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Young Woman Smoking a Huqqa
Portrait of Emperor Jahangir
"Dancing Dervishes", Folio from a Divan of Hafiz
European Banquet Scene (or The Marriage Feast at Cana?)
The setting for the painting is the royal stables in Isfahan. The upper portion of the scene consists of a platform on which are gathered the shah, or Persian king, who appears next to the column on the right; five kneeling courtiers; and various attendants serving fruit and wine. The king is identified in the artist’s signature at the upper left as Shah ‘Abbas II, who died in 1666, but it is possible that the undated painting was executed after his death. The ruler’s status is emphasized by his golden halo and by the opulent gold and jeweled vessels placed before him. The lower portion shows a roundup of horses who bear the trident-like royal brand on their flanks; they move in a spiral that coils counterclockwise from the upper right. The scene bursts with energy and looks chaotic—a brawl is taking place at the lower left—but the courtiers and handlers seem to be getting control of the animals. The figures on the platform, meanwhile, pay no attention to the commotion below. The painting represents a new journalistic, even anecdotal approach to Persian painting introduced in the second half of the seventeenth century. The viewer gets the sense that the work may record a specific moment in daily life at court and that it was observed firsthand. Figures no longer conform to stock types but are highly individualized by facial features and dress. Standing just to the right of center in the upper part of the roundup scene is a man wearing a gold, fur-lined, armless jacket. He holds a list and is writing notes while conferring with a young man in a blue robe. The man taking notes may well be the supervisor of the royal stud, one of whose responsibilities was to inspect the king’s stables and keep an inventory of the animals.
"Black Buck", Folio from the Shah Jahan Album
This drawing, Walters manuscript leaf W.749, was executed in Safavid Iran, most probably in the late 10th century AH/AD 16th, in Qazvin or Isfahan. Above, a farmer plows; below, a seated young man watches a produce seller weigh his purchase. On the rocks in the center foreground is inscribed the name of one of the most famous painters in Iran in the 11th century AH/AD 17th, Riza 'Abbasi (active 1001-1044 AH/AD 1591-1592 to 1634). As the handwriting does not match that of the artist, an admirer of Riza's work seems to have attributed the drawing to him. The execution and the bucolic subject matter of this drawing relate closely to the oeuvre of the Persian artist Muhammadi Haravi (active late 10th century AH/AD 16th), who worked in Qazvin. It is possible that this composition was conceived as a manuscript page.
Vasant Ragini: Folio from a ragamala series (Garland of Musical Modes)
A Messenger is Dispatched: Page from a Dispersed Manuscript
Alexander the Great Enthroned at Persepolis
A Stallion
An Old Sufi Laments His Lost Youth
A Virtuous Woman Placates the King by Plucking Out Her Eyes
Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar
The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, Page from a Manuscript of the Akbarnama
Ruler Entertained by Dancers in a Paradise Garden
A Procession Scene with Musicians, from a copy of the Padshanama
Prince and Princess Hunting Blackbuck
Portrait of a Ladakhi Mountain Goat
Portrait of Prince Sur Singh Rathor of Bikaner (1594–1631)
Krishna's Fifth and Sixth Avatars, page from a copy of the Gitagovinda of Jayaveda
A Disconsolate Lady on a Terrace with Attendants
Maharana Bhim Singh in Procession
Angel (Peri) Riding a Composite Camel
Leaf from Album of Persian Calligraphy
Maharana Sangram Singh Riding a Prize Stallion
"The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds)
Collection of Poems (Divan)
Zal Climbing to Rudaba, page from a copy of the Shahnama of Firdausi
This illustration from Walters manuscript W.644 depicts Zulaykha in a blue-domed litter on a camel led by a cameleer. The retinue is entering the capital of Egypt.
Woman Addressing a Peacock: Gujari Ragini of Megh, from a Ragamala
Tile Panel
Abhisarika Nayika (Heroine Running to Meet her Lover)
Kichik Beg Wounded during Babur's Attack on Qalat, from a copy of the Baburnama (Book of Babur)
Amir Khusrau Dedicates His Poem to Sultan Ala al-Din Khalji, page from the Quintet (Khamsa) of Amir Khusraw Dehlavi
Pradyumna and Samvara fight with maces, from the "Large Basohli Bhagavata Purana"
Silk Animal Carpet
Heer Ranjha: Lady with Water Jug on her Head and Lady Holding out her Arms, Jodhpur school, India, c. mid-18th century, opaque watercolor on paper, Tokyo National Museum
Garden Gathering
Alauddin Khilji Conquering Ranthamore Fort, Kangra school, India, late 18th century, opaque watercolor on paper, Tokyo National Museum
Tigers Chasing Deer, with Dragon
Carpet
The Infant Krishna Spirited Away by Vasudev, from a copy of the Dispersed Bhagavat Purana
On this folio from Walters manuscript W.604, King Qizil Arslan welcomes the poet Nizami.
Krishna Fluting
On this folio from Walters manuscript W.653, a middle-aged woman stands in a landscape, holding a vase of flowers. The salmon pink margins are stenciled with animal and floral forms. The catchword at the lower left indicates that the following folio is missing.
Velvet Fragment with Design from Nizami of Ganja's Khusrau and Shirin
"The Funeral of Isfandiyar," Folio from a Shahnama (Book of Kings)
This page from Walters manuscript W.674 bears 4 diplomas written within illuminated cartouches inscribed in ijazah script by the following master calligraphers: Yaziji zadah, Isma'il al-Zuhdi Katib al-Saray al-Sultani, Muhammad Hasib, and 'Ali al-Wasfi. The page is dated 1219 AH/AD 1804-1805.
Khambavati Ragini: Page from a Dispersed Ragamala Series (Garland of Musical Modes)
This illuminated title page from Walters manuscript W.581 gives the title of the work, as well as the authors' names. There is also a statement referring to the patronage of the manuscript, indicating that it was made for the Mawlawi (Mevlevi) Library (bi-rasm al-Khizanah al-Karimah al-"Aliyah al-Mawlawiyah).
Silk Kashan Carpet
This folio from Walters manuscript W.580 is the left side of an illuminated double-page frontispiece of geometric design in gold, red, blue, and green, with a marginal rosette at the left.
Al-Mu'tazz Sends Gifts to Abdulla ibn Abdulla, from a copy of the Tarikh-i Alfi
Bahram Gur Arrives at the House of a Merchant, text page (recto); Bahram Gur Slays a Dragon (verso), from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), known as the Great Mongol Shahnama
Durga Slaying Mahisha
Ragini Gaudi, Page from a Jaipur Ragamala Set
Summer Flowers
Peahen and hibiscus
Birds and Flowers
A Young Prince on Horseback
This folio from Walters manuscript W.677 depicts Bahram Gur in a peasant's house.
This folio from Walters manuscript W.596 depicts the fall of Samarqand.
Palampore
Carpet with Scrolling Vines and Blossoms
Buddhist Deities
This is the final illuminated page in the codex, Walters W.582. The last panel contains the colophon, written in Riqa' script, giving the name of the scribe as Habib Allah ibn Dust Muhammad al-Khwarizmi.
Velvet and Silk Carpet
Rustam's seventh course: He kills the White Div, folio 124 from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020)
Vase of Flowers with Grasshopper, Marine Life, and Garden Rock
Book on Navigation
Folk Painting
The Greedy Dog
Textile Fragment
Carpet with Triple-Arch Design
Asavari Ragini, page from a Garland of Musical Ragas (Ragamala) Set
Krishna and Radha in a Pavilion, from a copy of the Seven Hundred Verses (Sat Sai) of Bihari
Flowers and Goldfish
Pichhwai for the Festival of Cows
Queen Kaikeyi reminds King Dasharatha about the sacrifices of King Bali and King Shivi, folio 39 from the Ayodhya Kanda (Book of Ayodhya) of a Ramayana (Rama's Journey)
Friends of Krishna, folio 163 from a Bhakti Ratnavali of Vishnu Puri
Thanka with Buddha
Peonies
Carpet with Palm Trees, Ibexes, and Birds
Monkeys in a Cherry Tree
Ingelijste muurschildering voorstellende Xiwangmu en dienaressen
Camellia by Water
Hours of Queen Isabella the Catholic, Queen of Spain
Leaf from Book of Hours
Ia Orana Maria (Hail Mary)
Bridal Robe (Hwarot)
Grafmonument met alliantiewapen en vier kwartierwapens
Dragon in foliage with lion and phoenix heads
The top and bottom panels of this illuminated finispiece from Walters manuscript W.578 are inscribed with the basmalah and hamdalah in white Thuluth script. The Qur'anic verses in the central panel are written in Square Kufic.
Hunting and fishing scenes
The Emperor's Carpet
Floral Tent Panel
Five Medallion Carpet
Insects and Flowers, Ming dynasty, 14th-15th century, color on silk, Tokyo National Museum
Manuchehr Kills Tur, Manuscript from Shahnama