Related

Buddha
Vénus de Milo
Round gown
Dress
Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt)
Robe à la française
Mourner from the Tomb of John the Fearless and Margaret of Bavaria
Torso of a Kouros
Portrait of Catherine Grey, Lady Manners
Robe à l'anglaise
Sarcophagus
Heavenly beauty
Heavenly beauty
Figure of a reclining woman
The King's Acquaintances Memi and Sabu
Victoire de Samothrace
A young woman with smooth, pale skin wearing a fog-gray gown stands in shadowy outdoor setting in this vertical portrait painting. Her body faces our right almost in profile. Her head turns toward us though she looks off to our left with brown eyes under arched brows. Auburn-brown hair frames her heart-shaped face, which has a slender nose over closed, coral-red lips and a dimpled chin. Her long, curly hair is gathered at the back of her head and tied with a sand-brown ribbon. Long tendrils hang down her shoulders and back. Her iridescent gown has a deep neckline and a wide, harvest-gold sash around her waist with matching bands on the upper arms. A shimmering, laurel-green cape bordered in gold falls from her shoulders in deep folds down her back. The woman has pulled some of the cape forward with both hands to hang down her left side, farther from us. She wears delicate, translucent pearl bracelets on one wrist, and steps forward on silvery-gray shoes under the dress’s long hem. Bright light falls across the scene from the upper left so much of the background is in shadow. A stone wall behind the woman spans the right half of the painting. A tree grows up along its leftmost edge, just beyond the woman’s shoulders. A landscape along the left third of the composition opens onto trees under a sky filled with thick, off-white and steel-gray clouds.
A woman with pale, smooth skin stands wearing a loosely draped, champagne-peach dress in this vertical portrait painting. Her body faces us but she turns her head to look down and off to our right with brown eyes. She has dark brows, an upturned nose, and her carnation-red lips are closed in a slight smile. Her ash-brown hair is loosely pulled up so it sweeps back from her face, while thick curls cascade down her neck and over her shoulders. Her long sleeved, floor-length dress is tied at her waist with a sage-green sash. Gossamer-white fabric drapes around her upper arms, and she holds the long ends in both hands. Her right elbow, to our left, rests on the high base of columns that rise behind her and off the top edge of the canvas. A rust-red curtain drapes down from the top of the painting, over the columns. To our right, beyond the columns, the landscape opens to a view of trees beneath a blue sky with white puffy clouds.
Uma
Torso of a goddess
The Vicarello Goblet
Door Guardian (Dvarapala)
Walking ensemble
Buddha
Corset
A bodhisattva
Mother Goddess
Bassoon
Openwork furniture plaque with a grazing oryx in a forest of fronds
Red-Figure Stamnos (Mixing/Storage Vessel): Komos (Musicians and Revelers)
Bottle with Birds and Peony Scroll
Ivory Plaque with Enthroned Mother of God ("The Stroganoff Ivory")
White-Ground Lekythos (Oil Vessel): Atalanta and Erotes
Transverse Flute in D-flat
Margaret Fuller
Hanger op voetstuk met Amphitrite op een dolfijn
Standing Avalokiteshvara, the Bodhisattva of Infinite Compassion
Satyress and Child
Code de Hammurabi
Ewer
Center table
Ensemble
Esclave rebelle
Terracotta stirrup jar with octopus
Bronze rod tripod stand
Censer with seated king
Red-Figure Calyx-Krater (Mixing Vessel): Medea in Chariot (A); Telephos with Baby Orestes (B)
Rhyton terminating in the forepart of a wild cat
Rosewater ewer
Terracotta head of a woman
Clara Louise Kellogg
Funerary relief
Jessie Benton Frémont
Striding Pan
Guitar
Sideboard
Corner Railing Pillar with Drinking Scenes, Yakshis, and Musicians
Dress
Terracotta kernos (vase for multiple offerings)
Dinner dress
Head Fragment
Pair of Candelabra
Relief: two servants bearing food and drink
Trial Piece Worked on Both Sides
Shown from the waist up in front of a black background, a young woman with pale white skin and curly brown hair looks directly out at us over her shoulder with her body angled to our left in this vertical portrait. She has dark brown eyes, a straight nose, smooth skin, and her pink lips are closed. Curls fall across her forehead but the rest of her hair is pulled up under a white lace scarf, called a mantilla. The mantilla is tucked under the wide orange and black shawl wrapped around her shoulders. She clasps her hands at her waist, and her hands and forearms are covered with long white gloves that disappear under the shawl.
Furniture support: female sphinx with Hathor-style curls
Natural Trumpet in D
Sleep and Death Cista Handle
Nautilus Cup
Cape
"Antonius" Violin
Fragment of a bowl with a frieze of bulls in relief
The bodhisattva Maitreya
Wall fountain
Portraits of Surinamese Girls
The great Jewish bride
Spouted jar
Shiva Nataraja
Shiva as Lord of the Dance (Nataraja)
Violin
A young, pale-skinned woman with long, blond hair and wearing a coral-red gown stands on a pedestal before a landscape filled with people in this vertical painting. The painting has an arched top, and the woman who fills most of the view is Claudia Quinta. Her hair is adorned with strands of pearls, and a larger pearl hangs from a piece of jewelry like a brooch at the top center over her forehead. A sheer veil covers the back of her head. Her body faces us but she turns her head slightly to our right, so she gazes at us from the corners of her light hazel eyes. A pearl necklace with a square gold, sapphire-blue jewel and pearl pendant encircles her neck. The brown sleeves of her dress are flecked densely with short gold lines, and white fabric shows at gaps over the elbows. The red bodice has a high waist tied with a brown belt, which also holds sheer fabric in place so it falls to her knees over the long red skirt. The skirt is bordered with a gold geometric design along the bottom hem, which stops just short of her sandaled feet. In her right hand, on our left, she holds a small, navy-blue boat with a gold figure standing in it. Her other hand rests by her left thigh, to our right. She balances near the front edge of the rectangular pedestal, which is pale violet purple. On the front face, two winged, chubby children are painted white to resemble stone carvings. They brace a panel bordered in gold. The plaque has a teal-blue background, and gold letters read, “CLAVDIA CASTA FVI NEC VVLGVS CREDIDIT AMEN ET TAMEN ID QVOD ERAM TESTIS MIHI PRORA PROBAVIT CONSILIVM ET VIRTVS SVPERANT MATERQVE DEORVM ALMA PLACET POPVLO ET PER ME HVNC ORATA TVETVR.” Beyond Claudia Quinta a river winds in a tight S-curve through dark green hills. Farther back, to our left, a group of people with thin, elongated bodies dressed in blue, light brown, and orange walk in front of a tall dark blue building as they head toward a river on the right side. The building has an arched opening and a tower topped with a taupe-brown spire. To our right of Claudia Quinta, a woman wearing a rose-pink dress holds a rope around the prow of a boat at the edge of the river. Like the boat held by Claudia Quinta, it is navy blue and has the same shape. The pale lavender-purple river continues into the distance, where it meets rocky outcroppings along the horizon, which comes about halfway up the composition. A pale blue sky above is filled with wispy bands of clouds.
John Samuel Sherburne
Cupboard
Pair of Candle Stands (torchères)
Feast Ladle
Feuillet de diptyque en cinq parties : l'Empereur triomphant (Justinien ?)
Kneeling bull holding a spouted vessel
Guanyin
Unidentified Woman
Coat
The great Jewish bride
Nursing Woman with Child
Torso of Amenpayom
La Femme au miroir
Coonley family
Water Ewer for Rituals (Kundika) with Incised Parrot Design
The bodhisattva Maitreya
Edward L. Davenport
[Large Figures on the North Porch, Chartres Cathedral]
Standing Four-Armed Shiva