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Fragment of a doorpost
Corner Railing Pillar with Drinking Scenes, Yakshis, and Musicians
Female nature spirit
Fragment of a bowl with a frieze of bulls in relief
Openwork furniture plaque with a grazing oryx in a forest of fronds
Orthostat relief: lion-hunt scene
Cylinder seal with cultic scene
Sacrificer Container
Relief: two servants bearing food and drink
Manuscript Cover with Prajnaparamita Attended by Sadakshari Lokeshvara and a Tara
Heavenly beauty
Funerary relief
Mural Fragment Depicting a Maguey Bloodletting Ritual
Door Guardian (Dvarapala)
Belt clasp
Panel with the god Zeus/Serapis/Ohrmazd and worshiper
Feuillet de diptyque en cinq parties : l'Empereur triomphant (Justinien ?)
The King's Acquaintances Memi and Sabu
A bodhisattva
Cult vessel in the form of a tower with cylinder seal impressions near the top
Courting flute (siyotanka)
Mother Goddess
Censer with seated king
Mural Fragment with Elite Male and Maguey Cactus Leaves
Heavenly beauty
The bodhisattva Maitreya
Stela of Amenemhat and Hemet
Trial Piece Worked on Both Sides
Lamellophone (chisanji)
Buddha
Green Tara
The Vicarello Goblet
Ghanti (bell)
Ewer
Ingelijste muurschildering voorstellende Xiwangmu en dienaressen
Bronze rod tripod stand
Wall fountain
Palampore
Door lintel with lion-griffins and vase with lotus leaf
Bell (Lai Zhong)
Fragment van een muurschildering
Jar with Lion-Head Handles
The Adoration of the Magi
The Sacrifice of Isaac
Code de Hammurabi
Memorial head (nsodie)
Red-Figure Stamnos (Mixing/Storage Vessel): Komos (Musicians and Revelers)
The bodhisattva Maitreya
Guanyin
Kneeling bull holding a spouted vessel
Fire-flame Cooking Vessel (Ka'en Doki)
White-Ground Lekythos (Oil Vessel): Atalanta and Erotes
Sleep and Death Cista Handle
Furniture support: female sphinx with Hathor-style curls
The Wade Cup with Animated Script
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
Two Ge
Standing Buddha
Raft Cup
Helmet with divine figures beneath a bird with outstretched wings
Covered box decorated with chrysanthemums and waterfowl among lotus
Saluting Protective Spirit
Head of a deity with four faces
Buddhist Priest's Ceremonial Robe
Buddha Shakyamuni Seated in Meditation (Dhyanamudra)
Cabinet of a Militia Company
Ornament voor de houten steel van een ge
In front of a crumbling stone building, an older man kneels in front of a second man, smaller in scale, hanging from a tall, wooden cross, with a city in the background in this vertical painting. Both men have pale skin. At the lower center of the composition, the kneeling man, Saint Jerome, pulls his navy-blue robe to one side to expose his muscular but slender bare chest with a bloody mark at its center. With his other hand, he holds a rounded, gray stone touched with pink, also suggesting blood, by his side. He has long, silvery-gray hair and a long, pointed beard. His pink lips are parted, and we see his teeth. He raises gray eyes to look up at the man on the slender cross, which rises along the left edge of the composition. The man on the cross brown hair, a plate-like gold halo, and a white loincloth is draped across his hips. The shell-pink ground is littered with rocks. A red hat with a shallow brim and a tasseled chin cord sits near Saint Jerome’s sandaled feet. A miniature lion lies between Saint Jerome and the arched opening of the crumbling, terracotta-red structure along the right edge of the painting. Ivy grows up one side of the arch, and an hourglass and book with a red cover and gold-edged pages sit on a white cloth under the opening. An owl perches on a branch of an oak tree growing from the front face of the structure, and a hawk sits on a branch of the fruit tree growing from the stone courtyard, between Saint Jerome and the crucifix. A shrub with dark green leaves and clusters of three olive-green fruits fills in most of the space beneath the canopy of the fruit tree. To our right and in the distance, a man with a pointed black hat, a black jacket, and white pants rides away from us on a gray horse. To our left, the courtyard gives way to an amphitheater-like space. There, next to a donkey, a man with a long white beard hands a bundle of wood or planks to another man whose brown hair is cut into a ring encircling his head. Both men wear rose-pink garments over navy-blue togas. A town with white and pale pink stone buildings rises up a hill into the distance. The sky above deepens from honeydew green along the horizon to pale then peacock blue along the top edge of the composition. A few ice-blue, white, and light gray clouds float across the sky.
Uma
Cloth with Procession of Figures
Saint Sebastian
Bowl with Inscription, "Sovereignty is God's"
Ceremonial Hanging (Palepai)
Bottle with Birds and Peony Scroll
Torso of a goddess
Sarcophagus
Terracotta dinos (mixing bowl)
Satyress and Child
Dagger-axe
Standing Avalokiteshvara, the Bodhisattva of Infinite Compassion
About three dozen people gather in a grassy field to either side of a crumbling structure to kneel and pray before a woman and baby in the center of this horizontal painting. The woman, Mary, and baby, Jesus, have smooth, pale skin while the others have light or tanned skin. The structure has sand-colored stone pillars, a wooden triangular, pitched roof, and a straw floor. Mary, who has an elongated torso, sits facing us with her knees apart. She wears an azure-blue robe over a rose-pink dress. A shell-pink veil covers her head and body. Jesus sits on her left knee, his pudgy body angled to our left. He is nude except for a transparent cloth wrapped over one shoulder and the opposite hip. Mary’s left hand braces his torso. On Mary’s right, our left, Joseph, an older man, stands facing us. He clasps his hands at his chest and leans on a long stick. He has wrinkled skin, long, gray curly hair, and a full beard. Both Mary and Joseph tilt their heads to their right, our left, as they look down at Jesus. Joseph wears a golden yellow robe over a blue tunic. Joseph, Mary, and Jesus have faint gold halos. Behind them, a brown cow and gray donkey rest on the straw. People closest to Mary and Jesus kneel and bow their heads while the people to the left and right sides mostly stand. Three men kneeling closest to Mary and Jesus offer gifts, including a bronze vessel and a gold jar. One man has long dark brown hair and a beard, and wears a gold crown. Another man is bald with long gray hair and beard, while the third is cleanshaven with shoulder-length brown hair. These men wear robes in powder blue, carnation pink, or celery green with delicate silver and gold embelishments. Others in the crowd range in age from young and cleanshaven to older and bearded. They wear robes and tunics in shades of raspberry pink, butterscotch yellow, lapis blue, plum purple, or forest green. Several horses, their coats white or cinnamon brown, stand among the crowd, a few with riders. To our right, one horse rears its head and two others stand facing each other. Beyond the crowd, grassy green meadows and hills dotted with trees lead back to the horizon. A pale blue sky fills the top third of the composition.
Spouted jar
Ivory Plaque with Enthroned Mother of God ("The Stroganoff Ivory")
Strand of Beads
Lantern for a Lamp
Carpet with Scrolling Vines and Blossoms
Hanger op voetstuk met Amphitrite op een dolfijn
Spout in the form of a man's head
Pichhwai for the Festival of Cows
Writing Box (Suzuribako) with Phoenix in Paulownia
Accordion
Shown under an ornately carved stone arch, a young woman holds a baby on her lap as she sits on a curving gold chair flanked by two kneeling angels in this vertical painting. All of the people have pale skin. The woman has long blond hair, a straight nose, and a small pink mouth. Her body faces us but she gazes down. She wears a gold-trimmed, deep blue robe under a crimson-red mantle that covers her shoulders and drapes over her lap and to the floor. She holds an open book with her left hand, on our right, and supports the sitting baby’s body with her other hand. The baby is nude except for a piece of white fabric across one thigh. The baby touches the open book with one hand and reaches toward a small, round piece of fruit the angel on our left offers. That angel has blond hair and sapphire-blue wings, and wears a pale blue garment under a red and gold patterned robe. The angel holds out the fruit with the right hand and in the other, holds an instrument like a violin and bow. The angel to our right has similar hair and facial features, and has blue wings and a sky-blue robe. Both hands strum a harp as the angel gazes to our left almost in profile. Behind the chair, a cloth patterned in pine green and gold hangs vertically from a curving red overhang between tall, narrow archways that open onto a landscape. In the distance, people move through green fields and along a river winding toward a castle to our left beneath a clear blue sky. The angels' wings overlap with the stone archway that frames the scene. It is carved along the inner edge of the arch with vines, lizards, and snails. Two columns flank the arch and atop each is a bearded man, as if carved from the same cream-colored stone of the arch. The man to our left holds a harp and the one to our right holds a saw. Winged, nude, child-like people, putti, hold orbs aloft in the upper corners.
Reclining mouflon
Cabinet Decorated with Episodes from the Parable of the Prodigal Son
Black-Figure Hydria (Water Vessel): Frontal Quadriga (Body); Theseus and Minotaur (Shoulder)
Lidded Bowl with Iguana
Head of the Buddha
Rhyton terminating in the forepart of a wild cat
Red-Figure Calyx-Krater (Mixing Vessel): Medea in Chariot (A); Telephos with Baby Orestes (B)
Three men with crowns and wearing gold-trimmed robes stand and kneel before a woman sitting on a wooden, box-like seat holding a baby to our right, in front of a rocky cave and landscape, in this horizontal painting. A balding man with a gray beard and hair, Joseph, and two younger people with blond hair stand around the woman, Mary, to our right, while a group of five young men or boys and three horses gather near the left edge. All the people have pale skin. Mary, the baby Jesus, Joseph, and the three men closest to them all have shimmering gold halos. One balding man with a long white beard kneels and kisses the baby’s feet. He wears a gold and crimson-red brocade-like robe over a burgundy-red garment, and he holds a pointed gold crown in his right hand, which rests on the ground. Behind him and to our left, a younger man with curly blond hair and goatee, wearing a wine-red tunic belted with gold and a gold crown on his head, holds his hands in prayer as he kneels down on one knee. The third stands to our left, cleanshaven with long blond hair. He wears a fur-lined, thigh-length scarlet-red robe and a gold crown, and he holds up a gold vessel in one hand. To our right, Mary wears a lapis-blue robe that covers her head and falls to her feet. The baby is covered only by a white cloth across his hips, and he has short blond hair. He touches the kneeling man’s head with one hand. His body is pudgy but his face has more adult-like, delicate features. Joseph stands at the woman’s far shoulder, wearing a butter-yellow robe over a rose-pink garment. His hands are gathered on a walking stick in front of his chest and his brows are furrowed with deep lines. One of the two younger people behind Mary, to our right, holds a lidded gold vessel. The group of five attendants to our left gather around cream-white, gray, or chestnut-brown horses. These blond people wear garments of dark olive-green, coral-red, royal-blue, or rose-pink tunics over black stockings. The rocky, brown cave behind Mary and Jesus, to our right of center, is occupied by a donkey and an ox behind a wooden trough. The landscape beyond is segmented into quilt-like squares of stylized crops. The horizon line comes almost to the top edge of the panel beneath a narrow strip of vivid, cobalt-blue sky. A gold star like a sunburst with rays of light hovers over the woman and child.