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"The Swan, No. 18" by Hilma Af Klint [Venice - 13 October 2013]

Titel: Svanen, nr 13, grupp IX, serie SUW. Konstnär: Hilma af Klint (1862-1944, svenska). Olja på duk utförd 1915. Stiftelsen Hilma af Klints verk.

Hilma af Klint "Svanen, nr 17, grupp IX/SUW, serie SUW/UW", 1915. Stiftelsen Hilma af Klints Verk. Photo: Moderna Museet/Albin Dahlström.

Hilma Af Klint - The Swan, No. 12, Group IX/SUW, 1915

Hilma af Klint - Group IX/SUW, The Swan, No. 9, 1915

Hilma af Klint - Group IX/UW, No. 25, The Dove, No. 1, 1915

Hilma af Klint - Altarpiece No. 1 Group X

Hilma af Klint - Group IX/SUW, The Swan, No. 7, 1915

Hilma af Klint - Group X, No. 2, Altarpiece, 1915

Hilma af Klint - The Swan, No. 10, Group IX/SUW, 1915

Hilma af Klint — The Ten Largest — Number 4 Youth

Hilma af Klint — The Ten Largest — Number 9 Old Age

Hilma af Klint — The Ten Largest — Number 2 Childhood

Hilma af Klint — The Ten Largest — Number 3 Youth

Hilma af Klint — The Ten Largest — Number 10 Old Age

Hilma af Klint — The Ten Largest — Number 8 Adulthood

Hilma af Klint - Group IX/SUW, The Swan, No. 1, 1915

Hilma af Klint — The Ten Largest — Number 5 Adulthood

Hilma af Klint — The Ten Largest — Number 6 Adulthood

Hilma af Klint — The Ten Largest — Number 1 Childhood

Hilma af Klint — The Ten Largest — Number 5 Adulthood

Hilma af Klint, Buddha’s Standpoint in the Earthly Life, No. 3a, (1920), courtesy Hamburger Bahnhof

John F. Gray

Gedicht op de zilveren bruiloft van Ludolph Simon de With en Maria de Wit, 15 augustus 1771

Terracotta kernos (vase for multiple offerings)

Goddess Riding a Dragon, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Tánggǔ (堂鼓)

Unidentified Woman

Unidentified Man

Oribe-Type Ewer

Improvisation No. 30 (Cannons)

Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)

No 1. From "The Parsifal Series", painted 1916. From an exhibition at Moderna Museet, Stockholm.

Seated Female Nude (Self-Portrait?)

Saint Sebastian

Iris, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Svanen, nr 22, serie SUW/UW, målad av svenske konstnären Hilma af Klint (1862-1944) åren 1914-194 i oljefärg på duk. Stiftelsen av Hilma af Klints verk.

Unidentified Woman

Tree of Knowledge, No. 1

Pink and Rose

Brush Washer

Textile Fragment

Henri-Charles Maniglier

Tree of Knowledge, No. 2

Blooming Plum Tree, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Fragment (Dress Fabric)

The Night Watch Militia Company of District II under the Command of Captain Frans Banninck Cocq

"Antonius" Violin

Collier met hanger

Fan painting with river landscape

[The Oriel Window, South Gallery, Lacock Abbey]

Charles and Lavinia Stratton

Whistle

A woman with pale white skin and her blond hair covered by a wide veil is shown from the waist up in this vertical portrait painting. Her folded hands rest on the lower edge of the panel, suggesting that she sits just on the other side, close to us. The transparent white veil covers her blond hair and falls in stiff, wide panes down in front of her shoulders. Her hair is pulled back behind a black ribbon over a high forehead. Her light brown eyes are downcast and she has a straight nose and full, pale pink lips. Her chest is covered by another veil and is tucked into the deep V-neck of her long-sleeved, black dress. A wide scarlet-red belt adorned with an ornately filigreed gold belt buckle encircles her narrow waist. Her skin, white veils, and red belt contrast sharply with her velvety black dress and the dark pine green of the background.

Courting flute (siyotanka)

Two Rabbits, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Quilt

Acteurs tijdens een kabuki-voorstelling in Kabukiza, Tokyo

Orpheus

Misty Sea

Fragment van een muurschildering

Portraits of Surinamese Girls

Cape

Panel with the god Zeus/Serapis/Ohrmazd and worshiper

Mount Fuji with Cherry Trees in Bloom

The great Jewish bride

Headdress

Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

A young, pale-skinned woman with reddish-blond hair sits with a nearly nude, chubby toddler standing in her lap in this vertical painting. She looks down at him, her body and face angled to our left. Thin lines creating a gold halo fan out from the back of her head. An ivory-white scarf wraps around her head and trails down the back of her neck where it is tucked into a dark, teal-blue cloak covering her shoulders and draping across her lap. Under the robe, she wears a loose, cherry-red gown with vertical pleats over her chest. The baby, also with pale skin, reddish blond hair, and a delicate gold halo, looks up at her face with light brown eyes. He stands on the woman’s right thigh, to our left. One of the woman's hands wraps around his body and supports his legs, while she props up his chest with her other. A length of pale gray fabric wraps over one shoulder and around his stomach. The two are situated in front of a column and pillar supporting a horizontal lintel overhead. The view beyond is of a blue sky over a golden field with dark green conical cypress trees in the distance.

Storage Jar

Copy of The Night Watch

Ingelijste muurschildering voorstellende Xiwangmu en dienaressen

Ceremonial Cross of Countess Gertrude

Dragon in foliage with lion and phoenix heads

Estérel Village

Strand of Beads

Waistcoat

Kamānche

Bassoon

Unidentified Woman

Portraits of Surinamese Girls

A woman and child sit on an ornate gold, curving throne in front of a shimmering gold background in this vertical painting. Two winged angels in roundels at the upper corners and the woman and child all have peach-colored skin with a gray cast. The woman tips her head toward the child, to our right. She has almond-shaped eyes, a long, straight nose, and her small lips are closed. She looks into the distance over the child’s head. She wears a scarlet-red mantle that covers her head and drapes over her shoulders and body. The azure-blue of her dress beneath is visible at her throat and over one knee. The child sitting on her knee is as tall as a toddler but has adult proportions in his face and body. He holds up his right hand, on our left, and raises the first two fingers. He holds a red scroll in his other hand. He wears a forest-green robe over a salmon-pink garment. The clothing of both the woman and child have geometric gold lines indicating folds in the drapery, and both have gold halos. The child’s halo is marked with three red arms to create a cross above and to the sides of his head. The woman rests her feet on a low stool in front of the opening of the elaborately carved, two-tier throne that nearly encircles the pair. The winged angels in the upper corners have gold halos, brown hair, jeweled, gold garments, and each holds an orb and scepter.

Feast Ladle

A woman and two children, all with pale skin and flushed cheeks, sit together in a landscape in this round painting. The woman takes up most of the composition as she sits with her right leg, to our left, tucked under her body. Her other leg, on our right, is bent so the foot rests on the ground, and that knee angles up and out to the side. She wears a rose-pink dress under a topaz-blue robe, and a finger between the pages of a closed book holds her place. Her brown hair is twisted away from her face. She has delicate features and her pink lips are closed. She looks and leans to our left around a nude young boy who half-sits and half-stands against her bent leg. The boy has blond hair and pudgy, toddler-like cheeks and body. The boy reaches his right hand, on our left, to grasp the tall, thin cross held by the second young boy, who sits on the ground next to the pair. This second boy has darker brown hair and wears a garment resembling animal fur. The boy kneels facing the woman and looks up at her and the blond boy. The trio sits on a flat, grassy area in front of a body of water painted light turquoise. Mountains in the deep distance are pale azure blue beneath a nearly clear blue sky.

Alexander Campbell

Japan; Illustrated book; Illustrated Books

Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Hotei Smoking his Pipe, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

The great Jewish bride

The Girl by the Window

Mirror with Phoenixes, Birds, Butterflies, and Floral Sprays

About three dozen people gather in a grassy field to either side of a crumbling structure to kneel and pray before a woman and baby in the center of this horizontal painting. The woman, Mary, and baby, Jesus, have smooth, pale skin while the others have light or tanned skin. The structure has sand-colored stone pillars, a wooden triangular, pitched roof, and a straw floor. Mary, who has an elongated torso, sits facing us with her knees apart. She wears an azure-blue robe over a rose-pink dress. A shell-pink veil covers her head and body. Jesus sits on her left knee, his pudgy body angled to our left. He is nude except for a transparent cloth wrapped over one shoulder and the opposite hip. Mary’s left hand braces his torso. On Mary’s right, our left, Joseph, an older man, stands facing us. He clasps his hands at his chest and leans on a long stick. He has wrinkled skin, long, gray curly hair, and a full beard. Both Mary and Joseph tilt their heads to their right, our left, as they look down at Jesus. Joseph wears a golden yellow robe over a blue tunic. Joseph, Mary, and Jesus have faint gold halos. Behind them, a brown cow and gray donkey rest on the straw. People closest to Mary and Jesus kneel and bow their heads while the people to the left and right sides mostly stand. Three men kneeling closest to Mary and Jesus offer gifts, including a bronze vessel and a gold jar. One man has long dark brown hair and a beard, and wears a gold crown. Another man is bald with long gray hair and beard, while the third is cleanshaven with shoulder-length brown hair. These men wear robes in powder blue, carnation pink, or celery green with delicate silver and gold embelishments. Others in the crowd range in age from young and cleanshaven to older and bearded. They wear robes and tunics in shades of raspberry pink, butterscotch yellow, lapis blue, plum purple, or forest green. Several horses, their coats white or cinnamon brown, stand among the crowd, a few with riders. To our right, one horse rears its head and two others stand facing each other. Beyond the crowd, grassy green meadows and hills dotted with trees lead back to the horizon. A pale blue sky fills the top third of the composition.

Imperial Red Cross Easter Egg

The Milkmaid

Shown from the waist up in front of a black background, a young woman with pale white skin and curly brown hair looks directly out at us over her shoulder with her body angled to our left in this vertical portrait. She has dark brown eyes, a straight nose, smooth skin, and her pink lips are closed. Curls fall across her forehead but the rest of her hair is pulled up under a white lace scarf, called a mantilla. The mantilla is tucked under the wide orange and black shawl wrapped around her shoulders. She clasps her hands at her waist, and her hands and forearms are covered with long white gloves that disappear under the shawl.

Unidentified Man

Palampore

Covered box decorated with chrysanthemums and waterfowl among lotus

Bowl with Inscription, "Sovereignty is God's"

Interieur van een timmermanswerkplaats