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Graven en gravinnen van Holland

Graven en gravinnen van Holland

Christ Carrying the Cross

Portret van Dirk III, graaf van Holland

Portret van Floris I, graaf van Holland

Graven en gravinnen van Holland

Portret van Arnulf, graaf van Holland

Japan; Illustrated book; Illustrated Books

The Entrance Hall of the Regensburg Synagogue

Half Armor for the Foot Tournament

Feuillet de diptyque en cinq parties : l'Empereur triomphant (Justinien ?)

The great Jewish bride

Gedicht op de zilveren bruiloft van Ludolph Simon de With en Maria de Wit, 15 augustus 1771

View of Venice

Pichhwai for the Festival of Cows

Standing Officer Holding a Boar's Spear

The Rabbit Hunt

Hercules chasing Avarice from the Temple of the Muses

Belt clasp

Dragon in foliage with lion and phoenix heads

Arm of Eve

The Wade Cup with Animated Script

Center table

Wall fountain

Venus Reclining in a Landscape

Bahram Gur Arrives at the House of a Merchant, text page (recto); Bahram Gur Slays a Dragon (verso), from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), known as the Great Mongol Shahnama

Orthostat relief: lion-hunt scene

Christ Crucified Between the Two Thieves: 'The Three Crosses'

The great Jewish bride

Battle of the Nudes

The Submersion of Pharaoh's Army in the Red Sea

Rosewater ewer

Cabinet of a Militia Company

Portret van Geertruida van Saksen

Grensafbakening in Yperen 1777

Grafmonument met alliantiewapen en vier kwartierwapens

Armor (Gusoku)

The great Jewish bride

Enclosed Valley

Sir Anthony Mildmay, Knight of Apethorpe, Northamptonshire

A Stallion

Raft Cup

Cabinet

Bronze rod tripod stand

The Night Watch by Rembrandt van Rijn

The Vicarello Goblet

Relief: two servants bearing food and drink

The Cathedral

Manuscript Cover with Prajnaparamita Attended by Sadakshari Lokeshvara and a Tara

Copy of The Night Watch

Cravat end

Lontslotmusket met vuursteenslot uit latere periode

Interieur van een timmermanswerkplaats

Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Tomb with Sphinxes and an Owl

Ewer

Youth Playing a Pipe for a Satyr

Saint Sebastian

Table Fountain

Openwork furniture plaque with a grazing oryx in a forest of fronds

Helmet with divine figures beneath a bird with outstretched wings

Palampore

Guitar

Brandspuitpenning van Amsterdam, wijk 7 nummer D4

Cupboard

Portrait de l'artiste tenant un chardon

Maharana Sangram Singh Riding a Prize Stallion

Fragment van een muurschildering

The Night Watch Militia Company of District II under the Command of Captain Frans Banninck Cocq

Hanger met ruiter op postament

Kast van eikenhout met één-deurs bovenkast en tweedeurs onderkast

Ingelijste muurschildering voorstellende Xiwangmu en dienaressen

Mural Fragment Depicting a Maguey Bloodletting Ritual

Heavenly beauty

Kast met het wapen Alberda

Jar with Lion-Head Handles

Close to us, a bearded, balding man leads a donkey carrying a woman and child to our right against a hilly landscape in this horizontal painting. All three people have pale, peachy skin and halos. The man has a gray beard and hair, and wears a royal-blue tunic under a ruby-red robe. He leans on a walking stick and looks back at the donkey. The woman riding the donkey wears a blue and gold brocade-like cloak covering her head and body. She has a straight nose, small pink lips, and she looks toward the infant she holds close to her body. The baby wears a white garment and reaches for the woman’s face with one hand as he turns to look over his shoulder toward us. The path they walk on is lined with grass and detailed plants. A river runs parallel to the path a short distance away. The horizon line comes about two-thirds of the way up the painting is lined with green trees, blue mountains, and a few buildings to our left. Wispy white clouds sweep across an azure-blue sky streaked with peach near the horizon.

Covered Tureen on Stand (Pot-à-oille)

Japan; Illustrated book; Illustrated Books

The Night Watch by Rembrandt van Rijn

Pair of Candelabra

Cabinet Decorated with Episodes from the Parable of the Prodigal Son

Code de Hammurabi

A winged angel with arms crossed kneels across from a young woman sitting and holding a book, both under an archway in a paneled room in this vertical painting. They both have pale, yellow-toned skin, blond hair, and flat, gold halos. They also have golden brown eyes, long, straight noses, smooth cheeks, and their pale, pink lips are closed. To our right, the woman sits in a throne-like chair with her body facing our left. Her head tilts down, and she looks toward the angel under lowered lids. Her hair is pulled back under the neck of the lapis-blue cloak she wears over a crimson-red dress. The dress and cloak are trimmed with gold, and a there is a gold starburst on the cloak over her left shoulder, closer to us. She holds her other hand up near that shoulder with her fingertips brushing her chest. With her other hand, she holds open the pages of a small book in her lap, so her fingers overlap some of the words. The entire Latin inscription would read, “virgo concipiet et pariet filium et vocabitur nomen eius emmanuel butirum et mel come dit ut fiat reprobare.” A slender, bone-white column separates her from the angel across from her, along the left edge of the painting. The angel has curly, shoulder-length hair and wears a robe with a gold, floral pattern against a burgundy-red background. Long, golden wings emerge from the shoulder blades and extend off the side of the composition. An open archway just beyond the angel is filled with streaks of flax yellow and burnt orange, possibly representing flames. Some of the walls in the room around the pair are pale olive green and other areas are darker spruce green. There are bands of coral-pink molding and inset panels of patterned mosaics. The flat ceiling of the space immediately over the pair is decorated with checkerboard panels in navy blue, hunter green, brown, and brick red. Gold lines create a ray coming from the ceiling toward the woman. At the back of the space, beyond the column separating the woman and angel, the room extends into an alcove with an arched hallway painted with gold stars against a midnight-blue background. Double doors open at the back of the alcove onto a room with a pale-yellow curtain with a mesh-like trim. We see the pair as if through a stone archway that lines the top and sides of the composition. The upper corners are filled with leafy decorations, as if carved into the stone.

Study for The Battle of Waterloo

Kast, kussenkast met kapitelen met cherubs. Kussens met festoenen

Apothecary jar

The Adoration of the Magi

Shown from the chest up, a clean-shaven, pale-skinned man holds one hand to his chest and rests the other on a rug-covered ledge with the other in this vertical portrait painting. The man’s body is angled to our left, and he looks down in that direction with dark eyes under thick brows. Crow’s feet crinkle at the corners of his eyes, and there are dark hollows underneath. Soft jowls hang to create a slight double chin. His thin lips are set in a line over a wide, round chin, which is darkened with a five o’clock shadow. He has chin-length, reddish-blond hair, and straight, wispy bangs sweep loosely across his high forehead. He wears a white chemise under a gold, brocade garment, which is mostly hidden by a slate-blue cloak. The cloak is lined with spotted fur, which is turned over to create a wide collar across his shoulders. The sleeve on his left arm, to our right and closer to us, splits over a dusky-pink sleeve. Two gold buttons on the cloak there are decorated with thistle plants and blossoms. The fingers of his right hand, to our left, are gathered like a closed rose bud at his chest. He wears a gold ring on the index finger of the other hand, which rests on the end of the gray stone ledge so his fingertips brush the tapestry draped there. The man is lit from our left against a black background.

Textile Fragment

Sideboard

Wainscoting with chimneypiece, wallpanels and a portico

Cylinder seal with cultic scene

Staff of Office

A woman and winged angel, both with pale, peach skin, are situated in a church interior in this tall, narrow painting. To our left, the angel has long, blond, curly hair, smooth skin, and is smiling. The wings are outlined in royal blue, and they blend from blue to green to yellow to crimson. The angel holds one hand, closer to us, up at chest height with the index finger subtly pointing upward. Holding a long scepter in the other hand, the angel angles their body toward the woman to our right. The angel wears a gold jewel and pearl-encrusted crown and a jeweled long, voluminous robe in scarlet-red and shimmering gold brocade. The neck and along the opening down the front are lined with pearls and jewels. The angel looks toward the woman, who wears a royal-blue dress tied with a red belt at the high waist. Her long brown hair is tied back but one tendril falls over her left shoulder, to our right. She kneels facing us with her raised hands facing outward. Her head is tipped a bit to our left, and she looks up and into the distance to our right with lips slightly parted. She kneels behind a book lying open on a low table. A vase of white lilies and a red cushion lies on the floor in front of the table, close to us. The floor is decorated with people and scenes outlined in black and set into square panels, as if inlaid with wood. The church behind and above the people has a row of tall, narrow arches with bull’s-eye glass windows. A walkway lined with columns runs above the arches, and sunlight comes in through arched windows under the flat wood ceiling. A white dove flies toward the woman on gold lines from a window at the upper left of the painting. Latin words painted in gold capital letters are exchanged between the people. The angel says, “AVE GRA PLENA.” The letters of the woman’s response are painted upside down and backward: “ECCE ANCILLA DNI.”

Unidentified Woman

Oksaal (koorafscheiding), afkomstig uit de kerk te Helvoirt

Tánggǔ (堂鼓)