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Fragment of a doorpost
Corner Railing Pillar with Drinking Scenes, Yakshis, and Musicians
Funerary relief
Manuscript Cover with Prajnaparamita Attended by Sadakshari Lokeshvara and a Tara
Female nature spirit
Heavenly beauty
Panel with the god Zeus/Serapis/Ohrmazd and worshiper
Orthostat relief: lion-hunt scene
Sacrificer Container
Feuillet de diptyque en cinq parties : l'Empereur triomphant (Justinien ?)
Censer with seated king
Cylinder seal with cultic scene
Mural Fragment Depicting a Maguey Bloodletting Ritual
Fragment of a bowl with a frieze of bulls in relief
Cult vessel in the form of a tower with cylinder seal impressions near the top
Door Guardian (Dvarapala)
Openwork furniture plaque with a grazing oryx in a forest of fronds
Trial Piece Worked on Both Sides
Stela of Amenemhat and Hemet
The King's Acquaintances Memi and Sabu
Relief: two servants bearing food and drink
Belt clasp
Ingelijste muurschildering voorstellende Xiwangmu en dienaressen
Lamellophone (chisanji)
Heavenly beauty
Memorial head (nsodie)
Lantern for a Lamp
Mural Fragment with Elite Male and Maguey Cactus Leaves
Ceremonial Hanging (Palepai)
Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)
Wall fountain
A bodhisattva
Buddhist Priest's Ceremonial Robe
The Vicarello Goblet
Courting flute (siyotanka)
Head of a deity with four faces
The bodhisattva Maitreya
Green Tara
Red-Figure Stamnos (Mixing/Storage Vessel): Komos (Musicians and Revelers)
Covered box decorated with chrysanthemums and waterfowl among lotus
Terracotta kernos (vase for multiple offerings)
Ewer
Bronze rod tripod stand
Bell (Lai Zhong)
White-Ground Lekythos (Oil Vessel): Atalanta and Erotes
Head
Guanyin
Fragment van een muurschildering
Spout in the form of a man's head
Palampore
The bodhisattva Maitreya
The Wade Cup with Animated Script
Jar with Lion-Head Handles
Door lintel with lion-griffins and vase with lotus leaf
Helmet with divine figures beneath a bird with outstretched wings
The Adoration of the Magi
Sarcophagus
Cloth with Procession of Figures
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
Sleep and Death Cista Handle
Buddha
Code de Hammurabi
Strand of Beads
Accordion
Fire-flame Cooking Vessel (Ka'en Doki)
Furniture support: female sphinx with Hathor-style curls
Torso of a goddess
Spouted jar
Vase with overlapping pattern and three bands of palm trees
Mother Goddess
Ivory Plaque with Enthroned Mother of God ("The Stroganoff Ivory")
Cabinet of a Militia Company
Terracotta dinos (mixing bowl)
Uma
Mandala of the Three Shrines at Kumano
Nursing Woman with Child
Black-Figure Hydria (Water Vessel): Frontal Quadriga (Body); Theseus and Minotaur (Shoulder)
Ovoid covered jar with a woman reading a letter and finial in the shape of a shishi
Buddha Shakyamuni Seated in Meditation (Dhyanamudra)
Ornament voor de houten steel van een ge
An Artisan’s Shop, from the album The Mist of Sandara (Sandara kasumi)
Saluting Protective Spirit
Cosmetic Jar in the Form of the God Bes
Bottle with Birds and Peony Scroll
The Merry Family
Acteurs tijdens een kabuki-voorstelling in Kabukiza, Tokyo
Lidded Bowl with Iguana
Interieur van een timmermanswerkplaats
Shiva as Lord of the Dance (Nataraja)
Head of the Buddha
Raft Cup
Ancestral Commemorative Head (uhunmwun-elao)
Writing Box (Suzuribako) with Phoenix in Paulownia
Bowl with Inscription, "Sovereignty is God's"
Head Fragment
Two Ge
A winged angel with arms crossed kneels across from a young woman sitting and holding a book, both under an archway in a paneled room in this vertical painting. They both have pale, yellow-toned skin, blond hair, and flat, gold halos. They also have golden brown eyes, long, straight noses, smooth cheeks, and their pale, pink lips are closed. To our right, the woman sits in a throne-like chair with her body facing our left. Her head tilts down, and she looks toward the angel under lowered lids. Her hair is pulled back under the neck of the lapis-blue cloak she wears over a crimson-red dress. The dress and cloak are trimmed with gold, and a there is a gold starburst on the cloak over her left shoulder, closer to us. She holds her other hand up near that shoulder with her fingertips brushing her chest. With her other hand, she holds open the pages of a small book in her lap, so her fingers overlap some of the words. The entire Latin inscription would read, “virgo concipiet et pariet filium et vocabitur nomen eius emmanuel butirum et mel come dit ut fiat reprobare.” A slender, bone-white column separates her from the angel across from her, along the left edge of the painting. The angel has curly, shoulder-length hair and wears a robe with a gold, floral pattern against a burgundy-red background. Long, golden wings emerge from the shoulder blades and extend off the side of the composition. An open archway just beyond the angel is filled with streaks of flax yellow and burnt orange, possibly representing flames. Some of the walls in the room around the pair are pale olive green and other areas are darker spruce green. There are bands of coral-pink molding and inset panels of patterned mosaics. The flat ceiling of the space immediately over the pair is decorated with checkerboard panels in navy blue, hunter green, brown, and brick red. Gold lines create a ray coming from the ceiling toward the woman. At the back of the space, beyond the column separating the woman and angel, the room extends into an alcove with an arched hallway painted with gold stars against a midnight-blue background. Double doors open at the back of the alcove onto a room with a pale-yellow curtain with a mesh-like trim. We see the pair as if through a stone archway that lines the top and sides of the composition. The upper corners are filled with leafy decorations, as if carved into the stone.
Ghanti (bell)
Krishna and Balarama Fight the Evil King Kamsa’s Wrestlers: Page from a Dispersed Bhagavata Purana
The Holy Family with Saint John the Baptist and Saint Margaret