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Walters manuscript W.619 is an illuminated manuscript containing 2 works by Sa"di (died 691 AH/AD 1292): the Gulistan (Rose garden) and the Bustan (Orchard). It was copied in 980 AH/AD 1572 by Muhammad Riza al-Tabrizi in Iran. The text of the Gulistan appears in the main area, while that of the Bustan is inscribed obliquely around the main text area on three sides. Both texts are written in black and gold nasta"liq script. The margins are multi-colored, gold-sprinkled tinted or marbled paper. The original leather binding dates to the 10th century AH/AD 16th and has dentelle-style decorated boards and doublures with gold filigree work over a multi-colored ground of blue, green, red, and black.
Book on Navigation
The setting for the painting is the royal stables in Isfahan. The upper portion of the scene consists of a platform on which are gathered the shah, or Persian king, who appears next to the column on the right; five kneeling courtiers; and various attendants serving fruit and wine. The king is identified in the artist’s signature at the upper left as Shah ‘Abbas II, who died in 1666, but it is possible that the undated painting was executed after his death. The ruler’s status is emphasized by his golden halo and by the opulent gold and jeweled vessels placed before him. The lower portion shows a roundup of horses who bear the trident-like royal brand on their flanks; they move in a spiral that coils counterclockwise from the upper right. The scene bursts with energy and looks chaotic—a brawl is taking place at the lower left—but the courtiers and handlers seem to be getting control of the animals. The figures on the platform, meanwhile, pay no attention to the commotion below. The painting represents a new journalistic, even anecdotal approach to Persian painting introduced in the second half of the seventeenth century. The viewer gets the sense that the work may record a specific moment in daily life at court and that it was observed firsthand. Figures no longer conform to stock types but are highly individualized by facial features and dress. Standing just to the right of center in the upper part of the roundup scene is a man wearing a gold, fur-lined, armless jacket. He holds a list and is writing notes while conferring with a young man in a blue robe. The man taking notes may well be the supervisor of the royal stud, one of whose responsibilities was to inspect the king’s stables and keep an inventory of the animals.
Alexander the Great Enthroned at Persepolis
This drawing, Walters manuscript leaf W.749, was executed in Safavid Iran, most probably in the late 10th century AH/AD 16th, in Qazvin or Isfahan. Above, a farmer plows; below, a seated young man watches a produce seller weigh his purchase. On the rocks in the center foreground is inscribed the name of one of the most famous painters in Iran in the 11th century AH/AD 17th, Riza 'Abbasi (active 1001-1044 AH/AD 1591-1592 to 1634). As the handwriting does not match that of the artist, an admirer of Riza's work seems to have attributed the drawing to him. The execution and the bucolic subject matter of this drawing relate closely to the oeuvre of the Persian artist Muhammadi Haravi (active late 10th century AH/AD 16th), who worked in Qazvin. It is possible that this composition was conceived as a manuscript page.
Writing Box (Suzuribako) with Phoenix in Paulownia
"Black Buck", Folio from the Shah Jahan Album
Prince and Princess Hunting Blackbuck
The Emperor's Carpet
Silk Animal Carpet
This illustration from Walters manuscript W.644 depicts Zulaykha in a blue-domed litter on a camel led by a cameleer. The retinue is entering the capital of Egypt.
European Banquet Scene (or The Marriage Feast at Cana?)
Tile Panel
Velvet Fragment with Design from Nizami of Ganja's Khusrau and Shirin
Kichik Beg Wounded during Babur's Attack on Qalat, from a copy of the Baburnama (Book of Babur)
Carpet with Palm Trees, Ibexes, and Birds
Leaf from Album of Persian Calligraphy
"Dancing Dervishes", Folio from a Divan of Hafiz
Mandala Base
Abhisarika Nayika (Heroine Running to Meet her Lover)
Pichhwai for the Festival of Cows
Zal Climbing to Rudaba, page from a copy of the Shahnama of Firdausi
Rustam's seventh course: He kills the White Div, folio 124 from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020)
Carpet
An Old Sufi Laments His Lost Youth
"The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds)
Durga Slaying Mahisha
Mirror with Phoenixes, Birds, Butterflies, and Floral Sprays
The Flood of Noah (Genesis 7:11-24)
Bahram Gur Arrives at the House of a Merchant, text page (recto); Bahram Gur Slays a Dragon (verso), from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), known as the Great Mongol Shahnama
Portrait of Emperor Jahangir
Walters manuscript W.620 has a brown leather blind-stamped binding with a flap. The binding is decorated with a central oval medallion and pendants. This binding is not original to the manuscript.
Carpet with Scrolling Vines and Blossoms
Garden Gathering
Walters manuscript W.620 has a brown leather blind-stamped binding with a flap. The binding is decorated with a central oval medallion and pendants. This binding is not original to the manuscript.
This page from Walters manuscript W.674 bears 4 diplomas written within illuminated cartouches inscribed in ijazah script by the following master calligraphers: Yaziji zadah, Isma'il al-Zuhdi Katib al-Saray al-Sultani, Muhammad Hasib, and 'Ali al-Wasfi. The page is dated 1219 AH/AD 1804-1805.
Al-Mu'tazz Sends Gifts to Abdulla ibn Abdulla, from a copy of the Tarikh-i Alfi
Maharana Bhim Singh in Procession
"The Funeral of Isfandiyar," Folio from a Shahnama (Book of Kings)
Vasant Ragini: Folio from a ragamala series (Garland of Musical Modes)
This folio from Walters manuscript W.596 depicts the fall of Samarqand.
Manuchehr Kills Tur, Manuscript from Shahnama
Cover Panel for a Tihong
Grapevine in the Wind
Lions and Tigers in Peony and Bamboo
Leaf from Book of Hours
Manuscript Cover with Prajnaparamita Attended by Sadakshari Lokeshvara and a Tara
Dragon in foliage with lion and phoenix heads
Peacocks and Bamboo
Green Tara
Cosmetics Box with Chrysanthemums
Portrait of a Ladakhi Mountain Goat
Coffre des pierreries de Louis XIV
Fire Screen
This illuminated title page from Walters manuscript W.581 gives the title of the work, as well as the authors' names. There is also a statement referring to the patronage of the manuscript, indicating that it was made for the Mawlawi (Mevlevi) Library (bi-rasm al-Khizanah al-Karimah al-"Aliyah al-Mawlawiyah).
Ivy Lane
On this folio from Walters manuscript W.653, a middle-aged woman stands in a landscape, holding a vase of flowers. The salmon pink margins are stenciled with animal and floral forms. The catchword at the lower left indicates that the following folio is missing.
Hunting near Hartenfels Castle
This folio from Walters manuscript W.677 depicts Bahram Gur in a peasant's house.
Young Woman Smoking a Huqqa
Birds and Flowers of the Four Seasons
Thangka with the Seventh Bodhisattva
Ingelijste muurschildering voorstellende Xiwangmu en dienaressen
Uccello — the Battle of San Romano 
The Adoration of the Magi
Birds and Flowers
Ema (Votive Painting) of a Chinese Lion and Peony Tree by Flowing Water
Autumn Evening with Full Moon on Musashino Plain
Gibbons in a Landscape
Charles II of Valois, duke of Orléans.
Phoenixes and Paulownia
Tigers Chasing Deer, with Dragon
Birds and Flowers
Four Portraits from the St. Petersburg Album. Painters unknown, borders by Muhammad Sadiq. Top left: Nadir Shah, Iran, ca. 1740. Top right: Adil Shah, Iran, ca. 1748. Bottom left: Unidentified nobleman, Mughal school, 18th century. Bottom right: Unidentified nobleman, Mughal school, 18th century. Art Institute of Chicago 1919.952 recto
A Virtuous Woman Placates the King by Plucking Out Her Eyes
"Lotto" Carpet
The Greedy Dog
A Young Prince on Horseback
Carpet with Triple-Arch Design
A Basket of Flowers
Hunting Scene
A Procession Scene with Musicians, from a copy of the Padshanama
This is the final illuminated page in the codex, Walters W.582. The last panel contains the colophon, written in Riqa' script, giving the name of the scribe as Habib Allah ibn Dust Muhammad al-Khwarizmi.
Silk Kashan Carpet
Floral Tent Panel
Peahen and hibiscus
Velvet and Silk Carpet
Peonies
The top and bottom panels of this illuminated finispiece from Walters manuscript W.578 are inscribed with the basmalah and hamdalah in white Thuluth script. The Qur'anic verses in the central panel are written in Square Kufic.
screen by Fukae Roshu "Narrow ivy road". Six-fold screen, color on gold leafed paper, Important Cultural Property
The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, Page from a Manuscript of the Akbarnama
Krishna's Fifth and Sixth Avatars, page from a copy of the Gitagovinda of Jayaveda
A Stallion
Covered box decorated with chrysanthemums and waterfowl among lotus
Buddhist Deities
This folio from Walters manuscript W.580 is the left side of an illuminated double-page frontispiece of geometric design in gold, red, blue, and green, with a marginal rosette at the left.
Angel (Peri) Riding a Composite Camel
Ragini Gaudi, Page from a Jaipur Ragamala Set
Ōtsu-e of a Youth Holding Irises (Yarō)
Canopy with Dragon among Flowers