and birds
Repository for the Great Perfection of Wisdom Sutra and Eleven Volumes of the Great Perfection of Wisdom Sutra
Armorer (Yoroi takumi), from the illustrated book "Picture Book of the Amusements of the East (Ehon Azuma asobi)"
Autumn Maples with Poem Slips
"Sketching a Garden" from the series "Streaked Mist (Yae gasumi)", Woodblock print
Hakodadi Conference Room
Flowers and Goldfish
Cuckoo Flying under a Full Moon
Exhibit in the Jordan Schnitzer Museum of Art, University of Oregon - Eugene, Oregon, USA.
牡丹花肖柏像(重要文化財、東京国立博物館蔵)
Fishing by Torch in Kai Province (Koshu hiburi) from the series "One Thousand Pictures of the Ocean (Chie no umi)"
Exhibit in the Jordan Schnitzer Museum of Art, University of Oregon - Eugene, Oregon, USA.
Exhibit in the Jordan Schnitzer Museum of Art, University of Oregon - Eugene, Oregon, USA.
The Assembly of Tejaprabha Buddha
Woman Reading a Letter
Memorial Anniversary (Shunen), from the series "One Hundred Ghost Tales (Hyaku monogatari)"
Books and Scholars’ Accoutrements
Fujimigahara in Owari Province (Bishu Fujimigahara), from the series "Thirty-six views of Mount Fuji (Fugaku sanjurokkei)"
A Mild Breeze on a Fine Day (Gaifu kaisei), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Blue Magpie on a Maple Branch
Japan; Illustrated book; Illustrated Books
Thanka with Buddha
Ema (Votive Painting) of a Chinese Lion and Peony Tree by Flowing Water
After a Long Cruise
Buddhist Deities
Buddhist Priest's Ceremonial Robe
Chrysanthemums by the Water
The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, Page from a Manuscript of the Akbarnama
Mt. Fuji through Pines
In the Omnibus
Portrait of Momonoi Naoaki
Shower Below the Summit (Sanka hakuu), from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"
Birds and Flowers
Part of the series "Portraits of actors at three theaters in Edo". This print depicts the actor Sakata Hangoro III as the villain Fujikawa Mizuemon. This is a first period print and designated collectively together with 26 other prints from the series as Important Cultural Property of Japan.
Irises
Birds and Flowers of the Four Seasons
"Dancing Dervishes", Folio from a Divan of Hafiz
This is a painting of a pastoral scene near the water with a ship and buildings in the background. The artwork is in the style of American folk art, presented in an oval frame. The image depicts a serene landscape by the water, with figures engaged in activities such as gathering flowers in the center. The foliage is in shades of green and brown, spreading above under a lightly clouded, blue sky. On the left side, a ship is anchored near the shore, with buildings visible in the distance. The water has soft waves, contrasting with the rocky ground in the foreground. The pastel colors create a calm and reflective mood, evoking tranquility and connection with nature.
Beroemde blikken op de Oostelijke hoofdstad
Paulownias and Chrysanthemums
Bahram Gur Arrives at the House of a Merchant, text page (recto); Bahram Gur Slays a Dragon (verso), from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), known as the Great Mongol Shahnama
Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)
Chrysanthemums by a Stream