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Relief: two servants bearing food and drink
Saluting Protective Spirit
relief mural
Cylinder seal with cultic scene
Helmet with divine figures beneath a bird with outstretched wings
Panel with the god Zeus/Serapis/Ohrmazd and worshiper
Door lintel with lion-griffins and vase with lotus leaf
Trial Piece Worked on Both Sides
Code de Hammurabi
Funerary relief
Orthostat relief: lion-hunt scene
Stela of Amenemhat and Hemet
Mural Fragment with Elite Male and Maguey Cactus Leaves
Fragment of a bowl with a frieze of bulls in relief
Statue of Amenemhat III
Ingelijste muurschildering voorstellende Xiwangmu en dienaressen
Vase with overlapping pattern and three bands of palm trees
Royal Carpet with Silk and Metal Thread
The bodhisattva Maitreya
Bell (Lai Zhong)
Sleep and Death Cista Handle
Ceremonial Hanging (Palepai)
The King's Acquaintances Memi and Sabu
Kneeling bull holding a spouted vessel
Dagger-axe
Two Ge
Mural Fragment Depicting a Maguey Bloodletting Ritual
Manuscript Cover with Prajnaparamita Attended by Sadakshari Lokeshvara and a Tara
Feuillet de diptyque en cinq parties : l'Empereur triomphant (Justinien ?)
Openwork furniture plaque with a grazing oryx in a forest of fronds
Rhyton terminating in the forepart of a wild cat
Enthroned deity
Red-Figure Stamnos (Mixing/Storage Vessel): Komos (Musicians and Revelers)
Standing Avalokiteshvara, the Bodhisattva of Infinite Compassion
Staff of Office
Plaque with horned lion-griffins
Carpet with Scrolling Vines and Blossoms
Ancestral Commemorative Head (uhunmwun-elao)
Torso of Amenpayom
Helmet (Spangenhelm)
The Wade Cup with Animated Script
Mask (mbap mteng): Elephant (aka)
Buddhist Priest's Ceremonial Robe
Coffin of Bakenmut
Cup with a frieze of gazelles
Ceremonial Knife (Tumi)
Bronze rod tripod stand
Terracotta kernos (vase for multiple offerings)
Standing Four-Armed Shiva
Terracotta dinos (mixing bowl)
Cloth with Procession of Figures
Dung-Chen
Jar with Lion-Head Handles
Black-Figure Hydria (Water Vessel): Frontal Quadriga (Body); Theseus and Minotaur (Shoulder)
Coffin of Nesykhonsu
Textile Fragment
Armor (Gusoku)
Animal-Spouted Pitcher
Belt clasp
Japan; Illustrated book; Illustrated Books
Pichhwai for the Festival of Cows
Sickle sword
Maharana Sangram Singh Riding a Prize Stallion
Bridal Robe (Hwarot)
Mishima Pass in Kai Province (Koshu Mishimagoe), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"
Graven en gravinnen van Holland
Lontslotmusket met vuursteenslot uit latere periode
Mandala of the Three Shrines at Kumano
Ornament voor de houten steel van een ge
Headdress
The Night Watch Militia Company of District II under the Command of Captain Frans Banninck Cocq
Kaftan
Cult vessel in the form of a tower with cylinder seal impressions near the top
Spiegellijst, beschilderd met vier allegorische vrouwenfiguren
Fragment of a doorpost
Le scribe accroupi
Spouted jar
The Adoration of the Magi
Cosmetic Jar in the Form of the God Bes
Green Tara
Ewer
Tile with Floral and Cloud-band Design
Funerary Portrait of a Young Girl
White-Ground Lekythos (Oil Vessel): Atalanta and Erotes
Copy of The Night Watch
Unidentified Men
Lamellophone (chisanji)
Heavenly beauty
Dragon in foliage with lion and phoenix heads
Prestige Cap (mpu ngola)
Bahram Gur Arrives at the House of a Merchant, text page (recto); Bahram Gur Slays a Dragon (verso), from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), known as the Great Mongol Shahnama
Cranes on snow-covered pine
Hide Shirt
Figure of a Warrior
Tomb Guardian with Animal Head
Furniture support: female sphinx with Hathor-style curls
A Stallion
About three dozen people gather in a grassy field to either side of a crumbling structure to kneel and pray before a woman and baby in the center of this horizontal painting. The woman, Mary, and baby, Jesus, have smooth, pale skin while the others have light or tanned skin. The structure has sand-colored stone pillars, a wooden triangular, pitched roof, and a straw floor. Mary, who has an elongated torso, sits facing us with her knees apart. She wears an azure-blue robe over a rose-pink dress. A shell-pink veil covers her head and body. Jesus sits on her left knee, his pudgy body angled to our left. He is nude except for a transparent cloth wrapped over one shoulder and the opposite hip. Mary’s left hand braces his torso. On Mary’s right, our left, Joseph, an older man, stands facing us. He clasps his hands at his chest and leans on a long stick. He has wrinkled skin, long, gray curly hair, and a full beard. Both Mary and Joseph tilt their heads to their right, our left, as they look down at Jesus. Joseph wears a golden yellow robe over a blue tunic. Joseph, Mary, and Jesus have faint gold halos. Behind them, a brown cow and gray donkey rest on the straw. People closest to Mary and Jesus kneel and bow their heads while the people to the left and right sides mostly stand. Three men kneeling closest to Mary and Jesus offer gifts, including a bronze vessel and a gold jar. One man has long dark brown hair and a beard, and wears a gold crown. Another man is bald with long gray hair and beard, while the third is cleanshaven with shoulder-length brown hair. These men wear robes in powder blue, carnation pink, or celery green with delicate silver and gold embelishments. Others in the crowd range in age from young and cleanshaven to older and bearded. They wear robes and tunics in shades of raspberry pink, butterscotch yellow, lapis blue, plum purple, or forest green. Several horses, their coats white or cinnamon brown, stand among the crowd, a few with riders. To our right, one horse rears its head and two others stand facing each other. Beyond the crowd, grassy green meadows and hills dotted with trees lead back to the horizon. A pale blue sky fills the top third of the composition.
Covered box decorated with chrysanthemums and waterfowl among lotus
Icon of the Virgin and Child