Related

Leaf from Album of Persian Calligraphy
Folio from a Qur'an Manuscript
This illuminated title page from Walters manuscript W.581 gives the title of the work, as well as the authors' names. There is also a statement referring to the patronage of the manuscript, indicating that it was made for the Mawlawi (Mevlevi) Library (bi-rasm al-Khizanah al-Karimah al-"Aliyah al-Mawlawiyah).
This is the final illuminated page in the codex, Walters W.582. The last panel contains the colophon, written in Riqa' script, giving the name of the scribe as Habib Allah ibn Dust Muhammad al-Khwarizmi.
The top and bottom panels of this illuminated finispiece from Walters manuscript W.578 are inscribed with the basmalah and hamdalah in white Thuluth script. The Qur'anic verses in the central panel are written in Square Kufic.
Portrait of a Ladakhi Mountain Goat
"Black Buck", Folio from the Shah Jahan Album
Folio from a Qur'an Manuscript
Rustam's seventh course: He kills the White Div, folio 124 from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020)
Walters manuscript W.619 is an illuminated manuscript containing 2 works by Sa"di (died 691 AH/AD 1292): the Gulistan (Rose garden) and the Bustan (Orchard). It was copied in 980 AH/AD 1572 by Muhammad Riza al-Tabrizi in Iran. The text of the Gulistan appears in the main area, while that of the Bustan is inscribed obliquely around the main text area on three sides. Both texts are written in black and gold nasta"liq script. The margins are multi-colored, gold-sprinkled tinted or marbled paper. The original leather binding dates to the 10th century AH/AD 16th and has dentelle-style decorated boards and doublures with gold filigree work over a multi-colored ground of blue, green, red, and black.
European Banquet Scene (or The Marriage Feast at Cana?)
This folio from Walters manuscript W.580 is the left side of an illuminated double-page frontispiece of geometric design in gold, red, blue, and green, with a marginal rosette at the left.
The Greedy Dog
Bahram Gur Arrives at the House of a Merchant, text page (recto); Bahram Gur Slays a Dragon (verso), from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), known as the Great Mongol Shahnama
Book on Navigation
"The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds)
This drawing, Walters manuscript leaf W.749, was executed in Safavid Iran, most probably in the late 10th century AH/AD 16th, in Qazvin or Isfahan. Above, a farmer plows; below, a seated young man watches a produce seller weigh his purchase. On the rocks in the center foreground is inscribed the name of one of the most famous painters in Iran in the 11th century AH/AD 17th, Riza 'Abbasi (active 1001-1044 AH/AD 1591-1592 to 1634). As the handwriting does not match that of the artist, an admirer of Riza's work seems to have attributed the drawing to him. The execution and the bucolic subject matter of this drawing relate closely to the oeuvre of the Persian artist Muhammadi Haravi (active late 10th century AH/AD 16th), who worked in Qazvin. It is possible that this composition was conceived as a manuscript page.
Manuchehr Kills Tur, Manuscript from Shahnama
Amir Khusrau Dedicates His Poem to Sultan Ala al-Din Khalji, page from the Quintet (Khamsa) of Amir Khusraw Dehlavi
The setting for the painting is the royal stables in Isfahan. The upper portion of the scene consists of a platform on which are gathered the shah, or Persian king, who appears next to the column on the right; five kneeling courtiers; and various attendants serving fruit and wine. The king is identified in the artist’s signature at the upper left as Shah ‘Abbas II, who died in 1666, but it is possible that the undated painting was executed after his death. The ruler’s status is emphasized by his golden halo and by the opulent gold and jeweled vessels placed before him. The lower portion shows a roundup of horses who bear the trident-like royal brand on their flanks; they move in a spiral that coils counterclockwise from the upper right. The scene bursts with energy and looks chaotic—a brawl is taking place at the lower left—but the courtiers and handlers seem to be getting control of the animals. The figures on the platform, meanwhile, pay no attention to the commotion below. The painting represents a new journalistic, even anecdotal approach to Persian painting introduced in the second half of the seventeenth century. The viewer gets the sense that the work may record a specific moment in daily life at court and that it was observed firsthand. Figures no longer conform to stock types but are highly individualized by facial features and dress. Standing just to the right of center in the upper part of the roundup scene is a man wearing a gold, fur-lined, armless jacket. He holds a list and is writing notes while conferring with a young man in a blue robe. The man taking notes may well be the supervisor of the royal stud, one of whose responsibilities was to inspect the king’s stables and keep an inventory of the animals.
This folio from Walters manuscript W.677 depicts Bahram Gur in a peasant's house.
An Old Sufi Laments His Lost Youth
A Virtuous Woman Placates the King by Plucking Out Her Eyes
Zal Climbing to Rudaba, page from a copy of the Shahnama of Firdausi
Alexander the Great Enthroned at Persepolis
This illustration from Walters manuscript W.644 depicts Zulaykha in a blue-domed litter on a camel led by a cameleer. The retinue is entering the capital of Egypt.
This folio from Walters manuscript W.596 depicts the fall of Samarqand.
Al-Mu'tazz Sends Gifts to Abdulla ibn Abdulla, from a copy of the Tarikh-i Alfi
"The Funeral of Isfandiyar," Folio from a Shahnama (Book of Kings)
"Dancing Dervishes", Folio from a Divan of Hafiz
Kichik Beg Wounded during Babur's Attack on Qalat, from a copy of the Baburnama (Book of Babur)
Collection of Poems (Divan)
On this folio from Walters manuscript W.653, a middle-aged woman stands in a landscape, holding a vase of flowers. The salmon pink margins are stenciled with animal and floral forms. The catchword at the lower left indicates that the following folio is missing.
Silk Animal Carpet
Portrait of Emperor Jahangir
Carpet
Textile
Pichhwai for the Festival of Cows
Carpet with Triple-Arch Design
Dragon in foliage with lion and phoenix heads
Velvet and Silk Carpet
Leaf from Book of Hours
The Flood of Noah (Genesis 7:11-24)
Tile Panel
Silk Kashan Carpet
Walters manuscript W.620 has a brown leather blind-stamped binding with a flap. The binding is decorated with a central oval medallion and pendants. This binding is not original to the manuscript.
The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, Page from a Manuscript of the Akbarnama
A Procession Scene with Musicians, from a copy of the Padshanama
Grapevine in the Wind
Ragini Gaudi, Page from a Jaipur Ragamala Set
The Emperor's Carpet
Angel (Peri) Riding a Composite Camel
On this folio from Walters manuscript W.604, King Qizil Arslan welcomes the poet Nizami.
Canopy with Dragon among Flowers
Tigers Chasing Deer, with Dragon
Floral Tent Panel
Garden Gathering
Carpet with Scrolling Vines and Blossoms
Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar
Young Woman Smoking a Huqqa
Five Medallion Carpet
Hours of Queen Isabella the Catholic, Queen of Spain
Abhisarika Nayika (Heroine Running to Meet her Lover)
Prince and Princess Hunting Blackbuck
Initial "P" (Primum quidem)
A Messenger is Dispatched: Page from a Dispersed Manuscript
Covered box decorated with chrysanthemums and waterfowl among lotus
Writing Box (Suzuribako) with Phoenix in Paulownia
A Stallion
Four Portraits from the St. Petersburg Album. Painters unknown, borders by Muhammad Sadiq. Top left: Nadir Shah, Iran, ca. 1740. Top right: Adil Shah, Iran, ca. 1748. Bottom left: Unidentified nobleman, Mughal school, 18th century. Bottom right: Unidentified nobleman, Mughal school, 18th century. Art Institute of Chicago 1919.952 recto
A Young Prince on Horseback
The Wade Cup with Animated Script
Krishna's Fifth and Sixth Avatars, page from a copy of the Gitagovinda of Jayaveda
Mandala Base
Vasant Ragini: Folio from a ragamala series (Garland of Musical Modes)
Ruler Entertained by Dancers in a Paradise Garden
"Lotto" Carpet
Buddhist Priest's Ceremonial Robe
Buddhist Deities
Textile Fragment
Portrait of Prince Sur Singh Rathor of Bikaner (1594–1631)
In the margins are depicted hybrid angel-musicians, a bear-trainer and musicians, apes trapping a bird, apes at school, a nude man at the far left, and an ape kneeling before a doctor with a urinal.
Krishna Fluting
Asavari Ragini, page from a Garland of Musical Ragas (Ragamala) Set
Velvet Fragment with Design from Nizami of Ganja's Khusrau and Shirin
Palampore
Thanka with Buddha
Flowers and Birds in a Spring Landscape
A Disconsolate Lady on a Terrace with Attendants
Lakeside Retreat
Manuscript Cover with Prajnaparamita Attended by Sadakshari Lokeshvara and a Tara
Birds and Flowers
Ōtsu-e of a Youth Holding Irises (Yarō)
Woman Addressing a Peacock: Gujari Ragini of Megh, from a Ragamala
Walters manuscript W.620 has a brown leather blind-stamped binding with a flap. The binding is decorated with a central oval medallion and pendants. This binding is not original to the manuscript.
Birds and Flowers
Peonies
Heer Ranjha: Lady with Water Jug on her Head and Lady Holding out her Arms, Jodhpur school, India, c. mid-18th century, opaque watercolor on paper, Tokyo National Museum
Books and Scholars’ Accoutrements
Gedicht op de zilveren bruiloft van Ludolph Simon de With en Maria de Wit, 15 augustus 1771