Related

Birds and Flowers

Birds and Flowers

Phoenixes and Paulownia

Flowers and Trees of the Four Seasons (left screen)

Birds and Flowers

Peacocks and Bamboo

Birds and Flowers of the Four Seasons

Flowers and Grasses

Grapevine in the Wind

Autumn Evening with Full Moon on Musashino Plain

Peahen and hibiscus

Winter Scene with Plum Trees and Pheasants

Lions and Tigers in Peony and Bamboo

Winter and Summer Flowers

Flowers and Birds in a Spring Landscape

Summer Flowers

Gibbons in a Landscape

Birds and Flowers

Autumn Maples with Poem Slips

Mandarin ducks and cotton rose hibiscus

Duck in Flight

Geese, Reeds, and Water

Sparrows on Blossoming Plum

Heron on a Willow Branch

Hunting Scene

screen by Fukae Roshu "Narrow ivy road". Six-fold screen, color on gold leafed paper, Important Cultural Property

Flowers and Goldfish

Peonies

Irises

這幅作品被命名為《昆侖松鶴》。昆侖是指神仙們居住的神山——昆侖山。據推測位於中國西部，是中國的大河——黃河的源頭。松和鶴都是長壽的象徵，是和神仙故事頗有關聯的題材。畫面右上方有畫家的署名，並寫著送給一位叫做李懷素的人。以昆侖山上的松樹以及聚集在此的仙鶴為繪畫題材的這幅作品主題極為吉祥，作為賀壽之禮極為相稱。作者呂健是活躍於十六世紀到十七世紀的人物。其曾祖父呂紀是一位著名的宮廷畫家。呂紀有很多構圖周密的大型花鳥圖作品，其華麗的色彩和細膩的筆法不僅在中國，也在朝鮮半島和日本大受追捧，呂紀的繪畫風格在東亞地區到了廣泛傳播。呂健不僅認真學習呂紀的花鳥畫，似乎還將其轉化成了更加瀟灑而又惹人憐愛的表現。這幅作品中姿態優美地彎曲著長頸的仙鶴以及以淡綠色輕輕暈開的松葉都充分表現出了呂健的審美觀。淡淡的墨影巧妙地表現出水面上湧起的波浪，以極具透明感的白色顏料細緻描繪的羽毛線條等卓越的描寫技術也是看點所在。

Fish in a Lotus Pond

Winter and Spring Landscape

Ivy Lane

Painting from Flowers and Grasses

Chinese Bird on Snow-Laden Branch

Scholar admiring plum blossoms

Spring and Autumn Farming (Autumn)

Paulownias and Chrysanthemums

Fire Screen

Monkeys in a Cherry Tree

Grapevine

Yoroboshi, by Shimomura Kanzan, Tokyo National Museum, Japan

Buddhist Deities

The Four Seasons

Vase of Flowers

Vase of Flowers with Grasshopper, Marine Life, and Garden Rock

Summer Night

Chrysanthemums by a Stream

Books and Scholars’ Accoutrements

Dragon and Tiger

Monkey Hanging on to a Branch

Famous Views of Ōmi

Mt. Fuji through Pines

Dragon in foliage with lion and phoenix heads

Irises at Yatsuhashi (Eight Bridges)

Grapevine and Squirrels

Insects and Flowers, Ming dynasty, 14th-15th century, color on silk, Tokyo National Museum

Hen and Bamboo, by Luo Chuang, Tokyo National Museum, Japan

Symbols of Longevity: Deer under Peach and Pine (Pine) (right)

Four Motifs from the Eight Views of Xiao-Xiang

Pleasure Boat on the Sumida River

Mount Fuji with Cherry Trees in Bloom

Chrysanthemums by the Water

"Black Buck", Folio from the Shah Jahan Album

Canopy with Dragon among Flowers

Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Returning Sails off a Distant Shore, from Eight Views of Xiao-Xiang

Ōtsu-e of a Youth Holding Irises (Yarō)

Plum Blossoms

马远《寒江独钓图》（图片经过较温和的亮化处理）

This drawing, Walters manuscript leaf W.749, was executed in Safavid Iran, most probably in the late 10th century AH/AD 16th, in Qazvin or Isfahan. Above, a farmer plows; below, a seated young man watches a produce seller weigh his purchase. On the rocks in the center foreground is inscribed the name of one of the most famous painters in Iran in the 11th century AH/AD 17th, Riza 'Abbasi (active 1001-1044 AH/AD 1591-1592 to 1634). As the handwriting does not match that of the artist, an admirer of Riza's work seems to have attributed the drawing to him. The execution and the bucolic subject matter of this drawing relate closely to the oeuvre of the Persian artist Muhammadi Haravi (active late 10th century AH/AD 16th), who worked in Qazvin. It is possible that this composition was conceived as a manuscript page.

Velvet Fragment with Design from Nizami of Ganja's Khusrau and Shirin

"The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds)

Writing Box (Suzuribako) with Phoenix in Paulownia

Collection of Poems (Divan)

Carpet

Lakeside Retreat

Gazing at a Waterfall

Tigers Chasing Deer, with Dragon

Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar

Mount Asama, byobu by Aodo Denzen, Tokyo National Museum, Japan

Camellia by Water

Walters manuscript W.619 is an illuminated manuscript containing 2 works by Sa"di (died 691 AH/AD 1292): the Gulistan (Rose garden) and the Bustan (Orchard). It was copied in 980 AH/AD 1572 by Muhammad Riza al-Tabrizi in Iran. The text of the Gulistan appears in the main area, while that of the Bustan is inscribed obliquely around the main text area on three sides. Both texts are written in black and gold nasta"liq script. The margins are multi-colored, gold-sprinkled tinted or marbled paper. The original leather binding dates to the 10th century AH/AD 16th and has dentelle-style decorated boards and doublures with gold filigree work over a multi-colored ground of blue, green, red, and black.

Fragment textiel

Silk Animal Carpet

Fragment textiel

松下達摩図

Pichhwai for the Festival of Cows

Howling Wolf in a Deep Mountain Valley

Sunset Glow over a Fishing Village, from Eight Views of Xiao-Xiang

Portrait of Momonoi Naoaki

Chrysanthemum and Horsefly, from an untitled series of Large Flowers

Leaf from Album of Persian Calligraphy

"Dancing Dervishes", Folio from a Divan of Hafiz

Bird on a Loquat Tree

Cotton Roses and Sparrow, from an untitled series of Large Flowers

Japan; Illustrated book; Illustrated Books

Monkeys