Related

Rustam's seventh course: He kills the White Div, folio 124 from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020)
This folio from Walters manuscript W.596 depicts the fall of Samarqand.
Bahram Gur Arrives at the House of a Merchant, text page (recto); Bahram Gur Slays a Dragon (verso), from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), known as the Great Mongol Shahnama
Kichik Beg Wounded during Babur's Attack on Qalat, from a copy of the Baburnama (Book of Babur)
"The Funeral of Isfandiyar," Folio from a Shahnama (Book of Kings)
Zal Climbing to Rudaba, page from a copy of the Shahnama of Firdausi
This illustration from Walters manuscript W.644 depicts Zulaykha in a blue-domed litter on a camel led by a cameleer. The retinue is entering the capital of Egypt.
Al-Mu'tazz Sends Gifts to Abdulla ibn Abdulla, from a copy of the Tarikh-i Alfi
The Greedy Dog
A Virtuous Woman Placates the King by Plucking Out Her Eyes
This folio from Walters manuscript W.677 depicts Bahram Gur in a peasant's house.
Amir Khusrau Dedicates His Poem to Sultan Ala al-Din Khalji, page from the Quintet (Khamsa) of Amir Khusraw Dehlavi
The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, Page from a Manuscript of the Akbarnama
The setting for the painting is the royal stables in Isfahan. The upper portion of the scene consists of a platform on which are gathered the shah, or Persian king, who appears next to the column on the right; five kneeling courtiers; and various attendants serving fruit and wine. The king is identified in the artist’s signature at the upper left as Shah ‘Abbas II, who died in 1666, but it is possible that the undated painting was executed after his death. The ruler’s status is emphasized by his golden halo and by the opulent gold and jeweled vessels placed before him. The lower portion shows a roundup of horses who bear the trident-like royal brand on their flanks; they move in a spiral that coils counterclockwise from the upper right. The scene bursts with energy and looks chaotic—a brawl is taking place at the lower left—but the courtiers and handlers seem to be getting control of the animals. The figures on the platform, meanwhile, pay no attention to the commotion below. The painting represents a new journalistic, even anecdotal approach to Persian painting introduced in the second half of the seventeenth century. The viewer gets the sense that the work may record a specific moment in daily life at court and that it was observed firsthand. Figures no longer conform to stock types but are highly individualized by facial features and dress. Standing just to the right of center in the upper part of the roundup scene is a man wearing a gold, fur-lined, armless jacket. He holds a list and is writing notes while conferring with a young man in a blue robe. The man taking notes may well be the supervisor of the royal stud, one of whose responsibilities was to inspect the king’s stables and keep an inventory of the animals.
An Old Sufi Laments His Lost Youth
Portrait of a Ladakhi Mountain Goat
Alexander the Great Enthroned at Persepolis
A Procession Scene with Musicians, from a copy of the Padshanama
European Banquet Scene (or The Marriage Feast at Cana?)
This illuminated title page from Walters manuscript W.581 gives the title of the work, as well as the authors' names. There is also a statement referring to the patronage of the manuscript, indicating that it was made for the Mawlawi (Mevlevi) Library (bi-rasm al-Khizanah al-Karimah al-"Aliyah al-Mawlawiyah).
"Dancing Dervishes", Folio from a Divan of Hafiz
This page from Walters manuscript W.674 bears 4 diplomas written within illuminated cartouches inscribed in ijazah script by the following master calligraphers: Yaziji zadah, Isma'il al-Zuhdi Katib al-Saray al-Sultani, Muhammad Hasib, and 'Ali al-Wasfi. The page is dated 1219 AH/AD 1804-1805.
"The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds)
Leaf from Album of Persian Calligraphy
Prince and Princess Hunting Blackbuck
Krishna's Fifth and Sixth Avatars, page from a copy of the Gitagovinda of Jayaveda
A Young Prince on Horseback
Folio from a Qur'an Manuscript
"Black Buck", Folio from the Shah Jahan Album
Portrait of Emperor Jahangir
Maharana Bhim Singh in Procession
This is the final illuminated page in the codex, Walters W.582. The last panel contains the colophon, written in Riqa' script, giving the name of the scribe as Habib Allah ibn Dust Muhammad al-Khwarizmi.
Carpet
Collection of Poems (Divan)
Ruler Entertained by Dancers in a Paradise Garden
Angel (Peri) Riding a Composite Camel
Hunting Scene
This drawing, Walters manuscript leaf W.749, was executed in Safavid Iran, most probably in the late 10th century AH/AD 16th, in Qazvin or Isfahan. Above, a farmer plows; below, a seated young man watches a produce seller weigh his purchase. On the rocks in the center foreground is inscribed the name of one of the most famous painters in Iran in the 11th century AH/AD 17th, Riza 'Abbasi (active 1001-1044 AH/AD 1591-1592 to 1634). As the handwriting does not match that of the artist, an admirer of Riza's work seems to have attributed the drawing to him. The execution and the bucolic subject matter of this drawing relate closely to the oeuvre of the Persian artist Muhammadi Haravi (active late 10th century AH/AD 16th), who worked in Qazvin. It is possible that this composition was conceived as a manuscript page.
Durga Slaying Mahisha
A Messenger is Dispatched: Page from a Dispersed Manuscript
Folio from a Qur'an Manuscript
Maharana Sangram Singh Riding a Prize Stallion
The Infant Krishna Spirited Away by Vasudev, from a copy of the Dispersed Bhagavat Purana
Dragon in foliage with lion and phoenix heads
Alauddin Khilji Conquering Ranthamore Fort, Kangra school, India, late 18th century, opaque watercolor on paper, Tokyo National Museum
Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar
Ragini Gaudi, Page from a Jaipur Ragamala Set
Uccello — the Battle of San Romano 
Queen Kaikeyi reminds King Dasharatha about the sacrifices of King Bali and King Shivi, folio 39 from the Ayodhya Kanda (Book of Ayodhya) of a Ramayana (Rama's Journey)
On this folio from Walters manuscript W.604, King Qizil Arslan welcomes the poet Nizami.
This folio from Walters manuscript W.580 is the left side of an illuminated double-page frontispiece of geometric design in gold, red, blue, and green, with a marginal rosette at the left.
Vasant Ragini: Folio from a ragamala series (Garland of Musical Modes)
Tile Panel
Mt. Fuji through Pines
Abhisarika Nayika (Heroine Running to Meet her Lover)
Saigo Takamori in the retreat from Shiroyama castle, Woodblock print (nishiki-e); ink and color on paper
Daibutsu and Scaffolding, by Migita Toshihide, 1895, Meiji 27, from the Hood Museum of Art - PR.995.23.9ab.
Krishna with an Ascetic
Fan painting with river landscape
Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Friends of Krishna, folio 163 from a Bhakti Ratnavali of Vishnu Puri
Velvet Fragment with Design from Nizami of Ganja's Khusrau and Shirin
Garden Gathering
A Disconsolate Lady on a Terrace with Attendants
Pradyumna and Samvara fight with maces, from the "Large Basohli Bhagavata Purana"
Performance of Hanasaka Jiji, by Toshi, 1889, Meiji 21, from the Hood Museum of Art - PR.995.23.42abc.
Ivy Lane
A Stallion
Young Woman Smoking a Huqqa
The top and bottom panels of this illuminated finispiece from Walters manuscript W.578 are inscribed with the basmalah and hamdalah in white Thuluth script. The Qur'anic verses in the central panel are written in Square Kufic.
Asavari Ragini, page from a Garland of Musical Ragas (Ragamala) Set
On this folio from Walters manuscript W.653, a middle-aged woman stands in a landscape, holding a vase of flowers. The salmon pink margins are stenciled with animal and floral forms. The catchword at the lower left indicates that the following folio is missing.
The Flood of Noah (Genesis 7:11-24)
Peonies
Exhibit in the Jordan Schnitzer Museum of Art, University of Oregon - Eugene, Oregon, USA.
Four Portraits from the St. Petersburg Album. Painters unknown, borders by Muhammad Sadiq. Top left: Nadir Shah, Iran, ca. 1740. Top right: Adil Shah, Iran, ca. 1748. Bottom left: Unidentified nobleman, Mughal school, 18th century. Bottom right: Unidentified nobleman, Mughal school, 18th century. Art Institute of Chicago 1919.952 recto
Buddhist Priest's Ceremonial Robe
Silk Animal Carpet
Pichhwai for the Festival of Cows
Flowers and Birds in a Spring Landscape
Depicts Zen monk Huike (慧可) thinking. By painter Shi Ke (Chinese: 石恪), from Five Dynasties and Ten Kingdoms Period to Northern Song (about 10th century)
Portrait of Prince Sur Singh Rathor of Bikaner (1594–1631)
Folk Painting
Thanka with Buddha
Monkey Hanging on to a Branch
Japan; Illustrated book; Illustrated Books
Ōtsu-e of a Youth Holding Irises (Yarō)
Ingelijste muurschildering voorstellende Xiwangmu en dienaressen
Chinese Bird on Snow-Laden Branch
The Wade Cup with Animated Script
Blooming Plum Tree, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Krishna and Radha in a Pavilion, from a copy of the Seven Hundred Verses (Sat Sai) of Bihari
Japan; Illustrated book; Illustrated Books
Palampore
Khambavati Ragini: Page from a Dispersed Ragamala Series (Garland of Musical Modes)
Gezicht op bolwerk Westerbeer
The Assembly of Tejaprabha Buddha
Carpet with Triple-Arch Design
Heer Ranjha: Lady with Water Jug on her Head and Lady Holding out her Arms, Jodhpur school, India, c. mid-18th century, opaque watercolor on paper, Tokyo National Museum
Fishing Boats at Choshi in Shimosa (Soshu Choshi) from the series "One Thousand Pictures of the Ocean (Chie no umi)"