Related

Textile

Tigers Chasing Deer, with Dragon

Canopy with Dragon among Flowers

Rectangular Textile Fragment

Mural Fragment Depicting a Maguey Bloodletting Ritual

Floral Tent Panel

Buddhist Deities

Fragment textiel

Silk Velvet Designed by 'Ghiyath'

Textielfragment, shibori-zome op zijde

Length of velvet

Cloth with Procession of Figures

Ōtsu-e of a Youth Holding Irises (Yarō)

Fragment (Dress Fabric)

Velvet Fragment with Design from Nizami of Ganja's Khusrau and Shirin

Amitabha Triad, Tokyo National Museum

Ingelijste muurschildering voorstellende Xiwangmu en dienaressen

Mural Fragment with Elite Male and Maguey Cactus Leaves

Kaftan

Velvet and Silk Carpet

Lotus Dish

Belt clasp

Five Medallion Carpet

The Flood of Noah (Genesis 7:11-24)

Walters manuscript W.620 has a brown leather blind-stamped binding with a flap. The binding is decorated with a central oval medallion and pendants. This binding is not original to the manuscript.

Manuscript Cover with Prajnaparamita Attended by Sadakshari Lokeshvara and a Tara

Carpet with Triple-Arch Design

Ceremonial Hanging (Palepai)

Bridal Robe (Hwarot)

Dagger-axe

Fragment textiel

Fragment textiel

Puppies

Birds and Flowers

Twee fragmenten textiel

Two Ge

Insects and Flowers, Ming dynasty, 14th-15th century, color on silk, Tokyo National Museum

Ceremoniële bijl in Ordos-stijl

L'Européenne

Chrysanthemums by a Stream

Irises

This drawing, Walters manuscript leaf W.749, was executed in Safavid Iran, most probably in the late 10th century AH/AD 16th, in Qazvin or Isfahan. Above, a farmer plows; below, a seated young man watches a produce seller weigh his purchase. On the rocks in the center foreground is inscribed the name of one of the most famous painters in Iran in the 11th century AH/AD 17th, Riza 'Abbasi (active 1001-1044 AH/AD 1591-1592 to 1634). As the handwriting does not match that of the artist, an admirer of Riza's work seems to have attributed the drawing to him. The execution and the bucolic subject matter of this drawing relate closely to the oeuvre of the Persian artist Muhammadi Haravi (active late 10th century AH/AD 16th), who worked in Qazvin. It is possible that this composition was conceived as a manuscript page.

Birds and Flowers

Textile Fragment

Panel with the god Zeus/Serapis/Ohrmazd and worshiper

Helmet (Spangenhelm)

Part of the series "Portraits of actors at three theaters in Edo". This print depicts the actor Sawamura Sojuro III as Ogishi Kurando. This is a first period print and designated collectively together with 26 other prints from the series as Important Cultural Property of Japan.

Camellia by Water

Mount Asama, byobu by Aodo Denzen, Tokyo National Museum, Japan

Textile Fragment

Carpet with Scrolling Vines and Blossoms

Grapevine in the Wind

Palampore

Silk Animal Carpet

Monkey Hanging on to a Branch

Tree of Knowledge, No. 1

Hilma af Klint - Group X, No. 2, Altarpiece, 1915

Pichhwai for the Festival of Cows

Walters manuscript W.620 has a brown leather blind-stamped binding with a flap. The binding is decorated with a central oval medallion and pendants. This binding is not original to the manuscript.

Part of the series "Portraits of actors at three theaters in Edo". This print depicts the actor Sakata Hangoro III as the villain Fujikawa Mizuemon. This is a first period print and designated collectively together with 26 other prints from the series as Important Cultural Property of Japan.

Buddhist Priest's Ceremonial Robe

Bell (Lai Zhong)

Bowl with Inscription, "Sovereignty is God's"

Silk Kashan Carpet

"Lotto" Carpet

Shower Below the Summit (Sanka hakuu), from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"

Tánggǔ (堂鼓)

慈眼大師像

Estérel Village

Autumn Evening with Full Moon on Musashino Plain

Duck in Flight

Lakeside Retreat

Mandala of the Three Shrines at Kumano

On this folio from Walters manuscript W.653, a middle-aged woman stands in a landscape, holding a vase of flowers. The salmon pink margins are stenciled with animal and floral forms. The catchword at the lower left indicates that the following folio is missing.

The Emperor's Carpet

Sixteenth Arhat, Cūḍapanthaka (from the Sixteen Arhats)

The Wade Cup with Animated Script

Red-Figure Fish Plate: Octopi, Mullet, Bream, Shellfish

Velvet Panel with Flowering Plants

This folio from Walters manuscript W.580 is the left side of an illuminated double-page frontispiece of geometric design in gold, red, blue, and green, with a marginal rosette at the left.

Funerary Portrait of a Young Girl

Helmet with divine figures beneath a bird with outstretched wings

Carpet with Palm Trees, Ibexes, and Birds

Courting flute (siyotanka)

Vasant Ragini: Folio from a ragamala series (Garland of Musical Modes)

Thangka with the Seventh Bodhisattva

screen by Fukae Roshu "Narrow ivy road". Six-fold screen, color on gold leafed paper, Important Cultural Property

Unidentified Man

Ivy Lane

Fragment of a bowl with a frieze of bulls in relief

Book on Navigation

Roses in a Vase

Charles II of Valois, duke of Orléans.

Writing Box (Suzuribako) with Phoenix in Paulownia

Peonies

Armor (Gusoku)

Fragment van een muurschildering

Hen and Bamboo, by Luo Chuang, Tokyo National Museum, Japan

Terracotta dinos (mixing bowl)

Walters manuscript W.619 is an illuminated manuscript containing 2 works by Sa"di (died 691 AH/AD 1292): the Gulistan (Rose garden) and the Bustan (Orchard). It was copied in 980 AH/AD 1572 by Muhammad Riza al-Tabrizi in Iran. The text of the Gulistan appears in the main area, while that of the Bustan is inscribed obliquely around the main text area on three sides. Both texts are written in black and gold nasta"liq script. The margins are multi-colored, gold-sprinkled tinted or marbled paper. The original leather binding dates to the 10th century AH/AD 16th and has dentelle-style decorated boards and doublures with gold filigree work over a multi-colored ground of blue, green, red, and black.