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Vase of Flowers with Grasshopper, Marine Life, and Garden Rock

Mandarin ducks and cotton rose hibiscus

Summer Flowers

Flowers and Grasses

Birds and Flowers

Peahen and hibiscus

Monkeys in a Cherry Tree

Peonies

Birds and Flowers

Flowers and Trees of the Four Seasons (left screen)

Flowers and Birds in a Spring Landscape

Birds and Flowers

Pleasure Boat on the Sumida River

Vase of Flowers

Mount Fuji with Cherry Trees in Bloom

Birds and Flowers

Winter and Summer Flowers

Chrysanthemums by the Water

Paulownias and Chrysanthemums

Symbols of Longevity: Deer under Peach and Pine (Pine) (right)

Plum Blossoms

Grapevine in the Wind

Insects and Flowers, Ming dynasty, 14th-15th century, color on silk, Tokyo National Museum

Sparrows on Blossoming Plum

Canopy with Dragon among Flowers

Birds and Flowers

Autumn Maples with Poem Slips

Bullfinch and Weeping Cherry (Uso, shidarezakura), from an untitled series of flowers and birds

Phoenixes and Paulownia

Yoroboshi, by Shimomura Kanzan, Tokyo National Museum, Japan

Camellia by Water

這幅作品被命名為《昆侖松鶴》。昆侖是指神仙們居住的神山——昆侖山。據推測位於中國西部，是中國的大河——黃河的源頭。松和鶴都是長壽的象徵，是和神仙故事頗有關聯的題材。畫面右上方有畫家的署名，並寫著送給一位叫做李懷素的人。以昆侖山上的松樹以及聚集在此的仙鶴為繪畫題材的這幅作品主題極為吉祥，作為賀壽之禮極為相稱。作者呂健是活躍於十六世紀到十七世紀的人物。其曾祖父呂紀是一位著名的宮廷畫家。呂紀有很多構圖周密的大型花鳥圖作品，其華麗的色彩和細膩的筆法不僅在中國，也在朝鮮半島和日本大受追捧，呂紀的繪畫風格在東亞地區到了廣泛傳播。呂健不僅認真學習呂紀的花鳥畫，似乎還將其轉化成了更加瀟灑而又惹人憐愛的表現。這幅作品中姿態優美地彎曲著長頸的仙鶴以及以淡綠色輕輕暈開的松葉都充分表現出了呂健的審美觀。淡淡的墨影巧妙地表現出水面上湧起的波浪，以極具透明感的白色顏料細緻描繪的羽毛線條等卓越的描寫技術也是看點所在。

Gibbons in a Landscape

Scholar admiring plum blossoms

Chinese Bird on Snow-Laden Branch

Birds and Flowers of the Four Seasons

慈眼大師像

Winter Scene with Plum Trees and Pheasants

Painting from Flowers and Grasses

Fragment textiel

Mt. Fuji through Pines

Girl Arranging Flowers

Bell-Flower and Dragonfly, from an untitled series of large flowers

Duck in Flight

Monkey Hanging on to a Branch

Chrysanthemum and Horsefly, from an untitled series of Large Flowers

Chrysanthemums by a Stream

Ivy Lane

Buddhist Deities

Tigers Chasing Deer, with Dragon

Hunting Scene

Fragment textiel

Monkeys

The Four Seasons

Farmer Returning Home in Autumn

Hell Courtesan

Thangka with the Seventh Bodhisattva

"Black Buck", Folio from the Shah Jahan Album

Morning Glories and Tree-frog, from an untitled series of Large Flowers

Peacocks and Bamboo

Grapevine and Squirrels

Cotton Roses and Sparrow, from an untitled series of Large Flowers

Autumn Evening with Full Moon on Musashino Plain

Fishing in a Springtime Valley

Blooming Plum Tree, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Ōtsu-e of a Youth Holding Irises (Yarō)

Bridal Robe (Hwarot)

Poppies, from an untitled series of flowers

Dragon in foliage with lion and phoenix heads

European Banquet Scene (or The Marriage Feast at Cana?)

Hen and Bamboo, by Luo Chuang, Tokyo National Museum, Japan

Irises

Hydrangea and Swallow, from an untitled series of large flowers

Manjushri

Fire Screen

Carpet with Triple-Arch Design

松下達摩図

Gazing at a Waterfall

Lilies, from an untitled series of Large Flowers

Depicts Zen monk Huike (慧可) thinking. By painter Shi Ke (Chinese: 石恪), from Five Dynasties and Ten Kingdoms Period to Northern Song (about 10th century)

Returning Sails off a Distant Shore, from Eight Views of Xiao-Xiang

Four Portraits from the St. Petersburg Album. Painters unknown, borders by Muhammad Sadiq. Top left: Nadir Shah, Iran, ca. 1740. Top right: Adil Shah, Iran, ca. 1748. Bottom left: Unidentified nobleman, Mughal school, 18th century. Bottom right: Unidentified nobleman, Mughal school, 18th century. Art Institute of Chicago 1919.952 recto

Carpet

Cranes on snow-covered pine

Twee textielfragmenten op een blad, borduursel en druk op zijde

Lakeside Retreat

Four Motifs from the Eight Views of Xiao-Xiang

"Dancing Dervishes", Folio from a Divan of Hafiz

Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar

Palampore

screen by Fukae Roshu "Narrow ivy road". Six-fold screen, color on gold leafed paper, Important Cultural Property

Tánggǔ (堂鼓)

Fish in a Lotus Pond

Bird on a Loquat Tree

Thanka with Buddha

Angel (Peri) Riding a Composite Camel

Velvet Fragment with Design from Nizami of Ganja's Khusrau and Shirin

Tathagata Buddha

Fragment (Dress Fabric)

Jar with Lion-Head Handles