Related

Monkeys

Grapevine in the Wind

Monkey Hanging on to a Branch

Monkeys in a Cherry Tree

Ōtsu-e of a Youth Holding Irises (Yarō)

Lions and Tigers in Peony and Bamboo

Buddhist Deities

Depicts Zen monk Huike (慧可) thinking. By painter Shi Ke (Chinese: 石恪), from Five Dynasties and Ten Kingdoms Period to Northern Song (about 10th century)

Birds and Flowers

Winter and Summer Flowers

Flowers and Birds in a Spring Landscape

Dragon and Tiger

慈眼大師像

Scholar admiring plum blossoms

Textile

Lakeside Retreat

Pichhwai for the Festival of Cows

Gibbons in a Landscape

Chinese Bird on Snow-Laden Branch

Canopy with Dragon among Flowers

Peahen and hibiscus

Sparrows on Blossoming Plum

Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Hen and Bamboo, by Luo Chuang, Tokyo National Museum, Japan

Howling Wolf in a Deep Mountain Valley

Crossing at Sano

Duck in Flight

Excellent Ox, Tokyo National Museum, Japan

Autumn Evening with Full Moon on Musashino Plain

松下達摩図

Leaf from Album of Persian Calligraphy

Fragment textiel

Painting from Flowers and Grasses

Birds and Flowers

這幅作品被命名為《昆侖松鶴》。昆侖是指神仙們居住的神山——昆侖山。據推測位於中國西部，是中國的大河——黃河的源頭。松和鶴都是長壽的象徵，是和神仙故事頗有關聯的題材。畫面右上方有畫家的署名，並寫著送給一位叫做李懷素的人。以昆侖山上的松樹以及聚集在此的仙鶴為繪畫題材的這幅作品主題極為吉祥，作為賀壽之禮極為相稱。作者呂健是活躍於十六世紀到十七世紀的人物。其曾祖父呂紀是一位著名的宮廷畫家。呂紀有很多構圖周密的大型花鳥圖作品，其華麗的色彩和細膩的筆法不僅在中國，也在朝鮮半島和日本大受追捧，呂紀的繪畫風格在東亞地區到了廣泛傳播。呂健不僅認真學習呂紀的花鳥畫，似乎還將其轉化成了更加瀟灑而又惹人憐愛的表現。這幅作品中姿態優美地彎曲著長頸的仙鶴以及以淡綠色輕輕暈開的松葉都充分表現出了呂健的審美觀。淡淡的墨影巧妙地表現出水面上湧起的波浪，以極具透明感的白色顏料細緻描繪的羽毛線條等卓越的描寫技術也是看點所在。

Vase of Flowers

Mandarin ducks and cotton rose hibiscus

Amitabha Triad, Tokyo National Museum

Two Rabbits, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Autumn Maples with Poem Slips

Summer Flowers

Chrysanthemums by the Water

A Monumental Portrait of a Monkey

Mt. Fuji through Pines

Camellia by Water

Dragon in foliage with lion and phoenix heads

牡丹花肖柏像（重要文化財、東京国立博物館蔵）

Farmer Returning Home in Autumn

Birds and Flowers

Ema (Votive Painting) of a Chinese Lion and Peony Tree by Flowing Water

Returning Sails off a Distant Shore, from Eight Views of Xiao-Xiang

screen by Fukae Roshu "Narrow ivy road". Six-fold screen, color on gold leafed paper, Important Cultural Property

Winter Scene with Plum Trees and Pheasants

Insects and Flowers, Ming dynasty, 14th-15th century, color on silk, Tokyo National Museum

Portrait of the Great Master Yeongwoldang Eungjin

Silk Animal Carpet

Tathagata Buddha

Tánggǔ (堂鼓)

Geese, Reeds, and Water

Japan; Illustrated book; Illustrated Books

Grapevine and Squirrels

Buddhist Priest's Ceremonial Robe

Tigers Chasing Deer, with Dragon

Paulownias and Chrysanthemums

Gazing at a Waterfall

Birds and Flowers

The Four Seasons

Manuscript Cover with Prajnaparamita Attended by Sadakshari Lokeshvara and a Tara

"Black Buck", Folio from the Shah Jahan Album

Phoenixes and Paulownia

This folio from Walters manuscript W.580 is the left side of an illuminated double-page frontispiece of geometric design in gold, red, blue, and green, with a marginal rosette at the left.

Portrait of Momonoi Naoaki

Carpet

Hell Courtesan

Walters manuscript W.620 has a brown leather blind-stamped binding with a flap. The binding is decorated with a central oval medallion and pendants. This binding is not original to the manuscript.

Four Motifs from the Eight Views of Xiao-Xiang

Fragment van een muurschildering

Irises

Peonies

Angel (Peri) Riding a Composite Camel

Fishing in a Springtime Valley

"Lotto" Carpet

Terracotta dinos (mixing bowl)

Thangka with the Seventh Bodhisattva

马远《寒江独钓图》（图片经过较温和的亮化处理）

Mandala of the Three Shrines at Kumano

This drawing, Walters manuscript leaf W.749, was executed in Safavid Iran, most probably in the late 10th century AH/AD 16th, in Qazvin or Isfahan. Above, a farmer plows; below, a seated young man watches a produce seller weigh his purchase. On the rocks in the center foreground is inscribed the name of one of the most famous painters in Iran in the 11th century AH/AD 17th, Riza 'Abbasi (active 1001-1044 AH/AD 1591-1592 to 1634). As the handwriting does not match that of the artist, an admirer of Riza's work seems to have attributed the drawing to him. The execution and the bucolic subject matter of this drawing relate closely to the oeuvre of the Persian artist Muhammadi Haravi (active late 10th century AH/AD 16th), who worked in Qazvin. It is possible that this composition was conceived as a manuscript page.

Cho Jae-ho from Punhyang Cho Family

A Stallion

Fish in a Lotus Pond

Part of the series "Portraits of actors at three theaters in Edo". This print depicts the actor Sawamura Sojuro III as Ogishi Kurando. This is a first period print and designated collectively together with 26 other prints from the series as Important Cultural Property of Japan.

Unidentified Man

Ivy Lane

The Assembly of Tejaprabha Buddha

Sixteenth Arhat, Cūḍapanthaka (from the Sixteen Arhats)

Heron on a Willow Branch

Thanka with Buddha

The Flood of Noah (Genesis 7:11-24)

『新三十六歌仙図帖』より