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Spring and Autumn Farming (Autumn)
Birds and Flowers of the Four Seasons
Flowers and Trees of the Four Seasons (left screen)
The Four Seasons
Ivy Lane
Peacocks and Bamboo
Mandala of the Three Shrines at Kumano
Phoenixes and Paulownia
Gibbons in a Landscape
Autumn Maples with Poem Slips
screen by Fukae Roshu "Narrow ivy road". Six-fold screen, color on gold leafed paper, Important Cultural Property
Pleasure Boat on the Sumida River
Fan painting with river landscape
Birds and Flowers
Mount Asama, byobu by Aodo Denzen, Tokyo National Museum, Japan
Winter and Summer Flowers
Autumn Evening with Full Moon on Musashino Plain
Birds and Flowers
Winter and Spring Landscape
Irises
Chrysanthemums by a Stream
Paulownias and Chrysanthemums
Summer Night
Irises at Yatsuhashi (Eight Bridges)
Lions and Tigers in Peony and Bamboo
慈眼大師像
Winter Scene with Plum Trees and Pheasants
Birds and Flowers
Hunting Scene
Birds and Flowers
Mt. Fuji through Pines
Lakeside Retreat
Crossing at Sano
The Beach at Sumiyoshi from the Tales of Ise
Flowers and Grasses
Performance of Hanasaka Jiji, by Toshi, 1889, Meiji 21, from the Hood Museum of Art - PR.995.23.42abc.
Buddhist Deities
Gazing at a Waterfall
Fishing in a Springtime Valley
Geese, Reeds, and Water
Mandarin ducks and cotton rose hibiscus
Four Motifs from the Eight Views of Xiao-Xiang
Grapevine in the Wind
Farmer Returning Home in Autumn
Scholar admiring plum blossoms
Dragon and Tiger
Togetsu Bridge at Arashiyama in Yamashiro Province (Yamashiro Arashiyama no Togetsukyo), from the series "Unusual Views of Famous Bridges in Various Provinces (Shokoku meikyo kiran)"
Yoroboshi, by Shimomura Kanzan, Tokyo National Museum, Japan
Peahen and hibiscus
Chrysanthemums by the Water
Mount Fuji with Cherry Trees in Bloom
Whaling off the Coast of the Goto Islands (Goto kujira tsuki), from the series "One Thousand Pictures of the Ocean (Chie no umi)"
Writing Box (Suzuribako) with Phoenix in Paulownia
Vase of Flowers
Goten Hill at Shinagawa on the Tokaido (Tokaido Shinagawa Gotenyama), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Sazai Hall at the Temple of the Five Hundred Arhats (Gohyakurakanji Sazaido), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Amida Falls in the Far Reaches of the Kisokaido (Kisoji no oku Amidagataki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)"
Flowers and Birds in a Spring Landscape
Sunset Glow over a Fishing Village, from Eight Views of Xiao-Xiang
Peonies
Fishing by Torch in Kai Province (Koshu hiburi) from the series "One Thousand Pictures of the Ocean (Chie no umi)"
Ono Falls on the Kisokaidō Road (Kisokaidō Ono no bakufu), from the series Tour of the Waterfalls in Various Provinces (Shokoku taki meguri)
Ōtsu-e of a Youth Holding Irises (Yarō)
The Tea Plantation of Katakura in Suruga Province (Sunshu Katakura chaen no Fuji), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Portrait of Momonoi Naoaki
Hell Courtesan
Books and Scholars’ Accoutrements
Thanka with Buddha
Monkeys in a Cherry Tree
Abhisarika Nayika (Heroine Running to Meet her Lover)
The setting for the painting is the royal stables in Isfahan. The upper portion of the scene consists of a platform on which are gathered the shah, or Persian king, who appears next to the column on the right; five kneeling courtiers; and various attendants serving fruit and wine. The king is identified in the artist’s signature at the upper left as Shah ‘Abbas II, who died in 1666, but it is possible that the undated painting was executed after his death. The ruler’s status is emphasized by his golden halo and by the opulent gold and jeweled vessels placed before him. The lower portion shows a roundup of horses who bear the trident-like royal brand on their flanks; they move in a spiral that coils counterclockwise from the upper right. The scene bursts with energy and looks chaotic—a brawl is taking place at the lower left—but the courtiers and handlers seem to be getting control of the animals. The figures on the platform, meanwhile, pay no attention to the commotion below. The painting represents a new journalistic, even anecdotal approach to Persian painting introduced in the second half of the seventeenth century. The viewer gets the sense that the work may record a specific moment in daily life at court and that it was observed firsthand. Figures no longer conform to stock types but are highly individualized by facial features and dress. Standing just to the right of center in the upper part of the roundup scene is a man wearing a gold, fur-lined, armless jacket. He holds a list and is writing notes while conferring with a young man in a blue robe. The man taking notes may well be the supervisor of the royal stud, one of whose responsibilities was to inspect the king’s stables and keep an inventory of the animals.
Fish in a Lotus Pond
Viewing the Seashore at the Eguchi Inn
『新三十六歌仙図帖』より
Duck in Flight
Heron on a Willow Branch
Daibutsu and Scaffolding, by Migita Toshihide, 1895, Meiji 27, from the Hood Museum of Art - PR.995.23.9ab.
"Dancing Dervishes", Folio from a Divan of Hafiz
European Banquet Scene (or The Marriage Feast at Cana?)
Symbols of Longevity: Deer under Peach and Pine (Pine) (right)
Sparrows on Blossoming Plum
Painting from Flowers and Grasses
Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar
Tagonoura Bay near Ejiri on the Tōkaidō (Tōkaidō Ejiri Tagonoura ryakuzu), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)
Monkey Hanging on to a Branch
Grapevine
The Assembly of Tejaprabha Buddha
Umezawa Marsh in Sagami Province (Soshu Umezawa hidari), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Fragment van een muurschildering
An Artisan’s Shop, from the album The Mist of Sandara (Sandara kasumi)
Hydrangea and Swallow, from an untitled series of large flowers
Gathering at Lanting (Orchid Pavilion)
Flowers and Goldfish
Kichik Beg Wounded during Babur's Attack on Qalat, from a copy of the Baburnama (Book of Babur)
This painting shows a village nestled in hills and trees with a cloudy blue sky at the top. Closest to us are simple white buildings, some with white spires and others with red and brown roofs, surrounded by tall trees. In the distance there are hills, smaller trees, and sailboats on a body of water on the right. The artwork has visible brushstrokes, and the buildings are simple and flat. The color palette is earthy, with soft greens, warm tans, and light whites and yellows.
Fishing Boats at Choshi in Shimosa (Soshu Choshi) from the series "One Thousand Pictures of the Ocean (Chie no umi)"
Sceneries in the Tropical Land, by Imamura Shiko, Tokyo National Museum, Japan
Ingelijste muurschildering voorstellende Xiwangmu en dienaressen
Alexander the Great Enthroned at Persepolis
Garden Gathering