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Tree of Knowledge, No. 2

Hilma af Klint - Group IX/UW, No. 25, The Dove, No. 1, 1915

Hilma af Klint — The Ten Largest — Number 8 Adulthood

Hilma af Klint — The Ten Largest — Number 9 Old Age

Hilma Af Klint - The Swan, No. 12, Group IX/SUW, 1915

Hilma af Klint — The Ten Largest — Number 3 Youth

Hilma af Klint — The Ten Largest — Number 5 Adulthood

Hilma af Klint — The Ten Largest — Number 1 Childhood

Hilma af Klint — The Ten Largest — Number 6 Adulthood

Hilma af Klint — The Ten Largest — Number 4 Youth

Hilma af Klint — The Ten Largest — Number 10 Old Age

Hilma af Klint — The Ten Largest — Number 2 Childhood

Hilma af Klint - Group X, No. 2, Altarpiece, 1915

Hilma af Klint — The Ten Largest — Number 5 Adulthood

Hilma af Klint - The Swan, No. 10, Group IX/SUW, 1915

Hilma af Klint - Altarpiece No. 1 Group X

Hilma af Klint - Group IX/SUW, The Swan, No. 9, 1915

Hilma af Klint - Group IX/SUW, The Swan, No. 7, 1915

Hilma Af Klint Series SUW, No 14 Swan, 1914 -1915

Hilma af Klint - Group IX/SUW, The Swan, No. 1, 1915

"The Swan, No. 18" by Hilma Af Klint [Venice - 13 October 2013]

Hilma af Klint "Svanen, nr 17, grupp IX/SUW, serie SUW/UW", 1915. Stiftelsen Hilma af Klints Verk. Photo: Moderna Museet/Albin Dahlström.

Improvisation No. 30 (Cannons)

"Dancing Dervishes", Folio from a Divan of Hafiz

No 1. From "The Parsifal Series", painted 1916. From an exhibition at Moderna Museet, Stockholm.

Ingelijste muurschildering voorstellende Xiwangmu en dienaressen

Palampore

Hilma af Klint, Buddha’s Standpoint in the Earthly Life, No. 3a, (1920), courtesy Hamburger Bahnhof

Titel: Svanen, nr 13, grupp IX, serie SUW. Konstnär: Hilma af Klint (1862-1944, svenska). Olja på duk utförd 1915. Stiftelsen Hilma af Klints verk.

Grafmonument met alliantiewapen en vier kwartierwapens

Textile Fragment

Goddess Riding a Dragon, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Cranes on snow-covered pine

Church Bells Ringing, Rainy Winter Night

Covered box decorated with chrysanthemums and waterfowl among lotus

Imperial Red Cross Easter Egg

Youth Playing a Pipe for a Satyr

Mount Fuji with Cherry Trees in Bloom

Animal-Spouted Pitcher

A Stallion

Terracotta kernos (vase for multiple offerings)

Dragon in foliage with lion and phoenix heads

The Dream of the Shepherd (Der Traum des Hirten)

Fragment van een muurschildering

Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)

The Wade Cup with Animated Script

Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Jar with Dragon and Clouds Design

Morning Glories and Tree-frog, from an untitled series of Large Flowers

Bowl with Inscription, "Sovereignty is God's"

Belt clasp

Fragment (Dress Fabric)

Tea Table

Water Ewer for Rituals (Kundika) with Incised Parrot Design

Bullfinch and Weeping Cherry (Uso, shidarezakura), from an untitled series of flowers and birds

Waistcoat

A Monumental Portrait of a Monkey

Two Rabbits, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Oribe-Type Ewer

Fan painting with river landscape

Invocation to Love

Hanger in de vorm van een tak blauwe regen

Dead Blue Roller

Courting flute (siyotanka)

Blooming Plum Tree, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Hanger in de vorm van een reukbal

Mirror with Phoenixes, Birds, Butterflies, and Floral Sprays

Ewer

Vase with Golden Pheasants

"The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds)

Mandala of the Three Shrines at Kumano

Japan; Illustrated book; Illustrated Books

Cloth with Procession of Figures

Feast Ladle

Terracotta dinos (mixing bowl)

Pendant in the form of a cock

Svanen, nr 22, serie SUW/UW, målad av svenske konstnären Hilma af Klint (1862-1944) åren 1914-194 i oljefärg på duk. Stiftelsen av Hilma af Klints verk.

Tánggǔ (堂鼓)

Bowl with inscription and chrysanthemums and tortoiseshell decoration

In the Omnibus

Grapevine and Squirrels

Green Tara

Reukflacon

Une odalisque, dite La grande odalisque

Goblet

Collier met hanger

Writing Box (Suzuribako) with Phoenix in Paulownia

In front of a crumbling stone building, an older man kneels in front of a second man, smaller in scale, hanging from a tall, wooden cross, with a city in the background in this vertical painting. Both men have pale skin. At the lower center of the composition, the kneeling man, Saint Jerome, pulls his navy-blue robe to one side to expose his muscular but slender bare chest with a bloody mark at its center. With his other hand, he holds a rounded, gray stone touched with pink, also suggesting blood, by his side. He has long, silvery-gray hair and a long, pointed beard. His pink lips are parted, and we see his teeth. He raises gray eyes to look up at the man on the slender cross, which rises along the left edge of the composition. The man on the cross brown hair, a plate-like gold halo, and a white loincloth is draped across his hips. The shell-pink ground is littered with rocks. A red hat with a shallow brim and a tasseled chin cord sits near Saint Jerome’s sandaled feet. A miniature lion lies between Saint Jerome and the arched opening of the crumbling, terracotta-red structure along the right edge of the painting. Ivy grows up one side of the arch, and an hourglass and book with a red cover and gold-edged pages sit on a white cloth under the opening. An owl perches on a branch of an oak tree growing from the front face of the structure, and a hawk sits on a branch of the fruit tree growing from the stone courtyard, between Saint Jerome and the crucifix. A shrub with dark green leaves and clusters of three olive-green fruits fills in most of the space beneath the canopy of the fruit tree. To our right and in the distance, a man with a pointed black hat, a black jacket, and white pants rides away from us on a gray horse. To our left, the courtyard gives way to an amphitheater-like space. There, next to a donkey, a man with a long white beard hands a bundle of wood or planks to another man whose brown hair is cut into a ring encircling his head. Both men wear rose-pink garments over navy-blue togas. A town with white and pale pink stone buildings rises up a hill into the distance. The sky above deepens from honeydew green along the horizon to pale then peacock blue along the top edge of the composition. A few ice-blue, white, and light gray clouds float across the sky.

Water Lilies

Bridal Robe (Hwarot)

Saint John on Patmos

Iris, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Twee fragmenten textiel

The Merry Family

Ceremonial Cross of Countess Gertrude

Presentation Drawing of "The Statue of Liberty Illuminating the World"

A woman and winged angel, both with pale, peach skin, are situated in a church interior in this tall, narrow painting. To our left, the angel has long, blond, curly hair, smooth skin, and is smiling. The wings are outlined in royal blue, and they blend from blue to green to yellow to crimson. The angel holds one hand, closer to us, up at chest height with the index finger subtly pointing upward. Holding a long scepter in the other hand, the angel angles their body toward the woman to our right. The angel wears a gold jewel and pearl-encrusted crown and a jeweled long, voluminous robe in scarlet-red and shimmering gold brocade. The neck and along the opening down the front are lined with pearls and jewels. The angel looks toward the woman, who wears a royal-blue dress tied with a red belt at the high waist. Her long brown hair is tied back but one tendril falls over her left shoulder, to our right. She kneels facing us with her raised hands facing outward. Her head is tipped a bit to our left, and she looks up and into the distance to our right with lips slightly parted. She kneels behind a book lying open on a low table. A vase of white lilies and a red cushion lies on the floor in front of the table, close to us. The floor is decorated with people and scenes outlined in black and set into square panels, as if inlaid with wood. The church behind and above the people has a row of tall, narrow arches with bull’s-eye glass windows. A walkway lined with columns runs above the arches, and sunlight comes in through arched windows under the flat wood ceiling. A white dove flies toward the woman on gold lines from a window at the upper left of the painting. Latin words painted in gold capital letters are exchanged between the people. The angel says, “AVE GRA PLENA.” The letters of the woman’s response are painted upside down and backward: “ECCE ANCILLA DNI.”

Crucifix with Scenes of the Passion

Cotton Roses and Sparrow, from an untitled series of Large Flowers

Pink and Rose