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Hilma af Klint - Group X, No. 2, Altarpiece, 1915

Hilma af Klint - Group IX/UW, No. 25, The Dove, No. 1, 1915

Hilma af Klint — The Ten Largest — Number 4 Youth

"The Swan, No. 18" by Hilma Af Klint [Venice - 13 October 2013]

Hilma Af Klint - The Swan, No. 12, Group IX/SUW, 1915

Hilma af Klint "Svanen, nr 17, grupp IX/SUW, serie SUW/UW", 1915. Stiftelsen Hilma af Klints Verk. Photo: Moderna Museet/Albin Dahlström.

Hilma af Klint - The Swan, No. 10, Group IX/SUW, 1915

Hilma af Klint — The Ten Largest — Number 9 Old Age

Hilma af Klint — The Ten Largest — Number 3 Youth

Hilma Af Klint Series SUW, No 14 Swan, 1914 -1915

Hilma af Klint - Group IX/SUW, The Swan, No. 7, 1915

Hilma af Klint — The Ten Largest — Number 10 Old Age

Hilma af Klint — The Ten Largest — Number 6 Adulthood

Hilma af Klint — The Ten Largest — Number 2 Childhood

Hilma af Klint - Altarpiece No. 1 Group X

Titel: Svanen, nr 13, grupp IX, serie SUW. Konstnär: Hilma af Klint (1862-1944, svenska). Olja på duk utförd 1915. Stiftelsen Hilma af Klints verk.

Hilma af Klint — The Ten Largest — Number 8 Adulthood

Hilma af Klint — The Ten Largest — Number 5 Adulthood

Hilma af Klint — The Ten Largest — Number 1 Childhood

Hilma af Klint - Group IX/SUW, The Swan, No. 1, 1915

Hilma af Klint — The Ten Largest — Number 5 Adulthood

Tree of Knowledge, No. 2

Cloth with Procession of Figures

Tree of Knowledge, No. 1

Improvisation No. 30 (Cannons)

Feast Ladle

Svanen, nr 22, serie SUW/UW, målad av svenske konstnären Hilma af Klint (1862-1944) åren 1914-194 i oljefärg på duk. Stiftelsen av Hilma af Klints verk.

Courting flute (siyotanka)

Bowl with Inscription, "Sovereignty is God's"

Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Mural Fragment Depicting a Maguey Bloodletting Ritual

Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Cranes on snow-covered pine

Whistle

Goddess Riding a Dragon, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

A Monumental Portrait of a Monkey

Terracotta kernos (vase for multiple offerings)

Hotei Smoking his Pipe, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Dragon in foliage with lion and phoenix heads

Japan; Illustrated book; Illustrated Books

Tea Table

Tánggǔ (堂鼓)

Mask (mbap mteng): Elephant (aka)

Bassoon

Oribe-Type Ewer

Ingelijste muurschildering voorstellende Xiwangmu en dienaressen

Saint John on Patmos

Ceremonial Hanging (Palepai)

Red-Figure Fish Plate: Octopi, Mullet, Bream, Shellfish

Tomb Guardian with Animal Head

Palampore

Mural Fragment with Elite Male and Maguey Cactus Leaves

Red-Figure Calyx-Krater (Mixing Vessel): Medea in Chariot (A); Telephos with Baby Orestes (B)

Hilma af Klint, Buddha’s Standpoint in the Earthly Life, No. 3a, (1920), courtesy Hamburger Bahnhof

Dinner dress

Fragment van een muurschildering

Panel with the god Zeus/Serapis/Ohrmazd and worshiper

Helmet (Zukinnari Kabuto)

Honderd gezichten op de berg Fuji - deel drie

Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)

Church Bells Ringing, Rainy Winter Night

Ewer

Ram Mask (Bolo)

Twee fragmenten textiel

Bassoon

Mount Fuji with Cherry Trees in Bloom

White-Ground Lekythos (Oil Vessel): Atalanta and Erotes

Terracotta dinos (mixing bowl)

Goblet

Paardenschender of gleve

Pendant in the form of a cock

Dragon and Tiger

Green Tara

Iris, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Goqing

Bridal Robe (Hwarot)

Guanyin

Fan painting with river landscape

Grand Piano

Writing Box (Suzuribako) with Phoenix in Paulownia

Animal-Spouted Pitcher

Lilies, from an untitled series of Large Flowers

Grafmonument met alliantiewapen en vier kwartierwapens

Buddhist Priest's Ceremonial Robe

Poppies, from an untitled series of flowers

Acteurs tijdens een kabuki-voorstelling in Kabukiza, Tokyo

John F. Gray

Jar with Dragon and Clouds Design

Textile Fragment

Black-Figure Hydria (Water Vessel): Frontal Quadriga (Body); Theseus and Minotaur (Shoulder)

Trophy of the Hunt

A winged angel with arms crossed kneels across from a young woman sitting and holding a book, both under an archway in a paneled room in this vertical painting. They both have pale, yellow-toned skin, blond hair, and flat, gold halos. They also have golden brown eyes, long, straight noses, smooth cheeks, and their pale, pink lips are closed. To our right, the woman sits in a throne-like chair with her body facing our left. Her head tilts down, and she looks toward the angel under lowered lids. Her hair is pulled back under the neck of the lapis-blue cloak she wears over a crimson-red dress. The dress and cloak are trimmed with gold, and a there is a gold starburst on the cloak over her left shoulder, closer to us. She holds her other hand up near that shoulder with her fingertips brushing her chest. With her other hand, she holds open the pages of a small book in her lap, so her fingers overlap some of the words. The entire Latin inscription would read, “virgo concipiet et pariet filium et vocabitur nomen eius emmanuel butirum et mel come dit ut fiat reprobare.” A slender, bone-white column separates her from the angel across from her, along the left edge of the painting. The angel has curly, shoulder-length hair and wears a robe with a gold, floral pattern against a burgundy-red background. Long, golden wings emerge from the shoulder blades and extend off the side of the composition. An open archway just beyond the angel is filled with streaks of flax yellow and burnt orange, possibly representing flames. Some of the walls in the room around the pair are pale olive green and other areas are darker spruce green. There are bands of coral-pink molding and inset panels of patterned mosaics. The flat ceiling of the space immediately over the pair is decorated with checkerboard panels in navy blue, hunter green, brown, and brick red. Gold lines create a ray coming from the ceiling toward the woman. At the back of the space, beyond the column separating the woman and angel, the room extends into an alcove with an arched hallway painted with gold stars against a midnight-blue background. Double doors open at the back of the alcove onto a room with a pale-yellow curtain with a mesh-like trim. We see the pair as if through a stone archway that lines the top and sides of the composition. The upper corners are filled with leafy decorations, as if carved into the stone.

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"

Textielfragment, shibori-zome op zijde

St. Catherine of Siena and the Beggar

Mandala of the Three Shrines at Kumano

Two Rabbits, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Fragment (Dress Fabric)

Armor (Gusoku)

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)"