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Krishna Fluting
Abhisarika Nayika (Heroine Running to Meet her Lover)
Durga Slaying Mahisha
Krishna and Balarama Fight the Evil King Kamsa’s Wrestlers: Page from a Dispersed Bhagavata Purana
Portrait of Prince Sur Singh Rathor of Bikaner (1594–1631)
Prince and Princess Hunting Blackbuck
A Monumental Portrait of a Monkey
A Disconsolate Lady on a Terrace with Attendants
Vasant Ragini: Folio from a ragamala series (Garland of Musical Modes)
Heer Ranjha: Lady with Water Jug on her Head and Lady Holding out her Arms, Jodhpur school, India, c. mid-18th century, opaque watercolor on paper, Tokyo National Museum
Portrait of Emperor Jahangir
Krishna's Fifth and Sixth Avatars, page from a copy of the Gitagovinda of Jayaveda
Maharana Bhim Singh in Procession
Queen Kaikeyi reminds King Dasharatha about the sacrifices of King Bali and King Shivi, folio 39 from the Ayodhya Kanda (Book of Ayodhya) of a Ramayana (Rama's Journey)
A Messenger is Dispatched: Page from a Dispersed Manuscript
Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar
Angel (Peri) Riding a Composite Camel
Alexander the Great Enthroned at Persepolis
Woman Addressing a Peacock: Gujari Ragini of Megh, from a Ragamala
Young Woman Smoking a Huqqa
The Infant Krishna Spirited Away by Vasudev, from a copy of the Dispersed Bhagavat Purana
A Procession Scene with Musicians, from a copy of the Padshanama
Friends of Krishna, folio 163 from a Bhakti Ratnavali of Vishnu Puri
Khambavati Ragini: Page from a Dispersed Ragamala Series (Garland of Musical Modes)
The setting for the painting is the royal stables in Isfahan. The upper portion of the scene consists of a platform on which are gathered the shah, or Persian king, who appears next to the column on the right; five kneeling courtiers; and various attendants serving fruit and wine. The king is identified in the artist’s signature at the upper left as Shah ‘Abbas II, who died in 1666, but it is possible that the undated painting was executed after his death. The ruler’s status is emphasized by his golden halo and by the opulent gold and jeweled vessels placed before him. The lower portion shows a roundup of horses who bear the trident-like royal brand on their flanks; they move in a spiral that coils counterclockwise from the upper right. The scene bursts with energy and looks chaotic—a brawl is taking place at the lower left—but the courtiers and handlers seem to be getting control of the animals. The figures on the platform, meanwhile, pay no attention to the commotion below. The painting represents a new journalistic, even anecdotal approach to Persian painting introduced in the second half of the seventeenth century. The viewer gets the sense that the work may record a specific moment in daily life at court and that it was observed firsthand. Figures no longer conform to stock types but are highly individualized by facial features and dress. Standing just to the right of center in the upper part of the roundup scene is a man wearing a gold, fur-lined, armless jacket. He holds a list and is writing notes while conferring with a young man in a blue robe. The man taking notes may well be the supervisor of the royal stud, one of whose responsibilities was to inspect the king’s stables and keep an inventory of the animals.
Maharana Sangram Singh Riding a Prize Stallion
Ragini Gaudi, Page from a Jaipur Ragamala Set
"Black Buck", Folio from the Shah Jahan Album
This drawing, Walters manuscript leaf W.749, was executed in Safavid Iran, most probably in the late 10th century AH/AD 16th, in Qazvin or Isfahan. Above, a farmer plows; below, a seated young man watches a produce seller weigh his purchase. On the rocks in the center foreground is inscribed the name of one of the most famous painters in Iran in the 11th century AH/AD 17th, Riza 'Abbasi (active 1001-1044 AH/AD 1591-1592 to 1634). As the handwriting does not match that of the artist, an admirer of Riza's work seems to have attributed the drawing to him. The execution and the bucolic subject matter of this drawing relate closely to the oeuvre of the Persian artist Muhammadi Haravi (active late 10th century AH/AD 16th), who worked in Qazvin. It is possible that this composition was conceived as a manuscript page.
Alauddin Khilji Conquering Ranthamore Fort, Kangra school, India, late 18th century, opaque watercolor on paper, Tokyo National Museum
Krishna and Radha in a Pavilion, from a copy of the Seven Hundred Verses (Sat Sai) of Bihari
Green Tara
A Stallion
Folk Painting
Tile Panel
European Banquet Scene (or The Marriage Feast at Cana?)
"Dancing Dervishes", Folio from a Divan of Hafiz
Krishna with an Ascetic
The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, Page from a Manuscript of the Akbarnama
Portrait of a Ladakhi Mountain Goat
Fragment van een muurschildering
Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Kichik Beg Wounded during Babur's Attack on Qalat, from a copy of the Baburnama (Book of Babur)
Dragon in foliage with lion and phoenix heads
On this folio from Walters manuscript W.604, King Qizil Arslan welcomes the poet Nizami.
Daibutsu and Scaffolding, by Migita Toshihide, 1895, Meiji 27, from the Hood Museum of Art - PR.995.23.9ab.
Ema (Votive Painting) of a Chinese Lion and Peony Tree by Flowing Water
Ōtsu-e of a Youth Holding Irises (Yarō)
The Greedy Dog
Amir Khusrau Dedicates His Poem to Sultan Ala al-Din Khalji, page from the Quintet (Khamsa) of Amir Khusraw Dehlavi
Velvet Fragment with Design from Nizami of Ganja's Khusrau and Shirin
Tathagata Buddha
A Young Prince on Horseback
Monkey Hanging on to a Branch
Garden Gathering
A Virtuous Woman Placates the King by Plucking Out Her Eyes
An Old Sufi Laments His Lost Youth
Four Portraits from the St. Petersburg Album. Painters unknown, borders by Muhammad Sadiq. Top left: Nadir Shah, Iran, ca. 1740. Top right: Adil Shah, Iran, ca. 1748. Bottom left: Unidentified nobleman, Mughal school, 18th century. Bottom right: Unidentified nobleman, Mughal school, 18th century. Art Institute of Chicago 1919.952 recto
Asavari Ragini, page from a Garland of Musical Ragas (Ragamala) Set
Pichhwai for the Festival of Cows
Cylinder seal with cultic scene
Hanger op voetstuk met Amphitrite op een dolfijn
Silk Animal Carpet
Canopy with Dragon among Flowers
Hanger met cachet met de Dood
Center table
The image shows a young child standing next to a rocking horse. The child is standing upright with one hand resting on the rocking horse's head and the other hand holding a whip. The child has fair skin, blue eyes, and short blonde hair with a small curl at the top. The child wears an orange dress with floral patterns, white lace-trimmed pantaloons, white stockings, and black shoes. The background includes red drapery on the left side and a bright landscape visible through a window, as well as a deep green hue on the right side.
Ruler Entertained by Dancers in a Paradise Garden
This illustration from Walters manuscript W.644 depicts Zulaykha in a blue-domed litter on a camel led by a cameleer. The retinue is entering the capital of Egypt.
Bahram Gur Arrives at the House of a Merchant, text page (recto); Bahram Gur Slays a Dragon (verso), from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), known as the Great Mongol Shahnama
Leaf from Album of Persian Calligraphy
Gibbons in a Landscape
Peonies
Collection of Poems (Divan)
On this folio from Walters manuscript W.653, a middle-aged woman stands in a landscape, holding a vase of flowers. The salmon pink margins are stenciled with animal and floral forms. The catchword at the lower left indicates that the following folio is missing.
Cloth with Procession of Figures
慈眼大師像
This folio from Walters manuscript W.596 depicts the fall of Samarqand.
Annunciation 
"Lotto" Carpet
Crossing at Sano
Buddhist Priest's Ceremonial Robe
"The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds)
Helmet with divine figures beneath a bird with outstretched wings
Exhibit in the Jordan Schnitzer Museum of Art, University of Oregon - Eugene, Oregon, USA.
Bernat Martorell was one of the greatest painters in Catalonia, Spain, during the first half of the 15th century. Here, he rendered a frequently depicted episode from the popular legend of Saint George, in which the model Christian knight saves a town and rescues a beautiful princess. George’s halo and armor and the scaly dragon are richly modeled with raised stucco decoration.
Hilma af Klint - Group X, No. 2, Altarpiece, 1915
Cuckoo Flying under a Full Moon
Zal Climbing to Rudaba, page from a copy of the Shahnama of Firdausi
Thanka with Buddha
Rustam's seventh course: He kills the White Div, folio 124 from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020)
Manjushri
Hell Courtesan
Al-Mu'tazz Sends Gifts to Abdulla ibn Abdulla, from a copy of the Tarikh-i Alfi
Graven en gravinnen van Holland
Panel with the god Zeus/Serapis/Ohrmazd and worshiper
Symbols of Longevity: Deer under Peach and Pine (Pine) (right)
Thangka with the Seventh Bodhisattva
Denshin kaishu Hokusai manga nihen
Animal-Spouted Pitcher