Related

Hilma af Klint - Group IX/SUW, The Swan, No. 9, 1915

Hilma af Klint - Group IX/SUW, The Swan, No. 1, 1915

Hilma Af Klint Series SUW, No 14 Swan, 1914 -1915

"The Swan, No. 18" by Hilma Af Klint [Venice - 13 October 2013]

Hilma Af Klint - The Swan, No. 12, Group IX/SUW, 1915

Hilma af Klint - The Swan, No. 10, Group IX/SUW, 1915

Titel: Svanen, nr 13, grupp IX, serie SUW. Konstnär: Hilma af Klint (1862-1944, svenska). Olja på duk utförd 1915. Stiftelsen Hilma af Klints verk.

Hilma af Klint - Group X, No. 2, Altarpiece, 1915

Hilma af Klint — The Ten Largest — Number 4 Youth

Hilma af Klint "Svanen, nr 17, grupp IX/SUW, serie SUW/UW", 1915. Stiftelsen Hilma af Klints Verk. Photo: Moderna Museet/Albin Dahlström.

Hilma af Klint - Group IX/UW, No. 25, The Dove, No. 1, 1915

Tree of Knowledge, No. 2

Hilma af Klint — The Ten Largest — Number 3 Youth

Hilma af Klint — The Ten Largest — Number 9 Old Age

Hilma af Klint - Altarpiece No. 1 Group X

Hilma af Klint — The Ten Largest — Number 1 Childhood

Hilma af Klint — The Ten Largest — Number 2 Childhood

Hilma af Klint — The Ten Largest — Number 10 Old Age

Hilma af Klint — The Ten Largest — Number 8 Adulthood

Tree of Knowledge, No. 1

Hilma af Klint — The Ten Largest — Number 6 Adulthood

Hilma af Klint — The Ten Largest — Number 5 Adulthood

Improvisation No. 30 (Cannons)

Svanen, nr 22, serie SUW/UW, målad av svenske konstnären Hilma af Klint (1862-1944) åren 1914-194 i oljefärg på duk. Stiftelsen av Hilma af Klints verk.

A Monumental Portrait of a Monkey

Hilma af Klint — The Ten Largest — Number 5 Adulthood

Red-Figure Calyx-Krater (Mixing Vessel): Medea in Chariot (A); Telephos with Baby Orestes (B)

Feast Ladle

Goddess Riding a Dragon, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Church Bells Ringing, Rainy Winter Night

The Threatened Swan

Cloth with Procession of Figures

Red-Figure Fish Plate: Octopi, Mullet, Bream, Shellfish

Le Tricheur à l’as de carreau

The Crucifixion of Saint Andrew

Pendant in the form of a cock

Tomb Guardian with Animal Head

Tea Table

The Night Watch Militia Company of District II under the Command of Captain Frans Banninck Cocq

Trophy of the Hunt

Ram Mask (Bolo)

Whistle

Dragon in foliage with lion and phoenix heads

Mount Sainte-Victoire

Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)

The Holy Family with Saints Anne and Catherine of Alexandria

Spouted jar

Mirror with Phoenixes, Birds, Butterflies, and Floral Sprays

Bowl with Inscription, "Sovereignty is God's"

Copy of The Night Watch

Terracotta kernos (vase for multiple offerings)

A woman with pale white skin and her blond hair covered by a wide veil is shown from the waist up in this vertical portrait painting. Her folded hands rest on the lower edge of the panel, suggesting that she sits just on the other side, close to us. The transparent white veil covers her blond hair and falls in stiff, wide panes down in front of her shoulders. Her hair is pulled back behind a black ribbon over a high forehead. Her light brown eyes are downcast and she has a straight nose and full, pale pink lips. Her chest is covered by another veil and is tucked into the deep V-neck of her long-sleeved, black dress. A wide scarlet-red belt adorned with an ornately filigreed gold belt buckle encircles her narrow waist. Her skin, white veils, and red belt contrast sharply with her velvety black dress and the dark pine green of the background.

Ingelijste muurschildering voorstellende Xiwangmu en dienaressen

Congressional Presentation Sword with Scabbard of Colonel Marinus Willett (1740–1830)

Tánggǔ (堂鼓)

Fan painting with river landscape

Seated Female Nude (Self-Portrait?)

Hotei Smoking his Pipe, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Bridal Robe (Hwarot)

Strand of Beads

Bassoon

The Dream of the Shepherd (Der Traum des Hirten)

Figure of a reclining woman

Japan; Illustrated book; Illustrated Books

Animal-Spouted Pitcher

Writing Box (Suzuribako) with Phoenix in Paulownia

Oribe-Type Ewer

Stag at Sharkey's

Guanyin

Paardenschender of gleve

Cranes on snow-covered pine

Textile Fragment

The Trojan Women Setting Fire to Their Fleet

Shown from the waist up in front of a black background, a young woman with pale white skin and curly brown hair looks directly out at us over her shoulder with her body angled to our left in this vertical portrait. She has dark brown eyes, a straight nose, smooth skin, and her pink lips are closed. Curls fall across her forehead but the rest of her hair is pulled up under a white lace scarf, called a mantilla. The mantilla is tucked under the wide orange and black shawl wrapped around her shoulders. She clasps her hands at her waist, and her hands and forearms are covered with long white gloves that disappear under the shawl.

Raft Cup

Iris, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Ennanga

Shown from the waist up, a woman with pale skin and brown hair, wearing a dark corset and white fabric over her shoulders, looks down at needlework in her hands in this vertical painting. Her cheeks are rosy and her dark hair is pulled back, though it seems looser down the sides of her face. A small, coral-red, crescent shape at the back of her head could be covering her hair or holding it in place. White, nearly translucent fabric lies loosely across her shoulders over a dark, moss-brown, long-sleeved dress. Her breasts swell over the squared, lace-trimmed neckline. She holds white fabric and perhaps a needle in her hands, which rest on a tan cushion on her lap. The scene is loosely painted throughout so some of the details are difficult to make out. A darker spot along her right index finger could be a thimble. The background is the same olive-tan of the cushion.

Vase with Golden Pheasants

This vertical portrait shows the head, shoulders, and chest of a young man with smooth, pale skin and shoulder-length, dark blond hair positioned behind a narrow gray, stone ledge. Shown against a black background, the man tilts his head to our left and his eyes cut to our right. His left eyebrow, on our right, is slightly arched over brown eyes. He has a long, straight nose, pale pink lips, and his hair falls down the sides of his face from beneath a crimson-red, flat-topped cap. He wears a brown garment with white linen peeking through at the shoulder seams. The neck and seam down the front are lined with white, perhaps fur. He holds his right hand to his chest with his middle finger overlapping his ring finger.

Black-Figure Hydria (Water Vessel): Frontal Quadriga (Body); Theseus and Minotaur (Shoulder)

Fragment van een muurschildering

Goqing

Shiva Nataraja

Sleep and Death Cista Handle

Courting flute (siyotanka)

Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

White-Ground Lekythos (Oil Vessel): Atalanta and Erotes

Le radeau de la Méduse

Ceremonial Cross of Countess Gertrude

Dozens of people form a line starting from an opening in a city wall or building in the background to a rustic shed-like structure close to us, to kneel before a seated woman holding a baby on her lap in this vertical painting. All of the people have pale skin tinged faintly with green. The top edge of the panel is shaped so it has two rounded sections like shoulders leading to a stepped, crown-like form with an inward curving triangle at the top. A nickel-gray, crenelated stone wall of a distant city is nestled into the top, stepped section, with a glimmering gold sky above filling the uppermost triangle. Tile-roofed and domed buildings and a few towers appear densely packed beyond the wall. People on foot and horseback create a line from an arched opening in the wall toward us and to our right. Three of the people on horseback in the distance wear long robes and have gold halos. The line of people winds behind a tall, narrow hill to our right and it continues close to us. Two horses, two camels, and several people wait to the right but our attention is drawn to the trio in the foreground, Mary, Jesus, and Joseph, and the three men near the infant, the Magi. Mary wears a lapis-blue mantle covering her head and shoulders over a petal-pink dress, and she sits on a wooden or stone chest in the center of the painting. Her body faces us but she turns her face to look with pale blue eyes off to our right. In one hand she holds a hexagonal gold vessel that tapers to a flame-like finial. With the other hand, on our left, she supports the blond infant sitting in her lap. He is covered only with a white cloth around his waist, and he looks toward the vessel as he holds up the index and middle fingers of his right hand. To our left and slightly behind Mary, a balding man with white hair and beard and wearing a blue garment under a red robe sits with his head propped in his hand, looking down. His other hand rests on what might be the handle of a crutch or staff. The man, woman, and child have gold halos with what appears to be writing. The three Magi also have gold halos and they all wear scarlet-red shoes. The oldest kneels before Mary and kisses Jesus's feet. He has a long, light gray beard and is balding. He wears a brocade-like gold robe over pale brick-red sleeves. A cleanshaven man with dark brown hair and wrinkles around his mouth kneels to our left as he raises a jewel-encrusted gold crown from his head. He wears a gold and red floral-patterned garment and holds a rounded vessel, also with a flame-like finial. A younger, cleanshaven man with smooth features and shoulder-length, curling blond hair to our right also wears a gold crown. A dagger hangs from the waist of his sky-blue tunic, and his leggings are pale plum purple. Both arms are bent to his hands are held up, and in his right hand, he holds another tabernacle-like gold vessel. The structure to our left houses a donkey and bull munching hay. A gold sunburst floats above the roof, which seems to be built up against the stone wall of a building. The hills and trees beyond the people is painted with pine and moss greens and brown.

Lilies, from an untitled series of Large Flowers

The Adoration of the Magi

Jar with Dragon and Clouds Design

Panel with the god Zeus/Serapis/Ohrmazd and worshiper

St. Catherine of Siena and the Beggar

The Battle of Waterloo

Kamānche

Saint John on Patmos