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Palampore

Buddhist Priest's Ceremonial Robe

Waistcoat

Pichhwai for the Festival of Cows

Carpet with Scrolling Vines and Blossoms

Textile Fragment

Hinds House Window

Pink and Rose

Corset

Fragment (Dress Fabric)

Cabinet

Ceremonial Hanging (Palepai)

Doublet

Cravat end

Bridal Robe (Hwarot)

Accordion

Dress

Center table

Oribe-Type Ewer

Jewelry Elements

Royal Carpet with Silk and Metal Thread

Jar with Lion-Head Handles

Armor (Gusoku)

Manuscript Cover with Prajnaparamita Attended by Sadakshari Lokeshvara and a Tara

Ewer

Charles and Lavinia Stratton

The Wade Cup with Animated Script

Pair of Candelabra

Robe à la française

Mask (mbap mteng): Elephant (aka)

Hilma af Klint - The Swan, No. 10, Group IX/SUW, 1915

Hen and Chicks Covered Tureen on Stand

Reukflacon

Guitar

Ensemble

Hunting and fishing scenes

Grafmonument met alliantiewapen en vier kwartierwapens

Animal-Spouted Pitcher

Tánggǔ (堂鼓)

Mirror with Phoenixes, Birds, Butterflies, and Floral Sprays

Terracotta dinos (mixing bowl)

Charles and Lavinia Stratton

Guitar

Bowl with inscription and chrysanthemums and tortoiseshell decoration

Ceremonial Cross of Countess Gertrude

Vase with Golden Pheasants

Foliate-Shaped Tray with Mother-of-Pearl Inlay

Mount Fuji with Cherry Trees in Bloom

Pendant in the form of a cock

Cloth with Procession of Figures

Copy of The Night Watch

Set of Four Armchairs and Settee

Jessie Benton Frémont

Cape

Coffin of Nesykhonsu

The Merry Family

Fire Screen

Dress

Cabinet

Ovoid jar with women with a yoke in scalloped panels

Bottle with Birds and Peony Scroll

G.W.M. Nutt and Minnie Warren

Jar with wooden cover and two large flower groups

Mandala of the Three Shrines at Kumano

Length of velvet

Chair (Kiti Cha Enzi)

Robe à l'anglaise

Feuillet de diptyque en cinq parties : l'Empereur triomphant (Justinien ?)

Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Lontslotmusket met vuursteenslot uit latere periode

Chrysanthemum and Horsefly, from an untitled series of Large Flowers

Hide Shirt

Spiegellijst, beschilderd met vier allegorische vrouwenfiguren

Covered box decorated with chrysanthemums and waterfowl among lotus

Unidentified Woman

Belt clasp

Fragment textiel

Charles and Lavinia Stratton

Strand of Beads

Unidentified Woman

Terracotta kernos (vase for multiple offerings)

Writing Box (Suzuribako) with Phoenix in Paulownia

Hilma af Klint — The Ten Largest — Number 10 Old Age

Dragon in foliage with lion and phoenix heads

Clara Louise Kellogg

Round gown

Hilma Af Klint Series SUW, No 14 Swan, 1914 -1915

Gedicht op de zilveren bruiloft van Ludolph Simon de With en Maria de Wit, 15 augustus 1771

Lamp with Hanging Head Dragonfly Shade and Mosaic and Turtleback Base

Bassoon

Bullfinch and Weeping Cherry (Uso, shidarezakura), from an untitled series of flowers and birds

Green Tara

Wall fountain

Icon of the Virgin and Child

Ensemble

Kamānche

Hanger in de vorm van een reukbal

Hilma af Klint - Group X, No. 2, Altarpiece, 1915

A winged angel with arms crossed kneels across from a young woman sitting and holding a book, both under an archway in a paneled room in this vertical painting. They both have pale, yellow-toned skin, blond hair, and flat, gold halos. They also have golden brown eyes, long, straight noses, smooth cheeks, and their pale, pink lips are closed. To our right, the woman sits in a throne-like chair with her body facing our left. Her head tilts down, and she looks toward the angel under lowered lids. Her hair is pulled back under the neck of the lapis-blue cloak she wears over a crimson-red dress. The dress and cloak are trimmed with gold, and a there is a gold starburst on the cloak over her left shoulder, closer to us. She holds her other hand up near that shoulder with her fingertips brushing her chest. With her other hand, she holds open the pages of a small book in her lap, so her fingers overlap some of the words. The entire Latin inscription would read, “virgo concipiet et pariet filium et vocabitur nomen eius emmanuel butirum et mel come dit ut fiat reprobare.” A slender, bone-white column separates her from the angel across from her, along the left edge of the painting. The angel has curly, shoulder-length hair and wears a robe with a gold, floral pattern against a burgundy-red background. Long, golden wings emerge from the shoulder blades and extend off the side of the composition. An open archway just beyond the angel is filled with streaks of flax yellow and burnt orange, possibly representing flames. Some of the walls in the room around the pair are pale olive green and other areas are darker spruce green. There are bands of coral-pink molding and inset panels of patterned mosaics. The flat ceiling of the space immediately over the pair is decorated with checkerboard panels in navy blue, hunter green, brown, and brick red. Gold lines create a ray coming from the ceiling toward the woman. At the back of the space, beyond the column separating the woman and angel, the room extends into an alcove with an arched hallway painted with gold stars against a midnight-blue background. Double doors open at the back of the alcove onto a room with a pale-yellow curtain with a mesh-like trim. We see the pair as if through a stone archway that lines the top and sides of the composition. The upper corners are filled with leafy decorations, as if carved into the stone.

Bahram Gur Arrives at the House of a Merchant, text page (recto); Bahram Gur Slays a Dragon (verso), from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), known as the Great Mongol Shahnama