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Plate with Peony Decoration
Gathering at Lanting (Orchid Pavilion)
Lotus Dish
Writing Box (Suzuribako) with Phoenix in Paulownia
Cosmetics Box with Chrysanthemums
Manuscript Cover with Prajnaparamita Attended by Sadakshari Lokeshvara and a Tara
Canopy with Dragon among Flowers
Knife Sheath
Tánggǔ (堂鼓)
Helmet (Zukinnari Kabuto)
Mandala Base
Bassoon
Mirror with Phoenixes, Birds, Butterflies, and Floral Sprays
Covered box decorated with chrysanthemums and waterfowl among lotus
Mechanical table
Center table
Fire-flame Cooking Vessel (Ka'en Doki)
Jar with Lion-Head Handles
Mural Fragment Depicting a Maguey Bloodletting Ritual
Coffre des pierreries de Louis XIV
Belt clasp
Raft Cup
Floral Tent Panel
Foliate-Shaped Tray with Mother-of-Pearl Inlay
Walters manuscript W.620 has a brown leather blind-stamped binding with a flap. The binding is decorated with a central oval medallion and pendants. This binding is not original to the manuscript.
Goqing
Thangka with the Seventh Bodhisattva
Collection of Poems (Divan)
Carpet with Scrolling Vines and Blossoms
Walters manuscript W.619 is an illuminated manuscript containing 2 works by Sa"di (died 691 AH/AD 1292): the Gulistan (Rose garden) and the Bustan (Orchard). It was copied in 980 AH/AD 1572 by Muhammad Riza al-Tabrizi in Iran. The text of the Gulistan appears in the main area, while that of the Bustan is inscribed obliquely around the main text area on three sides. Both texts are written in black and gold nasta"liq script. The margins are multi-colored, gold-sprinkled tinted or marbled paper. The original leather binding dates to the 10th century AH/AD 16th and has dentelle-style decorated boards and doublures with gold filigree work over a multi-colored ground of blue, green, red, and black.
Plaque with horned lion-griffins
Plaque
Silk Animal Carpet
Tea Table
Walters manuscript W.620 has a brown leather blind-stamped binding with a flap. The binding is decorated with a central oval medallion and pendants. This binding is not original to the manuscript.
Cup with a frieze of gazelles
Orthostat relief: lion-hunt scene
Dragon in foliage with lion and phoenix heads
Ceremonial Cross of Countess Gertrude
Book on Navigation
Rosewater ewer
Velvet and Silk Carpet
Accordion
Fire Screen
Collector’s cabinet
Basin with Inscribed Figures and Calligraphy
Tigers Chasing Deer, with Dragon
Courting flute (siyotanka)
The Emperor's Carpet
Seated Amitayus
Covered Tureen on Stand (Pot-à-oille)
Cabinet of a Militia Company
Red-Figure Calyx-Krater (Mixing Vessel): Medea in Chariot (A); Telephos with Baby Orestes (B)
Buddhist Deities
Bridal Robe (Hwarot)
Cornet à Pistons in B-flat
Bottle with Birds and Peony Scroll
Green Tara
Cabinet
Palampore
Processional cross
Natural Trumpet in D
Ewer
Bell (Lai Zhong)
Carpet with Palm Trees, Ibexes, and Birds
Silk Kashan Carpet
Table Fountain
Nautilus Cup
Desk and Bookcase
Lidded Bowl with Iguana
Commode
Hanger op voetstuk met Amphitrite op een dolfijn
Lamellophone (chisanji)
Helmet with divine figures beneath a bird with outstretched wings
Helmet (Spangenhelm)
Jar with Dragon and Clouds Design
This drawing, Walters manuscript leaf W.749, was executed in Safavid Iran, most probably in the late 10th century AH/AD 16th, in Qazvin or Isfahan. Above, a farmer plows; below, a seated young man watches a produce seller weigh his purchase. On the rocks in the center foreground is inscribed the name of one of the most famous painters in Iran in the 11th century AH/AD 17th, Riza 'Abbasi (active 1001-1044 AH/AD 1591-1592 to 1634). As the handwriting does not match that of the artist, an admirer of Riza's work seems to have attributed the drawing to him. The execution and the bucolic subject matter of this drawing relate closely to the oeuvre of the Persian artist Muhammadi Haravi (active late 10th century AH/AD 16th), who worked in Qazvin. It is possible that this composition was conceived as a manuscript page.
Shown from the hips up, a young woman holds an upright baby against a richly patterned gold background in this vertical panel painting, which comes to a point at the top center. The woman nearly fills the panel, and she looms over a very small man kneeling in the lower left, facing our right in profile. The people all have ivory-white skin with a greenish cast, and petal-pink cheeks. The woman’s body faces us, supporting the baby in the curve of her left arm, our right. Thin, tawny-brown eyebrows arch over her hazel, almond-shaped eyes, which gaze off to our right. She has a long, narrow nose and small rose-pink mouth. Her head tilts to our right and is covered by an ivory-white cloth that frames her round face and wraps around the neckline of her burgundy-red gown. Over the white cloth and red dress, a long, midnight-blue mantle trimmed with gold covers her head, shoulders, and arms. A gold starburst adorns one shoulder. Tucked in the woman’s elbow to our right, the baby faces our left and wears a sheer garment covered by a burgundy-red, gold-edged cloth draped across his shoulders, back, and legs. The child has short, wavy, peach-colored hair and echos the woman’s thin eyebrows and hazel eyes. He reaches out with his right hand, to our left, to clutch her scarf while his other hand delicately touches the fingers of her hand, which brushes his chest. The man in the lower left is significantly smaller in scale so his kneeling body comes only up to the woman's elbow. His blond hair is cut in a ring above the ears, and he wears a dove-gray cloak with a long hood falling back over his shoulders. His right hand is raised, fingers extended, and he tilts his head up to look at the woman. Intricate, patterned halos surrounding the heads of the woman and child are punched and incised into the gold background. A decorative border of flowers, leaves, and dots line the sides of the panel and meet at the pointed top. Areas of brick red show through some areas of the gold background.
Openwork furniture plaque with a grazing oryx in a forest of fronds
Guitar
Water Ewer for Rituals (Kundika) with Incised Parrot Design
Corner Railing Pillar with Drinking Scenes, Yakshis, and Musicians
Censer with seated king
Cabinet
Bronze rod tripod stand
Pair of Candelabra
The Wade Cup with Animated Script
On this folio from Walters manuscript W.653, a middle-aged woman stands in a landscape, holding a vase of flowers. The salmon pink margins are stenciled with animal and floral forms. The catchword at the lower left indicates that the following folio is missing.
Black-Figure Hydria (Water Vessel): Frontal Quadriga (Body); Theseus and Minotaur (Shoulder)
Head
Covered cylindrical beaker with leaf-motif
Amphora Vase
Sacrificer Container
Tomb Guardian with Animal Head
Arm Band with Man's Head
Sleep and Death Cista Handle
Tile with Floral and Cloud-band Design
Spouted jar
Frederick Douglass
Fragment of a bowl with a frieze of bulls in relief