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Japan; Illustrated book; Illustrated Books
Japan; Illustrated book; Illustrated Books
Japan; Illustrated book; Illustrated Books
Japan; Illustrated book; Illustrated Books
An Artisan’s Shop, from the album The Mist of Sandara (Sandara kasumi)
Hotei Smoking his Pipe, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
A Philosopher Watching a Pair of Butterflies, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Japan; Illustrated book; Illustrated Books
Ingelijste muurschildering voorstellende Xiwangmu en dienaressen
Japan; Illustrated book; Illustrated Books
Two Rabbits, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Goddess Riding a Dragon, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Dragon and Tiger
Cloth with Procession of Figures
Bahram Gur Arrives at the House of a Merchant, text page (recto); Bahram Gur Slays a Dragon (verso), from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), known as the Great Mongol Shahnama
Fragment van een muurschildering
Mandala of the Three Shrines at Kumano
Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)
Christ Carrying the Cross
Dragon in foliage with lion and phoenix heads
Fan painting with river landscape
"Dancing Dervishes", Folio from a Divan of Hafiz
The Merry Family
Youth Playing a Pipe for a Satyr
The Tea Plantation of Katakura in Suruga Province (Sunshu Katakura chaen no Fuji), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Grapevine and Squirrels
A Monumental Portrait of a Monkey
Grapevine
Ejiri in Suruga Province (Sunshu Ejiri), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Blooming Plum Tree, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Stela of Amenemhat and Hemet
Tánggǔ (堂鼓)
Mount Fuji with Cherry Trees in Bloom
Interieur van een timmermanswerkplaats
Goten Hill at Shinagawa on the Tokaido (Tokaido Shinagawa Gotenyama), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Corner Railing Pillar with Drinking Scenes, Yakshis, and Musicians
Panel with the god Zeus/Serapis/Ohrmazd and worshiper
Raft Cup
Hunting and fishing scenes
Wine Cup with Children at Play
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
Fishing Boats at Choshi in Shimosa (Soshu Choshi) from the series "One Thousand Pictures of the Ocean (Chie no umi)"
The Submersion of Pharaoh's Army in the Red Sea
Rustam's seventh course: He kills the White Div, folio 124 from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020)
Selections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
Mishima Pass in Kai Province (Koshu Mishimagoe), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
About three dozen people gather in a grassy field to either side of a crumbling structure to kneel and pray before a woman and baby in the center of this horizontal painting. The woman, Mary, and baby, Jesus, have smooth, pale skin while the others have light or tanned skin. The structure has sand-colored stone pillars, a wooden triangular, pitched roof, and a straw floor. Mary, who has an elongated torso, sits facing us with her knees apart. She wears an azure-blue robe over a rose-pink dress. A shell-pink veil covers her head and body. Jesus sits on her left knee, his pudgy body angled to our left. He is nude except for a transparent cloth wrapped over one shoulder and the opposite hip. Mary’s left hand braces his torso. On Mary’s right, our left, Joseph, an older man, stands facing us. He clasps his hands at his chest and leans on a long stick. He has wrinkled skin, long, gray curly hair, and a full beard. Both Mary and Joseph tilt their heads to their right, our left, as they look down at Jesus. Joseph wears a golden yellow robe over a blue tunic. Joseph, Mary, and Jesus have faint gold halos. Behind them, a brown cow and gray donkey rest on the straw. People closest to Mary and Jesus kneel and bow their heads while the people to the left and right sides mostly stand. Three men kneeling closest to Mary and Jesus offer gifts, including a bronze vessel and a gold jar. One man has long dark brown hair and a beard, and wears a gold crown. Another man is bald with long gray hair and beard, while the third is cleanshaven with shoulder-length brown hair. These men wear robes in powder blue, carnation pink, or celery green with delicate silver and gold embelishments. Others in the crowd range in age from young and cleanshaven to older and bearded. They wear robes and tunics in shades of raspberry pink, butterscotch yellow, lapis blue, plum purple, or forest green. Several horses, their coats white or cinnamon brown, stand among the crowd, a few with riders. To our right, one horse rears its head and two others stand facing each other. Beyond the crowd, grassy green meadows and hills dotted with trees lead back to the horizon. A pale blue sky fills the top third of the composition.
Farmhouse on the Slope of a Hill
Honderd gezichten op de berg Fuji - deel drie
Fishing by Torch in Kai Province (Koshu hiburi) from the series "One Thousand Pictures of the Ocean (Chie no umi)"
Tama River in Musashi Province (Bushu Tamagawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Terracotta dinos (mixing bowl)
Armorer (Yoroi takumi), from the illustrated book "Picture Book of the Amusements of the East (Ehon Azuma asobi)"
Amida Falls in the Far Reaches of the Kisokaido (Kisoji no oku Amidagataki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)"
Cylinder seal with cultic scene
Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Sazai Hall at the Temple of the Five Hundred Arhats (Gohyakurakanji Sazaido), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Invocation to Love
Bowl with Inscription, "Sovereignty is God's"
Kajikazawa in Kai Province (Koshu Kajikazawa), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Graven en gravinnen van Holland
Relief: two servants bearing food and drink
Guanyin
Cranes on snow-covered pine
Orthostat relief: lion-hunt scene
Viewing Sunset over the Ryogoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryogokubashi sekiyo o miru), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Dozens of people form a line starting from an opening in a city wall or building in the background to a rustic shed-like structure close to us, to kneel before a seated woman holding a baby on her lap in this vertical painting. All of the people have pale skin tinged faintly with green. The top edge of the panel is shaped so it has two rounded sections like shoulders leading to a stepped, crown-like form with an inward curving triangle at the top. A nickel-gray, crenelated stone wall of a distant city is nestled into the top, stepped section, with a glimmering gold sky above filling the uppermost triangle. Tile-roofed and domed buildings and a few towers appear densely packed beyond the wall. People on foot and horseback create a line from an arched opening in the wall toward us and to our right. Three of the people on horseback in the distance wear long robes and have gold halos. The line of people winds behind a tall, narrow hill to our right and it continues close to us. Two horses, two camels, and several people wait to the right but our attention is drawn to the trio in the foreground, Mary, Jesus, and Joseph, and the three men near the infant, the Magi. Mary wears a lapis-blue mantle covering her head and shoulders over a petal-pink dress, and she sits on a wooden or stone chest in the center of the painting. Her body faces us but she turns her face to look with pale blue eyes off to our right. In one hand she holds a hexagonal gold vessel that tapers to a flame-like finial. With the other hand, on our left, she supports the blond infant sitting in her lap. He is covered only with a white cloth around his waist, and he looks toward the vessel as he holds up the index and middle fingers of his right hand. To our left and slightly behind Mary, a balding man with white hair and beard and wearing a blue garment under a red robe sits with his head propped in his hand, looking down. His other hand rests on what might be the handle of a crutch or staff. The man, woman, and child have gold halos with what appears to be writing. The three Magi also have gold halos and they all wear scarlet-red shoes. The oldest kneels before Mary and kisses Jesus's feet. He has a long, light gray beard and is balding. He wears a brocade-like gold robe over pale brick-red sleeves. A cleanshaven man with dark brown hair and wrinkles around his mouth kneels to our left as he raises a jewel-encrusted gold crown from his head. He wears a gold and red floral-patterned garment and holds a rounded vessel, also with a flame-like finial. A younger, cleanshaven man with smooth features and shoulder-length, curling blond hair to our right also wears a gold crown. A dagger hangs from the waist of his sky-blue tunic, and his leggings are pale plum purple. Both arms are bent to his hands are held up, and in his right hand, he holds another tabernacle-like gold vessel. The structure to our left houses a donkey and bull munching hay. A gold sunburst floats above the roof, which seems to be built up against the stone wall of a building. The hills and trees beyond the people is painted with pine and moss greens and brown.
Denshin kaishu Hokusai manga nihen
Togetsu Bridge at Arashiyama in Yamashiro Province (Yamashiro Arashiyama no Togetsukyo), from the series "Unusual Views of Famous Bridges in Various Provinces (Shokoku meikyo kiran)"
Iris, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
Feuillet de diptyque en cinq parties : l'Empereur triomphant (Justinien ?)
Whaling off the Coast of the Goto Islands (Goto kujira tsuki), from the series "One Thousand Pictures of the Ocean (Chie no umi)"
Chrysanthemum and Horsefly, from an untitled series of Large Flowers
Manuscript Cover with Prajnaparamita Attended by Sadakshari Lokeshvara and a Tara
Poppies, from an untitled series of flowers
Writing Box (Suzuribako) with Phoenix in Paulownia
The Wade Cup with Animated Script
Copy of The Night Watch
This frightening print illustrates the story of Kohada Koheiji, a Kabuki actor who was drowned by his wife’s lover but later came back to haunt the couple. The tale was popular in the 18th century, eventually inspiring a novel and several Kabuki plays. Here, the skeletal ghost of Kohada Koheiji pulls down the mosquito net and eerily peers at the sleeping couple in their bed.
Christ Crucified Between the Two Thieves: 'The Three Crosses'
Armor (Gusoku)
Three men with crowns and wearing gold-trimmed robes stand and kneel before a woman sitting on a wooden, box-like seat holding a baby to our right, in front of a rocky cave and landscape, in this horizontal painting. A balding man with a gray beard and hair, Joseph, and two younger people with blond hair stand around the woman, Mary, to our right, while a group of five young men or boys and three horses gather near the left edge. All the people have pale skin. Mary, the baby Jesus, Joseph, and the three men closest to them all have shimmering gold halos. One balding man with a long white beard kneels and kisses the baby’s feet. He wears a gold and crimson-red brocade-like robe over a burgundy-red garment, and he holds a pointed gold crown in his right hand, which rests on the ground. Behind him and to our left, a younger man with curly blond hair and goatee, wearing a wine-red tunic belted with gold and a gold crown on his head, holds his hands in prayer as he kneels down on one knee. The third stands to our left, cleanshaven with long blond hair. He wears a fur-lined, thigh-length scarlet-red robe and a gold crown, and he holds up a gold vessel in one hand. To our right, Mary wears a lapis-blue robe that covers her head and falls to her feet. The baby is covered only by a white cloth across his hips, and he has short blond hair. He touches the kneeling man’s head with one hand. His body is pudgy but his face has more adult-like, delicate features. Joseph stands at the woman’s far shoulder, wearing a butter-yellow robe over a rose-pink garment. His hands are gathered on a walking stick in front of his chest and his brows are furrowed with deep lines. One of the two younger people behind Mary, to our right, holds a lidded gold vessel. The group of five attendants to our left gather around cream-white, gray, or chestnut-brown horses. These blond people wear garments of dark olive-green, coral-red, royal-blue, or rose-pink tunics over black stockings. The rocky, brown cave behind Mary and Jesus, to our right of center, is occupied by a donkey and an ox behind a wooden trough. The landscape beyond is segmented into quilt-like squares of stylized crops. The horizon line comes almost to the top edge of the panel beneath a narrow strip of vivid, cobalt-blue sky. A gold star like a sunburst with rays of light hovers over the woman and child.
Six elegantly dressed, light-skinned women, a man with dark brown skin, and a person of short stature gather around a nude baby boy in front of a landscape with a town in the distance in this vertical painting. Attention is focused on the baby, held by a woman kneeling to our lower left, and on a woman wearing a silver and gold-colored brocade dress standing near the center of the painting. The central woman's dress is trimmed with gold and jewels. She wears a pearl necklace, and her blond hair is wrapped with pearls around a gold, jeweled tiara. She leans to our right, toward another woman with blond, pearl-adorned hair wearing a blue and white stripped dress with puffed sleeves. In front of that pair, and along the right edge of the painting, another woman with pearls in her hair bends over a person of short stature and gestures toward the baby. The person of short stature has brown hair over a high forehead and a tan complexion. He holds an instrument like a recorder and wears a navy-blue and crimson-red jester’s costume. Seen from the waist up in the lower left corner of the painting, the man with brown skin has close-cropped black hair and wears a marigold-orange garment. Looking onto the scene from the sunken riverbed, he gazes to our right in profile and holds a basket. Above him, the woman holding the baby looks at the woman wearing silver and gold. An older woman holds up a cloth, presumably to wrap the baby. Another person looks on over that woman’s shoulder, and two more women stand farther back to our left, apart from this group. Behind the main scene, a few spindly trees with feathery pine-green or harvest-yellow leaves extend off the top edge of the canvas. An arched bridge spans the river in the distance to the left and beyond a town is painted in blue and gray against rocky hills. Blue sky above is strewn with white clouds.
Buddhist Priest's Ceremonial Robe
Hercules chasing Avarice from the Temple of the Muses
This print illustrates the legend of a woman murdered by her husband because she accidentally broke plates. Her corpse and the pieces of the dishes were thrown into a well, but her ghost returned every night to haunt him in the eerie form seen here. This small-format work features a bright blue color that may seem cheery to us, but Hokusai’s original audience would have associated it with death and the occult.
The Dream of the Shepherd (Der Traum des Hirten)
The great Jewish bride
The Milkmaid
The Battle of Waterloo
"The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds)
Enclosed Valley
Jar with Dragon and Clouds Design
Acteurs tijdens een kabuki-voorstelling in Kabukiza, Tokyo
Morning Glories and Tree-frog, from an untitled series of Large Flowers
Oribe-Type Ewer
Bell-Flower and Dragonfly, from an untitled series of large flowers
Bowl with inscription and chrysanthemums and tortoiseshell decoration
Belt clasp