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Titel: Svanen, nr 13, grupp IX, serie SUW. Konstnär: Hilma af Klint (1862-1944, svenska). Olja på duk utförd 1915. Stiftelsen Hilma af Klints verk.

Hilma Af Klint - The Swan, No. 12, Group IX/SUW, 1915

Hilma af Klint - Group IX/SUW, The Swan, No. 9, 1915

Hilma af Klint — The Ten Largest — Number 9 Old Age

Hilma af Klint - Group X, No. 2, Altarpiece, 1915

Hilma Af Klint Series SUW, No 14 Swan, 1914 -1915

Hilma af Klint - Group IX/SUW, The Swan, No. 7, 1915

Hilma af Klint — The Ten Largest — Number 10 Old Age

Hilma af Klint - Group IX/UW, No. 25, The Dove, No. 1, 1915

Hilma af Klint - The Swan, No. 10, Group IX/SUW, 1915

Hilma af Klint - Altarpiece No. 1 Group X

"The Swan, No. 18" by Hilma Af Klint [Venice - 13 October 2013]

Hilma af Klint - Group IX/SUW, The Swan, No. 1, 1915

Hilma af Klint "Svanen, nr 17, grupp IX/SUW, serie SUW/UW", 1915. Stiftelsen Hilma af Klints Verk. Photo: Moderna Museet/Albin Dahlström.

Tree of Knowledge, No. 2

Panel with the god Zeus/Serapis/Ohrmazd and worshiper

Gedicht op de zilveren bruiloft van Ludolph Simon de With en Maria de Wit, 15 augustus 1771

Hilma af Klint — The Ten Largest — Number 2 Childhood

Saint Sebastian

Terracotta kernos (vase for multiple offerings)

Seated Female Nude (Self-Portrait?)

Storage Jar

Tree of Knowledge, No. 1

Iris, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Prestige Cap (mpu ngola)

Hilma af Klint — The Ten Largest — Number 4 Youth

Bowl with inscription and chrysanthemums and tortoiseshell decoration

Ceremonial Cross of Countess Gertrude

Trial Piece Worked on Both Sides

Dragon and Tiger

Courting flute (siyotanka)

Hawk, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Lantern for a Lamp

Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)

[The Oriel Window, South Gallery, Lacock Abbey]

Winter Trees Reflected in a Pond

Goddess Riding a Dragon, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Dragon in foliage with lion and phoenix heads

Ceremonial Hanging (Palepai)

Cult vessel in the form of a tower with cylinder seal impressions near the top

Oribe-Type Ewer

Jewelry Elements

Pendant in the form of a cock

Improvisation No. 30 (Cannons)

Grafmonument met alliantiewapen en vier kwartierwapens

Hilma af Klint — The Ten Largest — Number 8 Adulthood

Two Rabbits, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Hilma af Klint — The Ten Largest — Number 5 Adulthood

L'Européenne

Cloth with Procession of Figures

Collier met hanger

Head Fragment

Textile Fragment

Pink and Rose

Kaftan

White-Ground Lekythos (Oil Vessel): Atalanta and Erotes

A bodhisattva

Hilma af Klint — The Ten Largest — Number 3 Youth

A woman with pale white skin and her blond hair covered by a wide veil is shown from the waist up in this vertical portrait painting. Her folded hands rest on the lower edge of the panel, suggesting that she sits just on the other side, close to us. The transparent white veil covers her blond hair and falls in stiff, wide panes down in front of her shoulders. Her hair is pulled back behind a black ribbon over a high forehead. Her light brown eyes are downcast and she has a straight nose and full, pale pink lips. Her chest is covered by another veil and is tucked into the deep V-neck of her long-sleeved, black dress. A wide scarlet-red belt adorned with an ornately filigreed gold belt buckle encircles her narrow waist. Her skin, white veils, and red belt contrast sharply with her velvety black dress and the dark pine green of the background.

Blooming Plum Tree, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Fragment van een muurschildering

Hanger in de vorm van een kruis

Funerary Portrait of a Young Girl

Textielfragment, shibori-zome op zijde

Center table

A Monumental Portrait of a Monkey

"Antonius" Violin

Quilt

Crucifix with Scenes of the Passion

Corset

Imperial Red Cross Easter Egg

Hide Shirt

Fragment textiel

Torso of a Kouros

Mandala of the Three Shrines at Kumano

Helmet (Zukinnari Kabuto)

Interieur van een timmermanswerkplaats

Enclosed Valley

Mount Fuji with Cherry Trees in Bloom

Paardenschender of gleve

About three dozen people gather in a grassy field to either side of a crumbling structure to kneel and pray before a woman and baby in the center of this horizontal painting. The woman, Mary, and baby, Jesus, have smooth, pale skin while the others have light or tanned skin. The structure has sand-colored stone pillars, a wooden triangular, pitched roof, and a straw floor. Mary, who has an elongated torso, sits facing us with her knees apart. She wears an azure-blue robe over a rose-pink dress. A shell-pink veil covers her head and body. Jesus sits on her left knee, his pudgy body angled to our left. He is nude except for a transparent cloth wrapped over one shoulder and the opposite hip. Mary’s left hand braces his torso. On Mary’s right, our left, Joseph, an older man, stands facing us. He clasps his hands at his chest and leans on a long stick. He has wrinkled skin, long, gray curly hair, and a full beard. Both Mary and Joseph tilt their heads to their right, our left, as they look down at Jesus. Joseph wears a golden yellow robe over a blue tunic. Joseph, Mary, and Jesus have faint gold halos. Behind them, a brown cow and gray donkey rest on the straw. People closest to Mary and Jesus kneel and bow their heads while the people to the left and right sides mostly stand. Three men kneeling closest to Mary and Jesus offer gifts, including a bronze vessel and a gold jar. One man has long dark brown hair and a beard, and wears a gold crown. Another man is bald with long gray hair and beard, while the third is cleanshaven with shoulder-length brown hair. These men wear robes in powder blue, carnation pink, or celery green with delicate silver and gold embelishments. Others in the crowd range in age from young and cleanshaven to older and bearded. They wear robes and tunics in shades of raspberry pink, butterscotch yellow, lapis blue, plum purple, or forest green. Several horses, their coats white or cinnamon brown, stand among the crowd, a few with riders. To our right, one horse rears its head and two others stand facing each other. Beyond the crowd, grassy green meadows and hills dotted with trees lead back to the horizon. A pale blue sky fills the top third of the composition.

Ewer

Chair (Kiti Cha Enzi)

Hilma af Klint — The Ten Largest — Number 5 Adulthood

Tánggǔ (堂鼓)

Viola d'Amore

Figural Pendant

Fox, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Guanyin

The bodhisattva Maitreya

This painting depicts a man with light skin, white hair, and a white beard wearing an orange cloth draped over a dark-blue garment with gold embroidery around the shoulder and neckline. He holds two large red keys in his left hand, and a thin, red, cross-topped rod in his right hand. There is a faint outline of a halo around the man's head, which is slightly turned to the right. The background is gold, enclosed within a red, white, and black patterned border.

Doublet

Door lintel with lion-griffins and vase with lotus leaf

Palampore

Pichhwai for the Festival of Cows

Transverse Flute in D-flat

The King's Acquaintances Memi and Sabu

Japan; Illustrated book; Illustrated Books