Related

Peacocks and Bamboo

Birds and Flowers of the Four Seasons

Birds and Flowers

Winter and Summer Flowers

Birds and Flowers

Flowers and Trees of the Four Seasons (left screen)

Birds and Flowers

Paulownias and Chrysanthemums

Ivy Lane

Peahen and hibiscus

Lions and Tigers in Peony and Bamboo

Autumn Evening with Full Moon on Musashino Plain

Autumn Maples with Poem Slips

Chrysanthemums by a Stream

Grapevine in the Wind

Grapevine

Winter Scene with Plum Trees and Pheasants

Flowers and Birds in a Spring Landscape

Gibbons in a Landscape

Heron on a Willow Branch

Irises

Flowers and Grasses

Famous Views of Ōmi

Spring and Autumn Farming (Autumn)

Mandarin ducks and cotton rose hibiscus

Irises at Yatsuhashi (Eight Bridges)

Birds and Flowers

這幅作品被命名為《昆侖松鶴》。昆侖是指神仙們居住的神山——昆侖山。據推測位於中國西部，是中國的大河——黃河的源頭。松和鶴都是長壽的象徵，是和神仙故事頗有關聯的題材。畫面右上方有畫家的署名，並寫著送給一位叫做李懷素的人。以昆侖山上的松樹以及聚集在此的仙鶴為繪畫題材的這幅作品主題極為吉祥，作為賀壽之禮極為相稱。作者呂健是活躍於十六世紀到十七世紀的人物。其曾祖父呂紀是一位著名的宮廷畫家。呂紀有很多構圖周密的大型花鳥圖作品，其華麗的色彩和細膩的筆法不僅在中國，也在朝鮮半島和日本大受追捧，呂紀的繪畫風格在東亞地區到了廣泛傳播。呂健不僅認真學習呂紀的花鳥畫，似乎還將其轉化成了更加瀟灑而又惹人憐愛的表現。這幅作品中姿態優美地彎曲著長頸的仙鶴以及以淡綠色輕輕暈開的松葉都充分表現出了呂健的審美觀。淡淡的墨影巧妙地表現出水面上湧起的波浪，以極具透明感的白色顏料細緻描繪的羽毛線條等卓越的描寫技術也是看點所在。

screen by Fukae Roshu "Narrow ivy road". Six-fold screen, color on gold leafed paper, Important Cultural Property

Yoroboshi, by Shimomura Kanzan, Tokyo National Museum, Japan

Birds and Flowers

Summer Night

Chinese Bird on Snow-Laden Branch

Geese, Reeds, and Water

Peonies

The Four Seasons

Fire Screen

Mount Asama, byobu by Aodo Denzen, Tokyo National Museum, Japan

Monkeys in a Cherry Tree

Dragon in foliage with lion and phoenix heads

Monkey Hanging on to a Branch

Winter and Spring Landscape

Fish in a Lotus Pond

Summer Flowers

Cranes on snow-covered pine

Pleasure Boat on the Sumida River

Flowers and Goldfish

Dragon and Tiger

Mt. Fuji through Pines

Sparrows on Blossoming Plum

Cotton Roses and Sparrow, from an untitled series of Large Flowers

Insects and Flowers, Ming dynasty, 14th-15th century, color on silk, Tokyo National Museum

Canopy with Dragon among Flowers

Chrysanthemums by the Water

Vase of Flowers

Scholar admiring plum blossoms

Morning Glories and Tree-frog, from an untitled series of Large Flowers

Duck in Flight

Mirror with Phoenixes, Birds, Butterflies, and Floral Sprays

Ōtsu-e of a Youth Holding Irises (Yarō)

Vase of Flowers with Grasshopper, Marine Life, and Garden Rock

Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Painting from Flowers and Grasses

Howling Wolf in a Deep Mountain Valley

Mount Fuji with Cherry Trees in Bloom

Monkeys

Hen and Bamboo, by Luo Chuang, Tokyo National Museum, Japan

The Beach at Sumiyoshi from the Tales of Ise

Hell Courtesan

Crossing at Sano

Puppies

Velvet Fragment with Design from Nizami of Ganja's Khusrau and Shirin

Grapevine and Squirrels

Writing Box (Suzuribako) with Phoenix in Paulownia

Symbols of Longevity: Deer under Peach and Pine (Pine) (right)

Buddhist Deities

Farmer Returning Home in Autumn

Lakeside Retreat

Collection of Poems (Divan)

Gazing at a Waterfall

Depicts Zen monk Huike (慧可) thinking. By painter Shi Ke (Chinese: 石恪), from Five Dynasties and Ten Kingdoms Period to Northern Song (about 10th century)

Hunting Scene

Portrait of Momonoi Naoaki

Iris, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Tigers Chasing Deer, with Dragon

Bird on a Loquat Tree

Pichhwai for the Festival of Cows

Fragment textiel

Silk Animal Carpet

Camellia by Water

Fan painting with river landscape

Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Japan; Illustrated book; Illustrated Books

Books and Scholars’ Accoutrements

Walters manuscript W.619 is an illuminated manuscript containing 2 works by Sa"di (died 691 AH/AD 1292): the Gulistan (Rose garden) and the Bustan (Orchard). It was copied in 980 AH/AD 1572 by Muhammad Riza al-Tabrizi in Iran. The text of the Gulistan appears in the main area, while that of the Bustan is inscribed obliquely around the main text area on three sides. Both texts are written in black and gold nasta"liq script. The margins are multi-colored, gold-sprinkled tinted or marbled paper. The original leather binding dates to the 10th century AH/AD 16th and has dentelle-style decorated boards and doublures with gold filigree work over a multi-colored ground of blue, green, red, and black.

"Black Buck", Folio from the Shah Jahan Album

Carpet

Plum Blossoms

Fragment textiel

Walters manuscript W.620 has a brown leather blind-stamped binding with a flap. The binding is decorated with a central oval medallion and pendants. This binding is not original to the manuscript.