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Depicts Zen monk Huike (慧可) thinking. By painter Shi Ke (Chinese: 石恪), from Five Dynasties and Ten Kingdoms Period to Northern Song (about 10th century)

Portrait of Momonoi Naoaki

Girl Arranging Flowers

Crossing at Sano

牡丹花肖柏像（重要文化財、東京国立博物館蔵）

Chinese Bird on Snow-Laden Branch

暮れて月いとおもしろきに、宮の亮、女房にあひて、とりわきたるよろこびも啓せさせむとにやあらむ、妻戸のわたりも御湯殿のけはひに濡れ、人の音もせざりければ、この渡殿の東のつまなる宮の内侍の局に立ち寄りて、「ここにや」と案内したまふ。宰相は中の間に寄りて、まだ鎖さぬ格子の上押し上げて、「おはすや」などあれど、いらへもせぬに、な大夫の、「ここにや」とのたまふにさへ、聞きしのばむもことごとしきやうなれば、はかなきいらへなどす。いと思ふことなげなる御けしきどもなり。

Ōtsu-e of a Youth Holding Irises (Yarō)

Heron on a Willow Branch

Geese, Reeds, and Water

暮れて月いとおもしろきに、宮の亮、女房にあひて、とりわきたるよろこびも啓せさせむとにやあらむ、妻戸のわたりも御湯殿のけはひに濡れ、人の音もせざりければ、この渡殿の東のつまなる宮の内侍の局に立ち寄りて、「ここにや」と案内したまふ。宰相は中の間に寄りて、まだ鎖さぬ格子の上押し上げて、「おはすや」などあれど、いらへもせぬに、な大夫の、「ここにや」とのたまふにさへ、聞きしのばむもことごとしきやうなれば、はかなきいらへなどす。いと思ふことなげなる御けしきどもなり。

Sparrows on Blossoming Plum

這幅作品被命名為《昆侖松鶴》。昆侖是指神仙們居住的神山——昆侖山。據推測位於中國西部，是中國的大河——黃河的源頭。松和鶴都是長壽的象徵，是和神仙故事頗有關聯的題材。畫面右上方有畫家的署名，並寫著送給一位叫做李懷素的人。以昆侖山上的松樹以及聚集在此的仙鶴為繪畫題材的這幅作品主題極為吉祥，作為賀壽之禮極為相稱。作者呂健是活躍於十六世紀到十七世紀的人物。其曾祖父呂紀是一位著名的宮廷畫家。呂紀有很多構圖周密的大型花鳥圖作品，其華麗的色彩和細膩的筆法不僅在中國，也在朝鮮半島和日本大受追捧，呂紀的繪畫風格在東亞地區到了廣泛傳播。呂健不僅認真學習呂紀的花鳥畫，似乎還將其轉化成了更加瀟灑而又惹人憐愛的表現。這幅作品中姿態優美地彎曲著長頸的仙鶴以及以淡綠色輕輕暈開的松葉都充分表現出了呂健的審美觀。淡淡的墨影巧妙地表現出水面上湧起的波浪，以極具透明感的白色顏料細緻描繪的羽毛線條等卓越的描寫技術也是看點所在。

Returning Sails off a Distant Shore, from Eight Views of Xiao-Xiang

马远《寒江独钓图》（图片经过较温和的亮化处理）

A Philosopher Watching a Pair of Butterflies, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Hell Courtesan

Cho Jae-ho from Punhyang Cho Family

Scholar admiring plum blossoms

Ivy Lane

Plum Blossoms

Farmer Returning Home in Autumn

Vase of Flowers

Duck in Flight

Flowers and Birds in a Spring Landscape

Part of the series "Portraits of actors at three theaters in Edo". This print depicts the actor Sawamura Sojuro III as Ogishi Kurando. This is a first period print and designated collectively together with 26 other prints from the series as Important Cultural Property of Japan.

Monkey Hanging on to a Branch

The Four Seasons

Part of the series "Portraits of actors at three theaters in Edo". This print depicts the actor Sakata Hangoro III as the villain Fujikawa Mizuemon. This is a first period print and designated collectively together with 26 other prints from the series as Important Cultural Property of Japan.

Fishing in a Springtime Valley

Fish in a Lotus Pond

松下達摩図

Painting from Flowers and Grasses

Summer Flowers

慈眼大師像

Lakeside Retreat

screen by Fukae Roshu "Narrow ivy road". Six-fold screen, color on gold leafed paper, Important Cultural Property

Hotei Smoking his Pipe, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Pleasure Boat on the Sumida River

Fragment textiel

Summer Night

Four Motifs from the Eight Views of Xiao-Xiang

Mt. Fuji through Pines

Gazing at a Waterfall

Cuckoo Flying under a Full Moon

Autumn Maples with Poem Slips

Cranes on snow-covered pine

Monkeys

Portrait of the Great Master Yeongwoldang Eungjin

Mandarin ducks and cotton rose hibiscus

Hen and Bamboo, by Luo Chuang, Tokyo National Museum, Japan

Grapevine in the Wind

Nakamura Fukusuke I as Kumagai Jirō Naozane on a Folding Fan

Exhibit in the Jordan Schnitzer Museum of Art, University of Oregon - Eugene, Oregon, USA.

Monkeys in a Cherry Tree

Goddess Riding a Dragon, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Winter and Summer Flowers

Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Cotton Roses and Sparrow, from an untitled series of Large Flowers

Unidentified Man

A woman with pale white skin and her blond hair covered by a wide veil is shown from the waist up in this vertical portrait painting. Her folded hands rest on the lower edge of the panel, suggesting that she sits just on the other side, close to us. The transparent white veil covers her blond hair and falls in stiff, wide panes down in front of her shoulders. Her hair is pulled back behind a black ribbon over a high forehead. Her light brown eyes are downcast and she has a straight nose and full, pale pink lips. Her chest is covered by another veil and is tucked into the deep V-neck of her long-sleeved, black dress. A wide scarlet-red belt adorned with an ornately filigreed gold belt buckle encircles her narrow waist. Her skin, white veils, and red belt contrast sharply with her velvety black dress and the dark pine green of the background.

Peonies

Chrysanthemums by the Water

Yoroboshi, by Shimomura Kanzan, Tokyo National Museum, Japan

Japan; Illustrated book; Illustrated Books

Textielfragment, shibori-zome op zijde

Paulownias and Chrysanthemums

A view across a wide, brightly lit field scattered with broken pieces of stone is framed to the left and right by crumbling stone temples in this horizontal painting. The sunlight is infused with a soft pink glow, which warms the cream-white stone with a pale blush. The temple on our left sits on a low rise, and a row of at least nine columns topped with an entablature faces our right. Several of the columns are broken off, and part of the entablature and the entire roof is missing, from what we can see. Fragments of pediments and wheel-like sections of columns tumble down from its front steps and back along its side, cascading into and across most of the field before us. The rocky terrain is carpeted in celery-green growth speckled with sage green and areas of rust red in the lower left and right corners. Barely visible in the center of the field, are two men, barely taller than the fragments they inspect. One man wears an apricot-orange suit and bowler hat over blond hair. He kneels with his back to us as he writes or sketches on a piece of paper. A second man stands to his right, also with his back to us, dressed in a long pleated, white tunic with a red cap, jacket, and knee-high boots. To our right and farther back than the other temple, a brick-red tower stands next to another columned arcade. A third temple there, or perhaps another part of that building complex, has columns carved into the shape of six identical, robed women, facing our left. Beyond the ruins, the field slopes down to a peach-colored plain that ends at a wide, topaz-blue body of water with mountains in the far distance along the low horizon line. A petal-pink haze rises from the water and mountains and almost fills the blue-gray sky above. The artist has signed and dated the painting in the lower left, “S.R. Gifford 1880.”

Unidentified Man

Unidentified Woman

Singing from the series "Streaked Mist (Yae gasumi)", Woodblock print

Irises

Exhibit in the Jordan Schnitzer Museum of Art, University of Oregon - Eugene, Oregon, USA.

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"

Unidentified Man

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)"

Excellent Ox, Tokyo National Museum, Japan

Unidentified Woman

Woman Reading a Letter

Japan; Illustrated book; Illustrated Books

The Beach at Sumiyoshi from the Tales of Ise

Japan; Illustrated book; Illustrated Books

Mount Asama, byobu by Aodo Denzen, Tokyo National Museum, Japan

"Sketching a Garden" from the series "Streaked Mist (Yae gasumi)", Woodblock print

Performance of Hanasaka Jiji, by Toshi, 1889, Meiji 21, from the Hood Museum of Art - PR.995.23.42abc.

Blooming Plum Tree, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Acteurs tijdens een kabuki-voorstelling in Kabukiza, Tokyo

Fragment textiel

Funerary Portrait of a Young Girl

Birds and Flowers

[The Oriel Window, South Gallery, Lacock Abbey]

Armor (Gusoku)

An Artisan’s Shop, from the album The Mist of Sandara (Sandara kasumi)

Tathagata Buddha

Man of the Djard Family

Mount Fuji with Cherry Trees in Bloom

Le scribe accroupi

Grapevine

Twee fragmenten textiel

Camellia by Water